Les mésaventures d'une famille divinement macabre, mais extrêmement affectueuse.Les mésaventures d'une famille divinement macabre, mais extrêmement affectueuse.Les mésaventures d'une famille divinement macabre, mais extrêmement affectueuse.
- Récompenses
- 2 victoires et 4 nominations au total
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The Addamses are a delightfully ghoulish family. Father Gomez (John Astin) clears his throat with a sword, mother Morticia (Carolyn Jones) owns several carnivorous plants, and servant Lurch (Ted Cassidy) somberly replies "You rang?" whenever someone rings the bell. And of course, there's their pet, a severed hand named Thing. The family spends their days engaging in activities that most would find weird (to be certain, everything that's normal to us is weird to them). For example, Uncle Fester (Jackie Coogan) likes to rest on a bed on nails. They go through their everyday lives (uh, lives?) doing the sorts of things that most people do, just differently (to say the least).
Among other things, "The Addams Family" was actually better than "The Munsters" (it was cleverer and not so silly). This truly represented a break from the "ideal American family" mold that had previously dominated TV, especially since Gomez and Morticia often got slinky with each other. Definitely watch it whenever it's on (TV Land is currently rerunning it).
Among other things, "The Addams Family" was actually better than "The Munsters" (it was cleverer and not so silly). This truly represented a break from the "ideal American family" mold that had previously dominated TV, especially since Gomez and Morticia often got slinky with each other. Definitely watch it whenever it's on (TV Land is currently rerunning it).
The Addams Family comes from a very cultured place: the nimble mind and pen of Charles Addams, a cartoonist whose work appeared in the entertainingly droll "The New Yorker" magazine. Charles' "family" were a macabre and quaint set of well to do people who just happened to take pleasure in pain and who dressed in dark colors. This means that the cartoonist was the unofficial Grandaddy of Goth! When the concept of converting these ink doodles into a live action television program took place, the timing coincided with another "odd" family who also arrived on our Television doorsteps that same season: "The Munsters." In a way, that was a disservice to both programs, since the common traits they shared made them a constant comparison. Personally, though I don't believe they are in the same league.
Where "The Munsters" went for the slapstick schtick nearly every time, "The Addams Family" used more wordplay and more clever, witty attempts to bring a laugh. But even that wasn't the main difference between the programs.
The secret ingredient that The Addams Family had over their Mockingbird Lane counterparts was a single word: PASSION. Yes this was a family with a creepy home, kooky hobbies, mysterious eating habits, and spooky pets. But at the root, at the heart, at the altogether ooky core of the story was this one, great, huge love between Gomez and Morticia and the love they shared for all of the people in their lives. John Astin and Carolyn Jones were incredible, and for my money, are still the sexiest couple in TV history.
Though it was often played for laughs, as when the matriarch uttered a word in French and Gomez couldn't resist kissing up her arm, it was very palpable, in the pet names they called each other, in the way they tangoed or in how the pair chatted in each other's company. This was a family that cared about all of its members deeply, and that read as clear as a full moon over a cemetery.
The laughs of the program were just the spider on the web, and the laughs were plentiful and great. A stellar cast, very good special effects and smart story lines, plus a great set of music cues from Vic Mizzy that added just the right finish to a fantastic program. Next time you have a chance to view an episode, keep that love story in mind as the show's centerpiece and see if you don't appreciate it in a new and deeper way.
Where "The Munsters" went for the slapstick schtick nearly every time, "The Addams Family" used more wordplay and more clever, witty attempts to bring a laugh. But even that wasn't the main difference between the programs.
The secret ingredient that The Addams Family had over their Mockingbird Lane counterparts was a single word: PASSION. Yes this was a family with a creepy home, kooky hobbies, mysterious eating habits, and spooky pets. But at the root, at the heart, at the altogether ooky core of the story was this one, great, huge love between Gomez and Morticia and the love they shared for all of the people in their lives. John Astin and Carolyn Jones were incredible, and for my money, are still the sexiest couple in TV history.
