Zorba le grec

Contrary to others who may think this film is some sort of tribute to living life to the fullest, it is completely depressing, pessimistic, and detestible. There is not one likeable character in the entire film. Zorba is a jackass who f***s up the lives of everyone he comes in contact with because of his selfish "zest" for life, i.e., wasting other people's time and money while lying to them. He's a man who has left his wife and family behind with no regret and works odd jobs, including wrecking Basil's mine and depleting his money. Basil thinks this is wonderful. Why? It's almost as if Basil has latent gay love for Zorba. One of the 2 most disturbing moments in the film is when the widow (Irene Pappas) is murdered in broad daylight by a crowd which is angry that she has somehow driven an unrequited lover to suicide. Basil does nothing, even though the widow's his love interest (interestingly though Basil did not previously sleep with the widow). Zorba tries to protect the widow, but she's still murdered, her throat slit like a lamb to the slaughter. INCREDIBLY, Zorba and Basil go on about their business like this is some sort of acceptable crime. WHAT THE HELL!! The level of mysogyny is disturbing.

Then, when the French hotel woman dies, the author/director maligns the poor villagers (and the people of Greece) by making them look like vultures that steal her possessions before she's even croaked. This isn't a celebration of life, but a sad portrayal of common people as evil idiots. I wish this story had never been made into a film.

When I first saw Zorba the Greek 4 years ago, I inwardly thanked my philosophy teacher for having us watch this masterpiece. Today, I am still greatful to him. This movie is definetely one of my all time favorite. The whole cast is great, the story is really close from the book (except for some details that an author can write in a book, but a director can't put easily in a film), images are wonderful, Crete is.perfect. If you have never seen this movie, I recommend it to you.

Nikos Kazantzakis' novels lend themselves to cinematic treatment. Jules Dassin made a great adaptation of "He Who Must Die", and Michael Cacoyannis was equally successful in bringing "Alexis Zorbas" to the screen. Watching this film for a second time puts into perspective a lot of things that escape many a viewer the first time around.

Michael Cacoyannis changed the order of events in the book, as well as Nikos, who he transforms into Basil, the Englishman. The changes are not without merit since all the elements contribute to blend well together in the finished product. The director was fortunate to find such collaborators as Mikis Theodorakis, the genial composer of the music score and Walter Lassally, who photographed the barren area where most of the action takes place. Viewing the film on cable recently, shows Lassally's crisp black and white photography in mint condition.

The film is totally dominated by Zorba, who is a figure larger than life, as he takes Basil under his wing from the start. Anthony Quinn was a perfect choice for playing the title character. Mr. Quinn had worked with other brilliant directors, Federico Fellini, being one of them. It's almost impossible to think of Mr. Quinn as being an American because the magnificent transformation he undergoes here to portray Zorba.

Alan Bates, who is seen as Basil, the Englishman of Greek descent, who is going to Crete to see the family's land and mine. By underplaying Basil, Mr. Bates set the right tone, in sharp contrast with Anthony Quinn's exuberance. Alan Bates, in the end, made perfect sense with the way he played Basil.

Lila Kedrova is another surprise in the film. She is the tragic Madame Hortense, who has lived in the island for quite a while. It's ironic that love always eluded her until she finds in Zorba a reason for keep on living. Irene Papas is equally intense as the widow who is haunted by all the men in town. She has little to say, but just a look from her smolders the screen, be it, for the lust she felt for Basil, or the hatred for the town male population.

Michael Cacoyannis uses these men, as a sort of Greek Chorus, so important in Greek tragedies. The same could be said of the older women of the town who resent the arrivals of strangers. The Greek cast one sees is quite effective in the context of the movie.

"Alexis Zorbas", or "Zorba, the Greek", is a film that will stay with the viewer for quite a while because of what the director accomplished with it.

OK, I admit I've seen this movie a dozen times. But it never fails to inspire. Was there ever a man who lived life as fully as Alexis Zorba? Was there ever a character who understood so much about living and dying, women and men? Zorba ripping a piece of lamb from the spit and biting into it with joy and verve, dancing in pain or dancing from joy, expressing his wonderment at the sight of a dolphin, gives this character a special place in movie history.

If the rich storytelling and great Quinn performance were not enough, we get the young Alan Bates in a fine part doing a fine piece of acting, and the extraordinary pair of performances by Lila Kedrova and, especially, Irene Pappas, who need not speak a word to convey an entire menu of emotions.

The final scenes are among the best in movies. The music is among the best. Indeed, the MOVIE is among the best.

A GREAT movie.

A young Englishman is writing on a manuscript about the Buddha. He meets Alexis Zorba who greatly influences his outlook on life. The narrator, whose name is not revealed, hires Zorba to superintend the workmen in his lignite mine in Crete. Zorba the Greek is a book and a movie by nature on the contrast between the Apollonian and the Dionysian outlook on life. Apollo/the boss(Alan Bates) represents the spirit of order and rationality, while Dionysus/Zorba(Anthony Quinn) represents the spirit of ecstatic, spontaneous will to life. Anthony Quinn's performance is really great. I read the book about a month ago and I guess I couldn't visualize the Zorba image in my mind that well. His looks,one-liners,his dancing sirtaki on the beach,his harmony with Madame Hortense(Lila Kedrova)just looks so nice.It is really surprising that Lila Kedrova got "Academy Award for Best Supporting Actress" while Anthony Quinn just got the nomination for best actor in a leading role.(Such a pity that he didn't get it.) Well that work of art is not so great as "Jesus Re-crucified" or "The Last Temptation of Christ " but is a still great Kazanthakis art.And the adapted movie is a really good one coz given that the whole book is based on a contrast introduced by Friedrich Nietzsche and it is not supposed to be easy to cinematize a philosophical book.Great Quinn! Great movie!(But I Don't THINK LILA KEDROVA DESERVES THAT AWARD) If you have ever read Kazanthakis you should absolutely see this movie!