Ajouter une intrigue dans votre langueWile E. Coyote attacks the Road Runner with an enormous boulder-throwing catapult, only to have it constantly backfire on him.Wile E. Coyote attacks the Road Runner with an enormous boulder-throwing catapult, only to have it constantly backfire on him.Wile E. Coyote attacks the Road Runner with an enormous boulder-throwing catapult, only to have it constantly backfire on him.
- Réalisation
- Scénario
- Casting principal
Mel Blanc
- Wile E. Coyote
- (voix)
- (non crédité)
Paul Julian
- Road Runner
- (archives sonores)
- (non crédité)
Avis à la une
This cartoon was very poorly made. The gags are not funny. The repeated one sided contest becomes a boring painful watch after a point. It feels like a rape. The agony of the coyote just not remains with the coyote but reaches the audience and the net result is a lot of pain. These are not meant for kids and the exaggerated slapstick violence is too much to bear. Chuck Jones asked audience to watch these by keeping the brain away. But he failed in that attempt. These do not appeal the funny bone and the gags are not at all hilarious but gives a feeling of being molested. Very poor concept overall. Poor execution, poor editing, poor background music, poor concept, poor story, poor gags, poor everything from the start to the end.
A classic Road Runner & Wile E. Coyote short directed by Chuck Jones and Maurice Noble. Most of the material from this short was originally made as part of a Road Runner TV pilot. It's a very funny cartoon with some memorable layered gags that play off one another more than the usual Road Runner & Coyote cartoon that goes from one gag to another with little or no connection. The highlight of these gags is the final one involving Wile E. using different types of catapults with each one failing in hilariously different ways. The animation is excellent with nice, bright colors and great action. The energetic score from Bill Lava is quite possibly his best work on this series, for which he is known for producing some truly awful music. It's a fantastic short that, like another reviewer says, is probably the best Road Runner & Coyote short from the '60s.
First of all, I agree with others here: this is an outstanding Road Runner cartoon, maybe the best I've ever seen. It combines great color, great "camera" angles, clever stunts and a very funny Wile (at least his "yeeeeeowwwws!)
It begins peacefully with Wile reading a book. No wonder our favorite coyote is always after the Road-Runner. According to the "Western Cookery" book, "possibly the most delicious of all western game bird is the road-runner." The rest of it is the normal chase.
What's above normal are the two long gags. I've often said the best ones are those that are drawn out a bit longer. There is a super one in here involving a big metal spring and a boulder. It's one of the best and inventive sight gags I've ever witness on a RR cartoon. The other one, with the catapult is a bunch of little jokes all rolled into one with a surprise ending (regarding the company which built the device.)
It begins peacefully with Wile reading a book. No wonder our favorite coyote is always after the Road-Runner. According to the "Western Cookery" book, "possibly the most delicious of all western game bird is the road-runner." The rest of it is the normal chase.
What's above normal are the two long gags. I've often said the best ones are those that are drawn out a bit longer. There is a super one in here involving a big metal spring and a boulder. It's one of the best and inventive sight gags I've ever witness on a RR cartoon. The other one, with the catapult is a bunch of little jokes all rolled into one with a surprise ending (regarding the company which built the device.)
Chuck Jones's 'To Beep or Not to Beep' is one of my least favourite Road Runner cartoons. My favourite thing about the Road Runner series isn't the gags (although they are frequently great) but the way in which they are so beautifully animated. The reactions of the Coyote and his fourth-wall-breaking relationship with the audience turn standard gags into great ones. 'To Beep or Not to Beep' is extraordinarily minimal in its animation and look and, frankly, its ugly. The few genuinely funny gags are underworked, grabbing their quick laughs and moving on. There's no hopeful or sly looks to camera from the Coyote, he simply gets on with the job in a workmanlike fashion, refusing to acknowledge our existence. The cartoon ends with an extended set of gags all based around the same catapult. These longer sequences would often make the Road Runner cartoons more interesting but, like everything else in 'To Beep or Not to Beep', the gags are just knocked out with no energy or flair. The final catapult gag experiments with prolonging the inevitable but, without the usual sense of Jones timing, when the inevitable arrives it's not funny. 'To Beep or Not to Beep' appeared late on in the Road Runner series and it almost feels like Jones is tired and can't be bothered to meet anything but the most minimal requirements. Financial constraints or a failed experiment are more likely reasons for the cartoon's atrocious visuals and pacing but, whichever way you look at it, 'To Beep or Not to Beep' is feeble.
TO BEEP OR NOT TO BEEP (1963) is my favorite Roadrunner cartoon ever made. The best gag is when the coyote tries to catch the roadrunner in a noose. The catapult gag, originally from ZOOM AND BORED, is even better here. This only made it to one tape, The Classic Chase. Too bad, because this is a gem. The end of this one was surprising. There's more great gags in between, such as the wrecking ball. There's never a bad moment in this cartoon. The best Looney Tunes were made in the sixties, but this tops them off. Watch this and laugh out loud.
Grade: A+
Grade: A+
Le saviez-vous
- AnecdotesThe first Road Runner cartoon (and the only one directed by Chuck Jones) to not open with freeze frames of the characters with their names and "Latin species" subtitles.
- ConnexionsEdited from Adventures of the Road-Runner (1962)
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Détails
- Durée
- 7min
- Mixage
- Rapport de forme
- 1.37 : 1
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