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Ajouter une intrigue dans votre langueThe two front runners for their party's presidential nomination, one principled and the other ruthless, vie for the former president's endorsement.The two front runners for their party's presidential nomination, one principled and the other ruthless, vie for the former president's endorsement.The two front runners for their party's presidential nomination, one principled and the other ruthless, vie for the former president's endorsement.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 5 nominations au total
Penny Singleton
- Mrs. Claypoole
- (scènes coupées)
Anne Newman Bacal
- Janet
- (as Anne Newman)
Avis à la une
Two men vie for the presidential nomination of a party. Based on a play by Vidal, this is a fascinating behind-the-scenes look at the political machinations on the campaign trail. Although the name of the party is not identified in the film, the candidates display elements of both Democratic and Republican values. Fonda is the decent, old-school liberal while Robertson is his ruthless, right-leaning rival. Both turn in excellent performances. The standout in the fine supporting cast is Tracy as a former president who must decide which candidate to endorse. This is an ideal companion piece to "Advise and Consent," made a couple of years earlier and also starring Fonda.
Henry Fonda and Cliff Robertson are neck and neck for the Presidential nomination in "The Best Man," a 1964 film based on the play by Gore Vidal, who also wrote the screenplay. The film sports an outstanding cast including Margaret Leighton, Kevin McCarthy, Edie Adams, Lee Tracy, Edie Adams, Ann Sothern, Shelley Berman, Gene Raymond and Howard K. Smith.
Fonda is William Russell, a wealthy man of principle, though he cheats on his wife; Robertson is Joe Cantwell, who chases Communists, is a "man of the people," and plays dirty. At one point, each candidate has something on the other that could lose them the nomination. Nowadays, of course, these items would have come out long, long before the convention. "One word from me and Joe Cantwell is out of politics," Russell muses to his wife (Leighton). But can he say the word? This is a fascinating look at the machinations of getting a President nominated, and asks the question, can a man retain his integrity and still be a politician? Vidal's answer comes as not much of a surprise.
Fonda played presidents and politicians throughout his career. As Russell, he has reserve and dignity. He keeps you guessing. Robertson does a great job as a disloyal sleaze. Lee Tracy, who started in silents, is fantastic as the current, ill President, repeating the role he played on Broadway. The rest of the cast is uniformly good.
So much of what is stated in "The Best Man" remains true today. I doubt these races are handled much differently now. The more things change, the more they remain the same. Especially in politics.
Fonda is William Russell, a wealthy man of principle, though he cheats on his wife; Robertson is Joe Cantwell, who chases Communists, is a "man of the people," and plays dirty. At one point, each candidate has something on the other that could lose them the nomination. Nowadays, of course, these items would have come out long, long before the convention. "One word from me and Joe Cantwell is out of politics," Russell muses to his wife (Leighton). But can he say the word? This is a fascinating look at the machinations of getting a President nominated, and asks the question, can a man retain his integrity and still be a politician? Vidal's answer comes as not much of a surprise.
Fonda played presidents and politicians throughout his career. As Russell, he has reserve and dignity. He keeps you guessing. Robertson does a great job as a disloyal sleaze. Lee Tracy, who started in silents, is fantastic as the current, ill President, repeating the role he played on Broadway. The rest of the cast is uniformly good.
So much of what is stated in "The Best Man" remains true today. I doubt these races are handled much differently now. The more things change, the more they remain the same. Especially in politics.
60's flick about political mudslinging between two candidates who are vying for their party's nomination for president. The action takes place at the convention as both Henry Fonda and Cliff Robertson dig up the dirt about each other. Compared to today's politics this 64 film actually seems tame. Fun to watch especially during a presidential election year.
What a pleasure to see Lee Tracy in his later years! He plays a President who is terminally ill-- not that Conservative, mudslinging candidate Cliff Robertson cares about his health.
The movie has some weird, faux cinema verite angles. It may not be great art as a movie. But what a screenplay, courtesy of Gore Vidal! Rarely are audiences treated to such literate dialogue and politic insight and wisdom.
Henry Fonda is very good as the upright candidate in a primary. Margaret Leighton, whom I love, is charming as his wife, though it's odd that a senator would have a British-accented wife.
Robertson, not a particular favorite generally, is superb as his rival. His tactics make the flesh crawl.
Kevin McCarthy as Fonda's aid is very good. Edie Adams as a political hostess is a scream -- and she seems just right.
And Tracy. He is both funny and touching. What a splendid actor that man was! In so many early movies, he delivered long, elegant bits of dialogue in what seemed to be a single take. That guy was load with talent. What a shame he self-destructed. But here he was, back again.
This is one of a kind and most definitely worth a visit.
The movie has some weird, faux cinema verite angles. It may not be great art as a movie. But what a screenplay, courtesy of Gore Vidal! Rarely are audiences treated to such literate dialogue and politic insight and wisdom.
