Ajouter une intrigue dans votre langueA writer named Algernon (but called Harry by his friends) buys a picture of a boat on a lake, and his obsession with it renders normal life impossible. He attempts to function again by consu... Tout lireA writer named Algernon (but called Harry by his friends) buys a picture of a boat on a lake, and his obsession with it renders normal life impossible. He attempts to function again by consulting an analyst and becoming married, but eventually succumbs to his strange anxiety by d... Tout lireA writer named Algernon (but called Harry by his friends) buys a picture of a boat on a lake, and his obsession with it renders normal life impossible. He attempts to function again by consulting an analyst and becoming married, but eventually succumbs to his strange anxiety by disappearing into the picture.
- Réalisation
- Scénario
- Casting principal
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The story is odd, the cinematography is odd, even the actors are odd. It's a great debut. Like a lot of directors in his ranks, Scorsese does not begin his filmography with the most hard-hitting and serious of his work. He begins with the lighter side to his cinematic voice and manages to keep it above fluff.
He got funnier later in his career, that's for sure, but for an early short film made when the legend was only 20, it's not bad. It follows a neurotic guy as he narrates his life that's uneventful, but he perceives it to be chaotic. It feels sort of like a prototype for the kind of thing that Woody Allen would essentially make a career out of (did Scorsese beat him to the punch? I don't know of many Woody Allen films that were written or directed before the late 1960s).
It's got some neat editing, and a certain amount of style that makes it better than the average short film made this long ago. There's nothing amazing to be found here, but it's decent enough and made me chuckle a couple of times, so that's something.
It seems to be about writer's block, quite possibly a mini-homage to Fellini's 8&1/2, but what I found most striking was its warped sense of humour, more British than American.
Shot in black & white, the short is about a would-be writer called Algernon (aka Harry), who becomes obsessed with a picture on his wall. He can't eat, sleep, or write, then throws a party, where he finds the cure for his troubles.
That doesn't really sum it up, as I think this film was more about Scorsese having some fun putting a film together, although there's no doubt a fair bit of personal reflection in there.
For some reason, short films aren't as enjoyable & well-made as this anymore, now that everyone does it.
Well worth a look.
The plot is insignificant... the cuts are fast and aggressive, the visuals big and bold. What amazes me is how comfortable Scorsese seems with the camera, the frame, and the rhythm so early in his career... the movie is alive with his genius; it's still striking today.
- The shots of Harry setting up his apartment are reminiscent of Edward Norton's catalog decorating in "Fight Club." Did director David Fincher get his idea from this movie? Probably not, but great minds think alike... and incidentally Scorsese achieved his effect without any computers.
- The interplay between the voice-over narration and the dialogue reminded me of Scorsese's "Goodfellas," especially the friend who simply repeats Harry's lines.
HENRY (VO): What could I do? If she wanted me to I had to go back for her hat!
KAREN: A hat?
- If you are a New Yorker you may notice a brief but interesting shot of the 1964 World's Fair grounds under construction in Queens. The Unisphere is of course still up and not far from Shea Stadium which was also being built at the time.
Can I rate this as a movie? Of course not... a student film like this is not intended to be a profound statement; it's an appetizer, a hint of what's to come, and Scorsese has delivered on his promise to say the least. The only people who will see this are Scorsese fans and film students, but it provides an education for anyone who considers themselves a film fan. Worth checking out.
"What's a Nice Girl Like You Doing in a Place Like This?" is very similar to his other NYU film-school effort "It's Not Just You, Murray". It is a quirky little film about a writer and his obsession with a photograph he has on his wall. This obsession has caused him to develop writers block.
The film plays out like a short fable and displays a much more humorous and playful side of Scorsese. You can tell it's Scorsese, but his style is much quirkier and less potent here. Still, it's a good, funny short movie worth seeing if you want to see where Scorsese was routed.
Le saviez-vous
- AnecdotesThis film is included in the "Martin Scorsese Shorts" set, released by the Criterion Collection, spine #1,030.
- GaffesWhen Harry jumps into the water inside the picture, his friend lifts up his sunglasses with his left hand and advises him that life is fraught with peril. However, in the next immediate cut (which is a reverse shot), as his friend says the last word of the aforementioned dialog ("peril"), he now has his hands by his sides and his sunglasses are resting firmly on his nose.
- ConnexionsFeatured in Actors Studio: Martin Scorsese (2002)
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Détails
- Date de sortie
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- Aussi connu sous le nom de
- Què hi fa, una noia tan bonica com tu, en un lloc com aquest?
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- Voir plus de crédits d'entreprise sur IMDbPro
- Durée10 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1