Though it was often played for laughs, as when the matriarch uttered a word in French and Gomez couldn't resist kissing up her arm, it was very palpable, in the pet names they called each other, in the way they tangoed or in how the pair chatted in each other's company. This was a family that cared about all of its members deeply, and that read as clear as a full moon over a cemetery.
The laughs of the program were just the spider on the web, and the laughs were plentiful and great. A stellar cast, very good special effects and smart story lines, plus a great set of music cues from Vic Mizzy that added just the right finish to a fantastic program. Next time you have a chance to view an episode, keep that love story in mind as the show's centerpiece and see if you don't appreciate it in a new and deeper way.
'The Addams Family' was one of my favourite TV shows growing up because of it's overall weirdness, which appealed to my sick sensibilities having been raised on a diet of Mad magazine and Hammer horror movies, and because it was genuinely funny. And all these years later it still is. As an adult I appreciate it on even more levels. With hindsight it manages to look like one of the most subversive shows ever shown on TV, while simultaneously showing one of the most loving, and well adjusted families in TV history! How ironic is that?
John Astin as Gomez Addams shows outstanding comic flair, and is still a delight to watch. (Try and track down the ahead of its time comic western 'Evil Roy Slade' for another wonderful Astin performance.) The chemistry between Astin and on-screen wife Morticia (the lovely Carolyn Jones) is smoldering AND hilarious, and the two are backed up by a fine supporting cast, especially former child star Jackie Coogan as the bizarre but lovable Uncle Fester.
Forget the hit and miss movies, these are the original and still the best Addams family. Wonderful fun!
John Astin as Gomez Addams shows outstanding comic flair, and is still a delight to watch. (Try and track down the ahead of its time comic western 'Evil Roy Slade' for another wonderful Astin performance.) The chemistry between Astin and on-screen wife Morticia (the lovely Carolyn Jones) is smoldering AND hilarious, and the two are backed up by a fine supporting cast, especially former child star Jackie Coogan as the bizarre but lovable Uncle Fester.
Forget the hit and miss movies, these are the original and still the best Addams family. Wonderful fun!
John Astin and Carolyn Jones brought the Charles Addams cartoons to life in this excellent counter-cultural '60s show. They each brought their own qualities to the characters, Astin his Zen Yogi Buddhism and his Shakespeare, Jones, her knitting and great looks. If you pay attention to the dialogue it's subversive on many levels which may be why ABC cancelled it after 2 years of great success.
Carolyn Jones is gothically georgeous with a great sing-songy voice that brings the dialogue to life, and a figure perfect enough to fit into that black widow dress. I always love how she says "Mail's In...Thank You Thing" when the foghorn sounds. Lurch is great when he moans all the time, and Fester with his gun "I'll shoot 'im in the back!".
I think the most poignant episode was when Rocky, a biker beatnik comes and the Addams' accept him as he is and teach his staunch father a lesson. His father tells them, "If there's a kook here, it's probably me". And at the end after everyone says "right", Morticia says, "reet"...a subtle message that she learned to be different from Rocky.
This hinted at the explosion of youth rebellion that was to come...and this series may have precipitated it on some level. The '60s had counter-culture all of a sudden injected into popular culture and it had an impact on the development of the actual counter culture of the late 60s...and even present day the "gothic" look can be traced directly to here.
Another memorable thing is Cousin Itt's tiny room everyone else had to crouch in and they hit their heads on the ceiling (now you know what Being John Malkovich was a rip-off of). And the moonbathing is great. But most important is the sexual chemistry between Morticia and Gomez: "Querida, that's French!" as he kisses his way up her arm. They never fought and prompted a psychologist to comment, "This is the healthiest show on TV". I myself grew up in an abusive disfunctional environment like many Americans, and this show was one of my respites as a kid because I knew Gomez and Morticia would never get mad at me or each other.
This show carried that je-ne-sais-quoi that a lot of '60s culture did, and there's nothing today that even comes close. There were alot of subtle things in the script you had to look for, like when Lurch always has whatever is requested on hand, Gomez' numerous Shakespeare references, and how they have to turn off the cave echo with a switch.
