La montagne des neuf Spencer

Leonard Maltin calls the film "mawkish", and he is right on, but it is still great fun. Mimsy Farmer's Claris is a hoot ("friction, friction, friction!")! Excellent use of the Jackson Hole locations, especially the Triangle X guest ranch, which served as the Spencer homestead and is still in operation here. Two trivia notes: Bronwyn Fitzsimmons, who played the college secretary, is Maureen O'Hara's daughter in real life. According to AMC Magazine, Henry Fonda showed some off-screen interest in her that O'Hara had to squash. Fonda did the film even though he thought it was so corny it would set U.S. movie-making back 20 years. Also, you have Wally Cox's character listed as GoodMAN, but the name was actually GoodSON. Highly recommended.

Adapted from the autobiographical novel by Earl Hamner, Jr., "Spencer's Mountain" is, firstly, a nostalgic look at a way of life from the viewpoint of the writer. Released in 1963, the story undoubtedly had great appeal for those who see that way of life as quintessentially "the American way".

Set in New Dominion, the name is the first clue to the outlook of the residents (and the film's producers). "Dominion" might be translated as a territory under God's authority or control. Religion is one of the subjects of the film. But life in New Dominion has a simplicity that is a central theme.

In this valley that nestles under the Grand Tetons, there are only two churches. There are also few choices of occupation, few neighbors, and few visitors. Residents are connected to the land in an elemental way--mostly through farming, quarrying or via the lumber mill. One unstated but permeating message of the film is the goodness and value associated with such a connection.

The central character is Clay Spencer (Henry Fonda), father of eight and salt of the earth. Living under sparkling blue skies, he and his wife, Olivia (Maureen O'Hara), raise their children to be kind and to have dreams. Another central theme of the film is the value of dreams. The family is dedicated to the purpose of sending the oldest child, Clayboy (James MacArthur), to college.

One of their long-term projects is a dream house set on an idyllic hillside overlooking the valley and the grandeur of the mountains.

As Clay and his family strive for their dreams and negotiate the hardships that intervene in all lives, the viewer is treated to vignettes that are dipped in Disney and Doris Day. Bountiful streams and pastures bursting with fecundity frame a Norman Rockwellian world even homier and more basic than Mayberry. The film has been accused of mawkishness and justifiably so. No chance is missed to sing a hymn, recognize a milepost of life, wave the American flag or jerk a tear from a moment.

But that is not all bad. The film does what it does very well. Henry Fonda's voice almost feels like the bedrock that supports the entire family. The rosy-cheeked cast is the perfect picture of God's grace. The end product feels very iconic and touching, no doubt extracting tears from numerous scenes. I wish the sentimentality had been dialed down a notch--like when "America" is unnecessarily played behind the toasting of Clayboy.

"Spencer's Mountain" was well-designed for audiences in 1963. Even with it's overly sentimental tone, it has a wholesomeness and a respect for values that will appeal to viewers of any era.

Later, the story would be adapted again as TV's "The Waltons".

This movie was very enjoyable. It was fun, heartwarming & great story for the whole family. If you like "The Walton's" you will like "Spencer's Mountain" Henry Fonda does a wonderful job trying to care for his "babies" This movies proves that not all dreams have to come true to be happy. Sometimes you can be happy right where you are if you are, if you only give life a chance. Maureen O'Hara couldn't of done better as her role as Clay Spencer's wife. Also Wally Cox was super as the new preacher in town. This movie will have you laughing and crying. It is one of the best. I have watched this movie many times and know I will watch it several more times.

Henry Fonda throughout his career showed a great flair for playing rustic characters and endowing them with dignity. In fact that was his introduction to film when he did the movie version of the play that made him a star, The Farmer Takes A Wife. Of course as Fonda started playing more of a variety of roles he was less and less in rustic settings.

His last role of this type was as Clay Spencer in Spencer's Mountain a feel good family type picture with a rather interesting take on the facts of life. Country folks like the Spencers who deal a lot in livestock are familiar with the breeding process so it's not a huge big deal with them. At least it's not in this film as Mimsy Farmer is ready to finish James MacArthur's eduction in that regard. One of the best scenes in the film is Henry Fonda bringing over his bull to mate with one of Dub Taylor's cows with everybody looking on. I guess they're starved for entertainment in that part of the country.