Henry Fonda is very good as the upright candidate in a primary. Margaret Leighton, whom I love, is charming as his wife, though it's odd that a senator would have a British-accented wife.
Robertson, not a particular favorite generally, is superb as his rival. His tactics make the flesh crawl.
Kevin McCarthy as Fonda's aid is very good. Edie Adams as a political hostess is a scream -- and she seems just right.
And Tracy. He is both funny and touching. What a splendid actor that man was! In so many early movies, he delivered long, elegant bits of dialogue in what seemed to be a single take. That guy was load with talent. What a shame he self-destructed. But here he was, back again.
This is one of a kind and most definitely worth a visit.
I work at a movie theatre and in a time of one-week wonders ( yes, one film with an action star lasted 3 days in our chain !) it is refreshing to see a film again where the acting is good and the story keeps your interest.
I am watching this movie after not seeing it for 30 years. It made an impression on me and I started listening to both Gore Vidal and William F Buckley because of it.
Henry Fonda's character is clearly based on Adlai Stevenson. Cliff Robertson echoes Richard Nixon so much it is scary. His arrogance is such that he gives the former President orders !
People decried the smoke-filled room politics of this era but I wonder if we got better leaders back then. They seemed to make decisions based on the courage of their convictions and not what the latest poll says. Fonda's character comments on his ignoring polls, whereas now, politicians can't seem to brush their teeth without worrying about public opinion and not what is best for the country.
The actors in this movie didn't need special effects and could ACT unlike so many of the baby-faced wanna-bes of today.
This movie reflects sex, immorality, infidelity, integrity. God and judgement day are even mentioned, something that is anathema today. And what's shown in here shows that times change but one could replace current politicians for these actors and see them immediately.
Lee Tracy is great in this movie and it could be easily watched for just his performance.
Of note, is the glad-handing by William Russell at a public pool. No security guards, no secret service people.
And mention of a nervous breakdown by Fonda's character. Remember Thomas Eagleton?
If you haven't seen this movie, see it and Seven Days In May afterward. It will give you an idea of how poliiics was looked upon in a totally different era.
George Senda Concord, Ca.
I am watching this movie after not seeing it for 30 years. It made an impression on me and I started listening to both Gore Vidal and William F Buckley because of it.
Henry Fonda's character is clearly based on Adlai Stevenson. Cliff Robertson echoes Richard Nixon so much it is scary. His arrogance is such that he gives the former President orders !
People decried the smoke-filled room politics of this era but I wonder if we got better leaders back then. They seemed to make decisions based on the courage of their convictions and not what the latest poll says. Fonda's character comments on his ignoring polls, whereas now, politicians can't seem to brush their teeth without worrying about public opinion and not what is best for the country.
The actors in this movie didn't need special effects and could ACT unlike so many of the baby-faced wanna-bes of today.
This movie reflects sex, immorality, infidelity, integrity. God and judgement day are even mentioned, something that is anathema today. And what's shown in here shows that times change but one could replace current politicians for these actors and see them immediately.
Lee Tracy is great in this movie and it could be easily watched for just his performance.
Of note, is the glad-handing by William Russell at a public pool. No security guards, no secret service people.
And mention of a nervous breakdown by Fonda's character. Remember Thomas Eagleton?
If you haven't seen this movie, see it and Seven Days In May afterward. It will give you an idea of how poliiics was looked upon in a totally different era.
George Senda Concord, Ca.
Le saviez-vous
- AnecdotesLegend suggests that the future Republican American President Ronald Reagan, late in his previous career as a Hollywood actor, was rejected for a role in this film because a studio executive at United Artists didn't think he had "that presidential look". However, Gore Vidal, in one of his several essays attacking Reagan's presidency, says that Reagan was actually considered for the role of Joe Cantwell during preparations for the first Broadway production of his original play in 1960. (Frank Lovejoy eventually played Cantwell on stage). 1964, the year the film version appeared, was the year Reagan decisively left acting for politics, so Vidal's version of the story is the more likely.
- GaffesDuring the roll call, the chairman of the Pennsylvania delegation begins his announcement by saying "Mr Chairman, the State of Pennsylvania....". Pennsylvania is actually a Commonwealth, and any leading politician would refer to it as such.
- Citations
Joe Cantwell: I don't understand you.
William Russell: I know you don't. Because you have no sense of responsibility toward anybody or anything. And that is a tragedy in a man, and it is a disaster in a president.
- Crédits fousDuring the opening credits, a picture of every single U.S. President appears in order, from George Washington to Lyndon Johnson.
- ConnexionsFeatured in AFI Life Achievement Award: A Tribute to Henry Fonda (1978)
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- How long is The Best Man?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El mejor candidato
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 1.66 : 1
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By what name was Que le meilleur l'emporte (1964) officially released in India in English?
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