La Fureur des Apaches

This is a fully-fledged 90 minutes approximately action Western film , fast moving , tense , rousing scenes and excitement throughout its running time . A young cavalry officer called (Audie Murphy) is assigned the job of bringing in a band of Apaches Miscalero led by Vitorio (Vitale) and his son Red Hawk (Michael Dante) who have been terrorizing the countryside . They have escaped from San Carlos reserve , illustrating the callous disregard with which the government treated the Apaches as the US agency fails to deliver even the meager provisions without proper supplies for survival . But the captain Stanton is caught in the crossfire of passions and greed . There arrives a new Colonel (John Archer) and Stanton turns into second-in-command and he subsequently is dismissed .

The picture packs whirlwinds of manic action , thrills , fights , sustained energy and often commendable results . The film has a slickness and crude vigour , though some scenes are failures . The Indian attacks , shootouts , pyrotechnics , battles , riding pursuits , all of them are spectacular and the film is another passable Hollywood product but of B-series . It contains some vigorous and ingeniously done action scenes , but others no-nonsense . The highlights of the movie are the overlong fighting between Stanton and Red Hawk and the final Indian attack to cavalry . Gorgeous outdoors filmed on location in Bronson Canyon , Mojave, California and Red Rock Canyon State Park Cantil, California . It was professionally directed by William Witney who spent his entire career making serials and second-features , one of them is this ¨Apache rifles¨ , providing the screenplay allowed him to keep them thrilling at his own moving and relentless gallop . It has a rigour look , hard-edged scenes , action-packed , wild energy , exciting images that , in the eyes of connoisseurs makes one of the most acceptable of his kind .

This traditional Western was regularly directed by William Witney , though contains some vigorous scenes . Witney was a craftsman who directed 140 titles from the 30s . Oklahoma-born William Witney began his long screen career as a studio messenger in silent days joining Republic Pictures shortly after . By 1936 , he was already script supervisor on serials and his own directorial career started the following year . Witney graduated to director at 21, he was Hollywood's youngest , and he teamed with director John English on many of the period's best serials . He realized many of the era's best serials , most of them highlighted by kinetic fight and chase scenes that helped change the face of action movie-making and from 1956 , he transferred these stirring energies to TV Westerns with prolific and enjoyable results . The favorite shooting was the 1939 serial ¨Zorro's fighting legion¨ . As his pictures were mainly serials , after WWII service with US Marines , he moved on to Roy Rogers Westerns , inserting into them a new tough backbone that offended some Rogers purists . In 1954 he made one of the best films ¨The outcast¨ with John Derek , besides his television work which includes some quite exciting episodes of such series as ¨High Chaparral¨, ¨Bonanza¨, ¨Laramie¨, ¨Zorro¨, ¨The Virginian¨ and ¨Wagon train¨ and he followed to work for cinema and was capable of making large-scale movies as ¨Santa Fe Passage¨ involving a wagon train against Indians , ¨The Bonnie Parker story¨about the famous gun-moll , and specially ¨Master of the world¨ an amusing Jules Verne adventure with Vincent Price and Charles Bronson . The motion picture will appeal to Western buffs ; it's an agreeable popcorn story plenty of shots with Indians , soldiers and gunfighters .

Apache Rifles (1964)

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In the Arizona Territory in 1879, Captain Jeff Stanton takes command of a cavalry unit tasked with returning the Apaches to their reservation. The Mescaleros Apaches, led by chief Victorio, have left the reservation and openly attacked farmers,gold miners and settlers who trespassed on their lands. During a skirmish, Captain Stanton captures Red Hawk, the son of the chief, and uses him to bargain for a truce. Stanton promises to chief Victorio to see that gold miners and settlers are kept off Indian lands. However, some greedy townsfolk and disfranchised gold miners plot to break the uneasy truce. They murder the Indian agent and blame the Apaches. They complain to Washington D. C. about Captain Stanton's negotiated truce. Stanton is replaced by Colonel Perry who intends to use a heavy hand in subduing the Apaches.

Apache Rifles is directed by William Witney and adapted to screenplay by Charles B. Smith from a story written by Kenneth Gamet and Richard Schayer. It stars Audie Murphy, Michael Dante, Linda Lawson, L.Q. Jones, Ken Lynch, Joseph Vitale and Robert Brubaker. Music is by Richard La Salle and De Luxe cinematography is by Arch R. Dalzell.

Murphy stars as Capt. Jeff Stanton, a cavalry officer in Arizona territory, 1879, who is assigned to bring to the reservation the runaway Apaches who have had enough of the greedy gold miners pillaging from their promised land. Originally driven by his hatred towards Native Americans, Stanton's cause is muddied when he starts to fall for half Indian Dawn Gillis (Lawson), who in turn is courted by Red Hawk (Dante).

By 1964 the conventional B Western was very much on the wane, with the theme of being sympathetic to the Native Americans having already been explored significantly in far better Westerns than Apache Rifles. Though it never hurts to have another one in any day and age, mind! Apache Rifles is pretty standard stuff, it's decently constructed and paced by Witney, who gets to show his talent for action scenes, Murphy is his usual affable self, even getting to put some emotion conflict into the portrayal, and exterior photography out of Mojave and the Bronson and Red Rock Canyons is most pleasing. It never quite hits the dramatic heights it aims for because the simmering love triangle often stops the picture in its tracks, a shame especially as some political shenanigans could have been explored further, while a quick about turn in the finale smacks of audience manipulation and comes off as a cheat. But it's inoffensive stuff for the most part, enjoyable for the right reasons within its low budget, even if it's just one for Murphy fans to tick off their lists, never to be seen again. 6/10

You must watch this. The characters are very good. Thoroughly screened and finalised. The story of the movie is also worth watching. One must watch this. Very interesting movie. It will definitely be one of the best of its kind. The action is also thrilling. The actors and actresses have done their best. All the characters are well defined and doing justice to their role. Superb movie. This can be seen by all age viewers. Well defined and well shooted. The scenes are also superb. Action, emotion, thriller, everything is there to watch. A good time pass for all kind of viewers. Apache Rifles worth watching story.

Provoked by gold miners invading their homeland, the Apaches go on the warpath. Audie Murphy's cavalry captain brings about a peace that lasts until the murder of a new Indian agent is blamed on the tribe and the ruthless tactics of commanding officer (John Archer) make matters worse. Murphy turns from hating Indians to helping them and ultimately proposes marriage to Linda Lawson's half-breed.

A thoughtful western featuring a clash of cultures, a powder keg situation brought on by greedy miners whose heinous actions cause the Apaches to break the reservation and go on the warpath. Sounds familiar, but there's some nicely drawn characters, a very good cast ( Michael Dante is excellent as Redhawk and L. Q. Jones is quite nasty as the villain), and a bit more depth and an engaging build-up before the lead and arrows fly.

But it's the Audie's understated performance as an Indian-hating ( actually I wouldn't say he hates them, but is confused and bitter) cavalry captain that carries the briskly-plotted film. The action is sporadic with the narrative in the centre, however, when the action comes, it's stirring. There's a particular scene that is quite fresh: Audie and L. Q fight it out in the desert, then stop and duck as the Apaches rush by, and there's a point when they slip into a crevasse of a rock as they rush by again. Energetic western with a strong narrative that ends on a positive note.