Ajouter une intrigue dans votre langueFour bus mechanics and a stowaway travel Europe as a hotel, picking up singers. In Athens, the stowaway's mother has them arrested for kidnapping but then accepts her daughter's love for a m... Tout lireFour bus mechanics and a stowaway travel Europe as a hotel, picking up singers. In Athens, the stowaway's mother has them arrested for kidnapping but then accepts her daughter's love for a mechanic and they vacation in Greece.Four bus mechanics and a stowaway travel Europe as a hotel, picking up singers. In Athens, the stowaway's mother has them arrested for kidnapping but then accepts her daughter's love for a mechanic and they vacation in Greece.
- Réalisation
- Scénario
- Casting principal
- Shepherdess
- (as Wendy Barry)
- …
Avis à la une
Given that the cassette soundtrack to this film was officially 'the first album I ever bought', I took the chance (for the first time since then!) to watch the actual film again. With the thinnest of connections to the Olympics (the group's destination is Athens) this film was screened during the day of the opening ceremony of the 2004 games and I took the opportunity to video it for later viewing. The film was pretty much what I expected it to be in that it was cheesy, silly and not that good just what you would expect from a pop musical of the period that aimed to be nothing more than inoffensive family fun. The plot is basically a road trip with a very obvious romance acting as the driving force for a series of amusing antics and pop songs. None of it is very good but it is reasonably OK and is worth seeing as a piece of fun.
The antics are not that funny but they have a great sense of 'clean fun' hard to describe but easy to get into if you are in the mood for it. Of course, modern, more cynical audiences will find it a major turn off but it is quite fun in a very basic sense. Likewise the songs are hardly great and can be best described as 'clean' and 'wholesome' with the odd one being memorable or catchy but mostly them just doing the job and nothing more. The cast also fit with this 'clean fun' family ideal and the plot never dares suggest that a bus load of young men and woman would do anything alone in cramped rooms around Europe! Heck one of the guys even complains about the number of girls on the bus sorry? what?! They fall into pure, clean love and that's about it, with the cast never doing more than smiling. Complain all you want though, about his appeal to older fans, but Cliff Richard was a consistent presence in the UK charts and here he shows that he has a real light, natural charisma that suits the film perfectly he is hardly giving a great performance but he is well suited. Hayes provides some laughs but the rest of the guys are a bit lame while the women are represented with sexless and poor performances from the flat Peters and the 'too smiley by half' Stubbs.
So no, it isn't a good film but it is good, clean family fun that may suit you for an afternoon viewing. The songs, the tone and the cast are all cheap and light not adding anything to the thin plot or material but they suit a film that tries to be nothing more than family fun and, as such, it is rather enjoyable even if I should really know better.
Dear old Sir Cliff! What a time to be 18/19! I was actually just 17 when this came out and so hopelessly in love with my cousin there WAS nothing else in my life at the time. God was feeling charitable towards me in those days and orchestrated events so that she happened to come to my hometown and stay over. I asked her to go to the local theater with me and we sat in the back row watching this film....least SHE did, I had other things on my mind! What does the plot matter? Cliff as a bus driver taking his friends (Cliff's backing group - The Shadows...how odd I can remember those names...Jet Harris, Tony Meehan and Hank Marvin....and I haven't even thought about them for forty years!) on a European vacation and picking up girls on the way - between songs of course.
God! I'd like to see this again! I still have the original 45 rpm release! (for those of you could really care).
It stars that British phenomenon, Sir Cliff Richard, who has the distinction of having top ten hits in the U.K. for every decade through the '90s and today, in his seventies, is still touring and selling out venues. Yet he barely made a ripple here in the states, with the exception of "Devil Woman" and "We Don't Talk Anymore." The story concerns three lads who fix up a double decker tour bus and travel through Europe, picking up three young women whose car has been damaged, plus a runaway (Lauri Peters) and later a St. Bernard dog along the way. The runaway is actually a well-known American singer disguised as a boy, and her mother tries to make it look as if she's been kidnapped in order to get publicity.
Strangely Lauri Peters is American and was the original Broadway Liesl in the Sound of Music - she sounded about as American as Queen Elizabeth. She is a wonderful singer and didn't get to show off her voice enough in this film.
There's a nice exuberance in this film and some very upbeat musical numbers. Richard, a huge teen idol, was adorable and still looks great, in fact. For biggest selling musical artists in the UK, Richard ranks third behind the Beatles and Elvis.
Supposedly the British Elvis, if one thinks of Richard that way, he comes in a poor second. There was only one Elvis, and Richard needs to be taken on his own abilities. He lacks the oozing sexuality in presence and voice of Elvis, though he considered Elvis his absolute inspiration. He could dance better than Elvis, and his singing is sweet and polished, with none of Elvis' passion. And had Elvis not been under the thumb of Colonel Parker, we would have seen more evidence of Elvis' ability as an actor, which was definitely there. Richard's? Handsome, magnetic, a wonderful presence, but acting, not so much. Had Elvis lived drug-free and lasted longer, he would have enjoyed Richard's amazing longevity. Strangely, Elvis had a spiritual bend, as does Richard, and Elvis was known for being a gentleman, as is Richard.
However, all that being said, Richard's films Summer Holiday and Wonderful to be Young and Elvis' films have things in common, two things especially: they were geared to young audiences and they were megahits. Enjoy. Enough said.
In my case, it was just the right amount of medicine for a thirteen-year old with bad case of angst and weltschmerz. I felt the song "The Next Time" was all about me. At the time Cliff Richard was the British counterpart of Pat Boone - clean cut, a little naughty sometimes but generally a "good boy." No parent complained about him.
Cliff's songs were very big hits in my country and we made good although somewhat senseless use of his "Bachelor Boy." As senior scouts we went camping at Mount Makiling, the former site of a World Scouting Jamboree. At 10:00 p.m. after taps when all lights should be out and everybody should be asleep, we would sing it boisterously and a scoutmaster would go up our camping ground, a long way from the tourist lodge where he was staying, to scold the delinquents into piping down. Only he didn't know it was us because the boys from other schools in the other tents never squealed on us. They must have enjoyed our singing.
I understand that a soundtrack album was released in the USA! I have been looking for that record for YEARS! Would anybody part with their copy??
Le saviez-vous
- AnecdotesIn an interview, Melvyn Hayes, who played Cyril, revealed that he and Cliff Richard had to learn to drive London double-decker buses before going off to film in Greece. The instructors only taught them for around half an hour. With such little training it would have been hard enough to drive on British roads, but they had to drive round bends on the cliffs of Greece. Hayes also revealed that he and Cliff were terrified during those sequences.
- GaffesCliff and his mates are wearing the same clothes for 7 days during the bus repairs/remodelling.
- Citations
Don: [very fast] You know I wouldn't be surprised / That gasket hood looks pulverized / The shock recoil is now reversed / At first you'd boil and then you'd burst / Compression seep will soon distend / The leak that leaks in your big end / The lousy coke has got a hitch around the choke adjustment switch / Your piston spout is dynamite / In cutting out the parking light / And, from its shake, your outside brake is needing a new drum!
Don, Cyril, Steve, Edwin: [slower] In fact make no mistake, you've really had it chum!
- Crédits fousThe opening credits are in black and white with a montage of shots of a rainy British summer.
- ConnexionsFeatured in That's Showbusiness: Holiday Special (1989)
- Bandes originalesSeven Days To A Holiday
By Peter Myers Ronald Cass
Sung by Cliff Richard and The Mike Sammes Singers (uncredited)
Meilleurs choix
- How long is Summer Holiday?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 1 315 $US
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 2.35 : 1