Le Tumulte

George Roy Hill, Lillian Hellman, Geraldine Page, Wendy Hiller, Dean Martin, Yvette Mimieux, Bill Thomas (costumes) and lastly but always outstanding Gene Tierney. What a great grouping of actors, writers, director and costumes as well all else fits together in this film. Over 40 years have passed as has most of the cast, but this film still holds together very well. Geraldine Page is always good and captures the somewhat crazed Carrie charactor beautifully. Dean Martin has always been over looked as an actor and really proves his worth in this role. George Roy Hill keeps things moving and all and everyone else keep plenty of grease and batter on this fine batch of southern fried chicken. Treat yourself to a really fine movie, it is worth it all just for a look at the talented Madame Tierney.

Heavy dramatics and a suffocating atmosphere make this a challenge at times. What it has to balance out all the weighty goings on is acting of the highest order. Dean Martin, Yvette Mimieux and Gene Tierney all contribute excellent work but the real fireworks is between Geraldine Page and Wendy Hiller as Dean's sisters.

While Gerry Page has the showier role it's Wendy Hiller who gives the film's best performance. With subdued delivery and subtle looks she conveys a wealth of background into both who she is and the history of the entire family's dynamic. It's a wise choice, if she had fluttered and extrapolated as Page's Carrie does the viewer would never be able to make it past the first five minutes of the film.

One step removed from a Tennessee Williams chamber piece this will be enjoyed most by fans of his work as well as fans of great acting.

What genetic combination would produce Geraldine Page, Wendy Hiller and Dino? It's a credit to these two phenomenal actresses that, despite their wildly different features and Ms. Hiller's occasional drop into pure Dame-speak (listen to the way she says "Europe") you never question that they are sisters. Mr. Martin is just a different kind of talent, but acquits himself nicely. (His character's going out and buying sexy negligees for his spinster sisters creeps out the modern viewer somewhat, but perhaps that is intentional.) Yvette Mimieux is very appealing (her role is saned-up a bit from the character in the play, who was even further off the rails) and the camera loves her thick, shiny, butter-blonde hair. If you're a fan of the "Hush, Hush...Sweet Charlotte"/"Kings Row" school of drama, or a Hellmann aficionado, or, like me, someone who'd watch Wendy Hiller in anything from Shakespeare to infomercials, this fast-paced, soundly-made picture is well worth the rental fee. Heck, if it were out on DVD, I'd buy it.

So many reviews here critical of the casting, harshly evaluating not only those chosen as starring cast members but their acting talent as well. Dean Martin, in particular, receiving a thumbs down in his presentation of the ne'er-do-well brother whose business ventures have inevitably failed. On the contrary, Martin gives quite an acceptable characterization and has the physical attributes to add credence to his image as a womanizer. As for Geraldine Page, her hysterical style well fits the devious, emotional woman she presents. Wendy Hiller, as her sister, gives a nuanced performance as the only one of the group connected to reality and attuned to the consequences brought about by the tragically misguided thinking and actions of those around her. Then there's the pathetic child-woman as played by Yvette Mimieux. Yvette's presentation of this naive, intellectually challenged, easily manipulated girl is effectively shown.

The movie was a box office failure. Understandable, as an incestuous desire of a sister for her brother would be unappetizing subject matter for a movie audience in 1963.

As is pointed out in the acclaimed biography of Dean Martin by Nick Tosches, Toys In The Attic was the last serious role that Dino attempted on the big screen. His less than stellar reviews in comparison to Jason Robards, Jr. who did it on the stage probably convinced Martin to stick with what he knew best.

I don't think Dean was all that bad in the part, the problem was he did not have that much to work with. When you think about it the roles he played in Some Came Running and Ada could have been dress rehearsals for Julian Berniers in Toys In The Attic. I just don't think the play itself is up to the standards Lillian Hellman set for herself in The Little Foxes.

In fact the subject matter seems to be more Tennessee Williams than Lillian Hellman. Martin is the younger ne'er do well brother of spinsters Geraldine Page and Wendy Hiller. Page is kind of Blanche Dubois flighty type on the surface, but she really rules the Berniers roost. And she's got a nice incestuous thing for her brother.

Who is now married to Yvette Mimieux, a young, but even mentally younger child like bride. Dino's got a deal cooking with the wife of a big tycoon played by Larry Gates. Years ago he had a fling with his wife Nan Martin, but now they're just seeking to take the big guy for a big score.

On stage the Gates and Martin parts are not played, but talked about. When Lillian Hellman's play was on stage the sisters were played by Maureen Stapleton and Anne Revere. Revere in the part Hiller does won a Tony Award for Best Supporting Actress. The play ran 463 performances in the 1960-1961 season.

I think if the part Dino had was played by Paul Newman or Montgomery Clift, the film might have been marginally better. But even more so Lillian Hellman was poaching on Tennessee Williams subject matter and she should have kept off the grass.