Les loups et l'agneau

The Woodward/Beymer team does not work very well because there are only eight years between them whereas the writers wanted us to believe that she could be his mother.Woodward plays some kind of Blanche Du Bois (a woman with a racy past) wearing an awful Monroe-like wig.They say that the movie was "remade" by the producer: the scenes Kenny/Miriam were imposed on Schaffner whereas the suicide of Lila was ruled out .

It's not uninteresting though.Both Kenny and Lila are immature adults.His mother treats him like a kid -a handsome boy she is proud of ,but still a kid: do not forget your coat,you could catch a cold! - whereas Lila really strips bare -more than she will do later- in the marvelous scene in the old school when she talked about her first day in first grade.Woodward is so talented an actress we see the whole scene without any flashback.

William Inge play "A Loss of Roses", originally written with Marilyn Monroe in mind, becomes showy dramatic vehicle for Joanne Woodward playing Lila Green, low-rent actress passing through her hometown in Kansas, ditched by her manager and boarding with an old girlfriend and her teenage son. The screenplay is entirely too straightforward, too rounded off; it should be more mercurial, mysterious, but instead it's routine soapy business. The character of Lila is an unconvincing creation: full of stories of users and hangers-on, she's a dreamer at the dead-end, hopeful but pathetic. Lila has been divorced, yet she's a little naive around men--it's never established how much of a tramp she is or where her reputation stands (as shown, she's more smoke than fire, more sad than sex-driven). It's to Woodward's credit the film is still quite interesting, yet the actress is too innately refined to be convincing as a kittenish tart. She is entirely serviceable, yet one can only watch and think what a more appropriate actress might have done with this material, weak as it is. This is one cleaned-up "Stripper" (awful title!), a film which never sinks to the sordid levels depicted, but remains a tidy middle-of-the-road tale. **1/2 from ****

Sad and lonely mid west American towns photographed in black and white seem to be a very potent atmospheric early 60s film drama location that should be recognized as almost iconic in this new century. Other films of the time that each look as though they are all filmed nearby or around the corner from each other: HUD, BUS RILEY'S BACK IN TOWN, BABY THE RAIN MUST FALL , LILIES OF THE FIELD, KISS ME STUPID, IN COLD BLOOD all make a great set of rural wasteland town settings each with potent imagery and lonely people going slowly mad or frustrated or hankering for a change. THE LAST PICTURE SHOW perfected this feel in 1971. Stills from all these films would make a superb coffee table book...all that lonely black and white, crisp and windy farms and streets etc. yet obviously sad 60s. THE STRIPPER must have been the only film made at FOX in 63 with every other dollar of Zanuck's money going to feed CLEOPATRA. Apart from the misleading title, THE STRIPPER offers Joanne Woodward in a Lee Remick performance or is that a Lee Grant performance or is that a Kim Novak performance...because either of those women are interchangeable in those above films as well. 40 years later, like CLEOPATRA, this early 60s era of film making is being celebrated as having produced atmospheric and enduring films of fascinating visuals and emotional performances. I was lucky enough to enjoy THE STRIPPER in a cinema seeing a 35mm cinemascope print, and even if the story was a let down, the visuals and feel for that period and location is so well captured that it almost becomes the most enjoyable part. I am also a great fan of BABY THE RAIN MUST FALL which captures this loneliness and isolation with B&W photography that now borders on masterpiece. See it as part of the above series of films if you can and be overwhelmed by what I have described. It is like sad memories created by someone else and they take that form especially because of the photography.

At first glance, "The Stripper" looks like eye candy: a cute young sideshow woman gets dumped by her manager and takes up with a local woman and her son, thereby developing a relationship with the son. But I do think that there was more to the movie than just that (if only a little more). In the lead role, Joanne Woodward gravitates between insecure and self-standing, not about to take from anyone. She does as good a job here as she did in "The Three Faces of Eve". Claire Trevor also does quite well as the woman taking Woodward in, but many of the characters come across somewhat silly as teen rebels. It seemed to me like Richard Beymer was channeling his role as Tony from "West Side Story" (although Carol Lynley and Michael J. Pollard weren't bad).

Anyway, "The Stripper" is a movie worth seeing. And if I may say so, Joanne Woodward was really hot in some of those clothes! Also starring Gypsy Rose Lee. I bet that no one imagined that director Franklin Schaffner would later direct the likes of "Planet of the Apes", "Patton", "Papillon" and "The Boys from Brazil".

PS: Not that this really relates to anything, but right after I finished watching this movie last night, Joanne Woodward's husband Paul Newman was the guest on "The Late Show with David Letterman"!

As a young kid in Junior High School (Middle School) I was fascinated when the movie crew came to our small town of Chino, California to film "The Stripper". I hate to ruin the perception of some that it was actually filmed on location somewhere in the mid-west. But since we were only about 35 miles from downtown Los Angeles, and Chino was a small farming and dairy town of about 10,000 population, we looked like many mid-western towns. But back then some of the crew told me that the film had a working title of "Celebration". Every day after school I would ride my bike to whatever part of town they they happened to be filming in. I think it took about a week or two to film all of the outside shots. They were filming at my school, Chino Junior High School, with some classroom shots and a shot outside on the steps of the old building. That was really exciting to me as a 13 year old student. Other days they were filming in other various spots in our small town. One day I spent all afternoon watching them film the shots of the old car pulling into Esparzas' gas station in the old downtown of Chino. I think Louis Nye, Gypsy Rose Lee, Joanne Woodward and Michael J. Pollard were in that scene. Another day watching Joanne Woodward walking up and down the front walk of an older wood frame house in her nightgown. She was very nice. As she saw me watching she smiled and said "Hi". Have to admit though, when the movie came out, I was a bit disappointed. Having all of those scenes stored in my mind in vivid color, the way that I remembered it and saw it acted out, the resulting black and white version seemed somewhat dull and dreary.