Romance à Moscou

The film is a well-executed attempt to record the transient youth impressions of the aging generation of the Soviet baby-boomers. Or rather the inevitable fantasising about them 20+ years later. Not that it makes it any different from any other generation which has ever lived.

Just as in the end of a news hour, there's a 60 second feel-good segment, in every generation, there's its own feel-good story. The scrutiny of how realistic those dreamy fantasies of the past are is beyond the point. Relaxing in the backyard's arm chair with a glass of well-deserved glass of wine reflecting on the past is of course a part of the drill.

In the end, this patriotic narcissistic drivel could have been "Ya shagayu po Berlin (1964)" or "Ya shagayu po Hiroshima (1964)" full of love, spring vitality and romanticism. Which is of course fine as the life obviously goes on.

And perhaps it's fine. It depends on the viewer's outlook. But for some, the film will be clearly interspersed with visual and conceptual references aggrandising and beautifying what the country has gone through in the preceding 50 years. A sort of the Soviet Union of Amnesia that is. A common propaganda "feel-good" trick in a wide range of other tricks in the toolboxes of various Ministries of Truth across the globe.

One thing is for sure: this is a movie done by the power which won the war, so history is written accordingly. Small but curious detail.

Film critics and viewers familiar with Russian cinema know about Nikita Mikhalkov as the brother of director Andrei Konchalobsky who has directed successful films in Hollywood, a leading director who has brought tremendous success to Russia as a major film making nation. He has also been noticed as a remarkable actor in films made by himself and other directors. Walking the Streets of Moscow is one of his early films with a youthful appearance. It was directed by Georgiy Daneliya who has an amazing of repertoire of charming comedy films. For this film, Daneliya chose to film Russian realities in a light manner. For example: serious issue of war has been briefly discussed in order to concentrate more on things which have an everlasting effect on youngsters. As there are many good views of Moscow, Walking the Streets of Moscow appears as an unofficial tourist guide of Russian capital. Russian youngsters of the sixties emerge as the true heroes of this film as one day in the life of a young soviet citizen who has come to Moscow is meticulously portrayed in order to reveal that Russian youth too was interested in flirting, learning English and buying LP records of classical music.

There is some kind of hackneyed opinion in the world that Moscow is a city of almost everlasting winter. Unfortunately there is a lot of truth in such words: we live in cold and rather dark city for 5-6 months a year. But if you'll come to Moscow in May or maybe in last April, it is most likely that you'd fall in love with this city. The film of G.Danelia brings you this delightful and intoxicating scent of spring Moscow, a fresh and brilliant scent of youth, beauty and first love.

I think it is a best role of well-known Russian actor and director Nikita Mikhalkov - and it's of no doubt the most sincere work of him. And I also should say about sparkling supporting role of Vladimir Basov - his clever Floor polisher is really wonder :))

I am curious so few comments here …this is truly great film and became classics.

The movie portraits Soviet 'ottepel'' period but is not about politics-

It is about Moscow, sincere human relations, freedom, youth, idealism, great actors' play, great song - 'A ya idu shagau po Moskve i ya proiti eshe smogu!…'.

I like the spirit of the movie (freedom) which has been copied thousands of times in other Russian movies but neither succeeded.

So, honestly, find and see this movie!

My rating: 10/10.

Georgiy Daneliya surely must have seen some French films at the time, and the music which is charming reminded me a little of the Italian Nino Rota. It is no masterpiece, but it is a film that deserves a wider viewing. Fortunately YouTube is showing it in widescreen with English subtitles and despite just a touch of propaganda and small reminders of Soviet life it has a free wheeling charm that carries the viewers along. And now I may be a bit controversial. I watched it with a Gay/Queer eye and there is a lot of male eroticism in it. There is even a shower scene which almost opens the film which is a Gay trope in so many Gay films. And as much as I do not respond to Nikita Mikhalkov and his work as a director he makes a handsome lead. But it is Aleksei Loktev who really steals the eye and no doubt the hearts of many as an aspiring Siberian young writer who comes to Moscow to talk to a famous writer. If he had been French he would have brought a lot to French cinema. Along with Evgeniy Steblov as a hesitant young man timid about marriage this makes for a good looking trio with gentle male on male touches ( all of course in the name of comrade friendship ) but if you pause for stills as I did there is a slight romantic edge there. That is my opinion anyway, so any gay person reading this see what you think! There are young women of course and romance there as well, and yet it is the guys who take up most of the film. There is a song at the end when Mikhalkov is in the metro about the undisputed charms of Moscow that could have come out of a Francois Ozon or Christophe Honore film in its male charm. As for the filming it is as good as many a Nouvelle Vague film of the time, and the camera probes and captures the spirit on location of Moscow as it was then. And there is a gentle comedy that pervades the whole scenario that had echoes of certain moments in Louis Malle's ' Zazie dans le metro. ' I will watch this film again as it touches the heart, and there is no rigid formalism, but a lightness of touch that is remarkable and I had the feeling that everyone in it was trying to forget politics and just enjoying what seemed to me a great deal of freedom of life. Not quite a masterpiece, but a very good film.