In fact MacArthur's further education is what drives the film. He's the oldest of Fonda's and Maureen O'Hara's nine children and the first to graduate high school. His teacher Virginia Gregg wants to see him get ahead and go to the university. But the financial and other obstacles are considerable. Even the new minister Wally Cox tutors MacArthur in a needed Latin course.

If the Spencers bear no small resemblance to the Walton family that's because Earl Hammer who created the Waltons also wrote the novel this film was based on. Spencer's Mountain is beautifully photographed in the Grand Teton mountains of Wyoming, just as pretty and more majestic than the Walton's Appalachians. Delmer Daves who directed Spencer's Mountain also directed Jubal a few years earlier, a western also set in the Grand Tetons. The cinematography is just as good, but the resemblance stops there because Jubal is quite the adult western.

Spencer's Mountain marked the farewell performance of Donald Crisp who was 81 years old when he filmed this and had a career going back to the earliest silent films. He was a grand character actor who played an awesome variety of parts. Here he's in his family patriarch persona as Fonda's father married to Lillian Bronson in the film. Crisp won his Oscar as the family patriarch in John Ford's How Green Was My Valley.

Spencer's Mountain did good box office and it's a nice family film. But Henry Fonda's new agent passed on a Broadway play called Who's Afraid Of Virginia Woolf and signed his client for this. Fonda never forgave the agent, I can't really blame him.

Before The Waltons, there was Spencer's Mountain. Based on the autobiographical novel by Earl Hamner, Jr, this heartwarming family drama fathered the beloved TV series and features all its familiar ingredients-poor family with nine children struggling to make ends meet, rural setting, live-in grandparents, gifted oldest son, mother named Livvie, coming-of-age crises-the list goes on and on. Even the famous (and corny) "good night" ritual debuts here; the names may be different (there's no Mary Ellen, Jason or Jim-Bob), but the indelible long shot-darkened house with one lamp burning in an upstairs window-is framed exactly as it would be on television nine years later.

Along with the similarities, though, come some changes. Instead of Depression-era Appalachia, the Spencers confront their problems in contemporary Wyoming, affording a more dramatic backdrop and the ability to deal with modern mores. And instead of John-Boy, we have Clay-Boy (James MacArthur), the oldest son of Clay Spencer (Henry Fonda) and his wife (Maureen O'Hara). While Clay-Boy is not an aspiring writer like his TV counterpart (and flaunts a decidedly more beefy physique), he does win top honors in his high school class and harbors a potent desire to attend college and escape his sheltered mountain life. Clay-Boy's efforts to meet the university's academic and financial requirements, as well as Clay Sr.'s burning wish to build his dream house, are among the everyday issues the Spencers must face.

Maybe if The Waltons never existed, Spencer's Mountain would better stand the test of time. But so ingrained is The Waltons in our collective conscience, it's difficult to divorce Spencer's Mountain from it-and from the elements that have prompted merciless parody over the years. The folksy, homespun attitudes that permeate Delmer Daves' production alternately provoke charmed smiles and withering cringes, usually depending on who is speaking the lines. And while the film benefits from breathtaking location shooting in Grand Teton National Park, even the majestic snow-capped peaks can't dilute the sugar coating that drips from many scenes.

Unfortunately, the younger actors bear the brunt of the blame. MacArthur tries his best, but often is sabotaged by the annoying Mimsy Farmer (yes, Mimsy) as Clay-Boy's sweetheart Claris, whose hormones rage so ferociously she practically eats Clay-Boy alive during their breathy love scenes. Such frank treatment of blossoming sexuality is commendable, but seems laughably inappropriate in such a family-oriented film, at times transforming Spencer's Mountain into a watered-down version of A Summer Place (interestingly enough, also directed by Daves).

Fonda and O'Hara, on the other hand, make an ideal couple, acting with an ease and familiarity that gives their relationship a warm, comfortable feel. Fonda especially embodies the uneducated, hard-drinking, heart-of-gold Clay Sr., always willing to fight and sacrifice so his brood can enjoy a richer, more prosperous life. Without a doubt, Fonda is the soul of Spencer's Mountain, and his natural, beautifully shaded portrayal keeps the film from descending into a maudlin mess.

Despite its shortcomings, Spencer's Mountain is tough to knock. Featuring forthright, salt-of-the-earth characters, timeless family themes and lovely cinematography, it wiggles its way into the heart and, like the noble Spencers, we graciously forgive its faults.