What's a Nice Girl Like You Doing in a Place Like This?

The title of this short doesn't really tell what it's about. This is the earliest of the legendary Martin Scorsese's films that's available for viewing and it's quite a fascinating find as with this one, he experiments with various jump cuts, still images, and extreme close-ups with a (possibly) stock piano score playing throughout. The ending is especially interesting. Worth checking out.

This early effort by Scorsese demonstrates a real flair with cinematic technique, as well as a cheerfully dry sense of humour.

It seems to be about writer's block, quite possibly a mini-homage to Fellini's 8&1/2, but what I found most striking was its warped sense of humour, more British than American.

Shot in black & white, the short is about a would-be writer called Algernon (aka Harry), who becomes obsessed with a picture on his wall. He can't eat, sleep, or write, then throws a party, where he finds the cure for his troubles.

That doesn't really sum it up, as I think this film was more about Scorsese having some fun putting a film together, although there's no doubt a fair bit of personal reflection in there.

For some reason, short films aren't as enjoyable & well-made as this anymore, now that everyone does it.

Well worth a look.

I wouldn't say that What's a Nice Girl Like You Doing in a Place Like This? is one of Scorsese's best short films, but it shows his earliest roots as a filmmaker as being inventive and very wacky ones indeed. His editing style here with Robert Hunsicker completely abandons any reason for convention and just bounces around somewhere in that sweet, strange realm between the avant garde and a cartoon. It deals with a man who basically has trouble sleeping, eating, and most of all writing, but then he meets a girl, but that too doesn't work out too well. There's no real 'plot' at all to describe, as Scorsese is not in the frame of mind here to go by one. It's got that style of improv-comedy that is almost like someone from the beats, only working with a more visual aesthetic here.

Sometimes its just a little too 'hip' for its own good, and the signs of first-time amateur hour almost comes into frame. But it's still a Scorsese picture all the way, with one shot that pans around the guy sitting down seeming to recall other shots in his oeuvre. Maybe the funniest part of the film though is, in the narration, how the guy keeps on referring to 'his friend(s)', to which Scorsese repeatedly cuts back to this older guy in sunglasses, who says his lines perfectly dead-pan. I was very glad to see it, even if- of course- it's not flawless, far from it. It's a quickie made on the fly, but it's got some good grit to it, and even a little musical number thrown in (the one time in the film where it actually doesn't cut TOO crazily from one spot to the next, one of the film's odd charms).

I found this first short of the brilliant Martin Scorcese very odd, very odd indeed. Although it is a student film, I loved this cartoonish, "woody allenish" (or Jewish comedy) side of Scorcese, and I would really like to see more.

Unfortunately, we still haven't (I'm not complaining though), and that leads us to the question: "what if Scorcese had stayed on the comedy path?", great things i'm sure.

Didn't like the ending though, but enjoyed very much the repetitive actions of the friend and the bizarre montage of the boat.

As I said, this is a very enjoyable short, I recommend it (if anyone cares).

PS: This is my first review, that's why it stinks.

PS2: I would re read this review listing to "Wouldn't it be nice" by the Beach Boys.

I saw this film a few months ago as part of a package that was showing five of Martin Scorsese's early short films (the other films included were "The Big Shave", "It's Not Just You, Murray", "Italianamerican" and "American Boy") at the local art-house theater.

"What's a Nice Girl Like You Doing in a Place Like This?" is very similar to his other NYU film-school effort "It's Not Just You, Murray". It is a quirky little film about a writer and his obsession with a photograph he has on his wall. This obsession has caused him to develop writers block.

The film plays out like a short fable and displays a much more humorous and playful side of Scorsese. You can tell it's Scorsese, but his style is much quirkier and less potent here. Still, it's a good, funny short movie worth seeing if you want to see where Scorsese was routed.