I finally saw the Addams' Family movie and it doesn't measure up to the original in any way. If you've never seen this show, you're in for some first class high level satire and memorable characters. Carolyn Jones' epitaph reads, "She gave joy to the world"...that cannot be denied.
Carolyn Jones is gothically georgeous with a great sing-songy voice that brings the dialogue to life, and a figure perfect enough to fit into that black widow dress. I always love how she says "Mail's In...Thank You Thing" when the foghorn sounds. Lurch is great when he moans all the time, and Fester with his gun "I'll shoot 'im in the back!".
I think the most poignant episode was when Rocky, a biker beatnik comes and the Addams' accept him as he is and teach his staunch father a lesson. His father tells them, "If there's a kook here, it's probably me". And at the end after everyone says "right", Morticia says, "reet"...a subtle message that she learned to be different from Rocky.
This hinted at the explosion of youth rebellion that was to come...and this series may have precipitated it on some level. The '60s had counter-culture all of a sudden injected into popular culture and it had an impact on the development of the actual counter culture of the late 60s...and even present day the "gothic" look can be traced directly to here.
Another memorable thing is Cousin Itt's tiny room everyone else had to crouch in and they hit their heads on the ceiling (now you know what Being John Malkovich was a rip-off of). And the moonbathing is great. But most important is the sexual chemistry between Morticia and Gomez: "Querida, that's French!" as he kisses his way up her arm. They never fought and prompted a psychologist to comment, "This is the healthiest show on TV". I myself grew up in an abusive disfunctional environment like many Americans, and this show was one of my respites as a kid because I knew Gomez and Morticia would never get mad at me or each other.
This show carried that je-ne-sais-quoi that a lot of '60s culture did, and there's nothing today that even comes close. There were alot of subtle things in the script you had to look for, like when Lurch always has whatever is requested on hand, Gomez' numerous Shakespeare references, and how they have to turn off the cave echo with a switch.
I finally saw the Addams' Family movie and it doesn't measure up to the original in any way. If you've never seen this show, you're in for some first class high level satire and memorable characters. Carolyn Jones' epitaph reads, "She gave joy to the world"...that cannot be denied.
It's funny, but when I ask friends my age who was the best TV dad of the 1960s, I often get the answer 'Gomez Addams' or if I mention him, they then agree with me wholeheartedly. He was a radical and wonderful husband--and the Addams', believe it or not, were a very healthy family that could be emulated. Now I am NOT recommending folks have pet lions, eat eye of newt, have model trains that blow up, sleep on beds of nails and the like. I AM recommending you look at the relationships between the characters. Mr. Addams truly loves his family. But, more importantly, he was the first husband who loved his wife sexually. He adored her--setting a wonderful example for the kids. The same can be said for Mrs. Addams. While her libido didn't seem quite as strong, it was VERY strong for a 1960s woman--and she was a loving and gentle mother. As for the kids, despite being total weirdos, they were really decent kids. All in all, the show wasn't just comedy and weirdness but a fantastic prototype for how the American family could or should be. This is why I adore this show. Sure, it makes me laugh but it also influenced how I later became a husband and father--and often makes me ask myself WWGD--what would Gomez do? Well written, funny and fun.
Le saviez-vous
- AnecdotesWhen the show was canceled in 1966, the producers gave Morticia's oval-backed wicker chair to Carolyn Jones as a memento. Jones kept it in her bedroom for the rest of her life.
- GaffesFester is sometimes referred to as being an Addams, but he is from Morticia's family, named Frump.
- Crédits fousIn the closing credits, Thing is credited as "Itself"
- ConnexionsFeatured in The Horror Hall of Fame (1974)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Addams Family
- Lieux de tournage
- Stage 3/8, General Service Studios - 1040 N. Las Palmas Avenue, Hollywood, Los Angeles, Californie, États-Unis(House set, today Hollywood Center Studios, permanently closed)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée30 minutes
- Couleur
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