To Beep or Not to Beep

This is a Wile E. Coyote and the Road Runner cartoon. As far as I'm concerned, there has never been a bad one of those. Wile reads a cookbook with a Road Runner recipe. He sets off to catch a Road Runner.

This has been re-edited from a failed TV pilot. The best sequence has to be the catapult. I love that he keeps going back to it. The comedy gets raised with each new iteration of failure. If there is anything missing, it does need some ACME product placement. There is a joke at the end which is connected to that. It would work better if Wile peels off an ACME sticker to reveal the contraption's true origins.

Chuck Jones's 'To Beep or Not to Beep' is one of my least favourite Road Runner cartoons. My favourite thing about the Road Runner series isn't the gags (although they are frequently great) but the way in which they are so beautifully animated. The reactions of the Coyote and his fourth-wall-breaking relationship with the audience turn standard gags into great ones. 'To Beep or Not to Beep' is extraordinarily minimal in its animation and look and, frankly, its ugly. The few genuinely funny gags are underworked, grabbing their quick laughs and moving on. There's no hopeful or sly looks to camera from the Coyote, he simply gets on with the job in a workmanlike fashion, refusing to acknowledge our existence. The cartoon ends with an extended set of gags all based around the same catapult. These longer sequences would often make the Road Runner cartoons more interesting but, like everything else in 'To Beep or Not to Beep', the gags are just knocked out with no energy or flair. The final catapult gag experiments with prolonging the inevitable but, without the usual sense of Jones timing, when the inevitable arrives it's not funny. 'To Beep or Not to Beep' appeared late on in the Road Runner series and it almost feels like Jones is tired and can't be bothered to meet anything but the most minimal requirements. Financial constraints or a failed experiment are more likely reasons for the cartoon's atrocious visuals and pacing but, whichever way you look at it, 'To Beep or Not to Beep' is feeble.

This entry into the Roadrunner series of cartoons which began in 1949 with 'Fast And Furry-ous' is one of my favourites. It runs along at a frenetic pace after the initial decision by Wile E Coyote to catch Roadrunner and eat him for lunch. As usual Wile never succeeds, but the ways he tries to do it are genius.

I mean, just how many times can you think of where using a giant catapult to hurl a boulder (in an attempt to squash the fleet little bird) has gone so hilariously wrong in so many different ways?

This cartoon rocks!

This cartoon was very poorly made. The gags are not funny. The repeated one sided contest becomes a boring painful watch after a point. It feels like a rape. The agony of the coyote just not remains with the coyote but reaches the audience and the net result is a lot of pain. These are not meant for kids and the exaggerated slapstick violence is too much to bear. Chuck Jones asked audience to watch these by keeping the brain away. But he failed in that attempt. These do not appeal the funny bone and the gags are not at all hilarious but gives a feeling of being molested. Very poor concept overall. Poor execution, poor editing, poor background music, poor concept, poor story, poor gags, poor everything from the start to the end.

A classic Road Runner & Wile E. Coyote short directed by Chuck Jones and Maurice Noble. Most of the material from this short was originally made as part of a Road Runner TV pilot. It's a very funny cartoon with some memorable layered gags that play off one another more than the usual Road Runner & Coyote cartoon that goes from one gag to another with little or no connection. The highlight of these gags is the final one involving Wile E. using different types of catapults with each one failing in hilariously different ways. The animation is excellent with nice, bright colors and great action. The energetic score from Bill Lava is quite possibly his best work on this series, for which he is known for producing some truly awful music. It's a fantastic short that, like another reviewer says, is probably the best Road Runner & Coyote short from the '60s.