Le deuxième homme

Good drama with a bit of mystery thrown in. It's hard to say what's more beautiful in this movie the locations, which are breathtaking or Lee Remick and Alan Bates both at the peak of their individual attractiveness who are equally stunning. They offer the best performances doing an uncertain dance around each other never sure of the other's motives. Laurence Harvey is his usual squirrelly pompous self but that fits the role. Well known to be an abrasive, selfish, uncooperative and egotistical jerk behind the scenes Harvey apparently was incredibly difficult on this shoot to the point where Lee Remick refused to discuss the problems but was quoted as saying "The tales I can tell of working with him are too horrendous to repeat." Not a classic Reed film but he guides the film well although apparently his confidence had been shaken by exiting another troubled production, the Marlon Brando Mutiny on the Bounty, just prior to this.

A bitter airline pilot fakes his own death and gets his wife to collect the money. They escape to sunny Europe after committing a perfect crime. But, of course, there's always the dogged investigator to make things difficult.

This movie is a good afternoon's diversion. It's bright, flashy and pacey. With John Mortimer writing and Carol Reed directing, it has a certain touch of class. It's not an A list movie by any means, but a quick look in any reference book will tell you that it's well respected. Good performances, bright locations and a decent pace make this well worth a look.

excellent thriller about man and wife who plan a scam to swindle the insurance company for a large amount of money after being turned down after a legitimate claim was turn down earlier and the deception begins and they go on the run in Spain where life's fine until the insurance man turns up in the same places, thats where the fun and tension begins.there's great camera work & direction by carol reed and a edgy script by john Mortimer,lots of colour and location works very well as does the three actors,Harvey is at his reptilian and charming best with Remick quite stunning as the not so wife and bates as the dogged insurance man.a delightful diverting film for a Sunday afternoon.

This movie surprised me. It started out as one type of movie and ended up as another - it was a pleasant enough surprise though.

Laurence Harvey plays charter pilot Rex Black who fakes his death allowing his wife, Stella, to claim the insurance. Although Harvey was not particularly loved by many of his peers, he made some great movies. I always liked him and his Rex Black is cocky and edgy.

Lee Remick plays Stella. Time spent watching Lee Remick on the screen is never wasted. She was an actress whose abilities were sometimes under-appreciated because she was so beautiful. She is as disarming here as she was in everything she did.

Alan Bates plays Stephen Maddux, an insurance agent who investigates Rex's death and later fancies Stella when they cross paths in Spain - he thinks she is a widow, and Rex assumes another identity. Bates plays it low key while Harvey's character becomes darker and more aggressive as he attempts further scams, and is prepared to do anything to stop his plans unravelling.

Sadly all three actors went far too early - cancer in each case.

Directed by Carol Reed, the film has an unusual energy. It starts out as a light caper film, but by the half way mark we realise that the game has become more dangerous. The ending has a similar touch to the one that made "The Third Man" so memorable.

The film was made in 1963, and although it benefits from great locations in Spain, it actually feels a little like British films of the 40's and 50's.

The score by William Allwyn has a lot to do with that. For a long while British film music had a distinctive sound with some brilliant scores. It had a different timbre to the typical Hollywood score. You could tell a film was British as soon as the main title music started, but by the late 50's, composers like John Barry and John Addison brought a fresh sound that was far more international. However the score for "The Running Man" was a throwback - it was Allwyn's last score - maybe Reed had asked for him - but it could almost be a score for a film in 1948.

Although "The Running Man" does not represent the best work of those involved it is more than watchable and has a couple of twists worthy of Hitchcock.

The first half of the movie could have been handled better. The appearance of the supposedly deceased Rex Black a few moments after his mourners have departed his flat, and at the same time as a visit from an insurance investigator leads to something that resembles a scene from a bedroom farce without the laughs. When the action switches to Malaga things improve significantly, partly because it's beautifully filmed but mainly because Lee Remick and Alan Bates are convincing and appealing together. This was an early glimpse of what a fine, sympathetic leading man Alan Bates would be for decades to come. Unfortunately it was also confirmation of Laurence Harvey's limitations. A better, more subtle actor might have retained at least part of our sympathy to the end, giving the final twist an element of tragedy. Harvey loses the audience every time he opens his mouth, though, and that torpedoes The Running Man in spite of the good work of his co-stars and the attention to detail of gifted cinematographer Robert Krasker. Worth watching but a missed opportunity.