Fabrique d'espions

Based on true facts, the plot narrates without many embellishments, frills and thrills the downfall of Henry Houghton an alcoholic Navy Clerk.

After having been sent back to England in disgrace, from his post at the British Embassy in Warsaw, Houghton decides to take revenge and sell military secrets to Lonsdale, a man he believes to be an American agent.

Lonsdale is actually a Russian spy, connected with a couple of minor key players also located in London. The last member of the ring is Elizabeth Gee, a spinster secretary convinced by Houghton to collaborate with him in exchange for substantial payments that afford some luxuries to the couple.

It is exactly the more affluent lifestyle to raise suspicions and get the Houghton/Gee couple under surveillance. Way more believable than any James Bond story.

A British spy thriller; A story about a British navy clerk assigned to a top secret research facility where he is blackmailed into stealing vital secrets in exchange for cash. A film set during the height of the Cold War and based on true events of the Portland Spy Ring, where daily duels play out between Soviet intelligence and British counter-espionage. Tension is undermined by a docudrama style, though the playout of the espionage activities is absorbing. Bernard Lee performs well, but his character is not sympathetic, and his cohort, played by Margaret Tyzack, is also drawn to things venal without much struggle, so it ends up being a drawn-out morality tale.

This film is well worth watching as it illustrates perfectly how the poorly paid British in secret organisations were and probably still are susceptible to turning spies for a few hundred pounds.

The two spies had combined wages of about £30 which was not much above poverty level.

Street and car scenes are very nicely done and show how basic UK cars were and how everything was still dirty and sooty from all the steam trains and inefficient engines.

Old Bernard Lee is poorly cast as a romantic lead.

Robert Tronson, better known as a TV film director, helmed the production of RING OF SPIES, aka RING OF TREASON, which is a kind of British noir cautionary tale based on the Gordon Lonsdale spy case in the UK in the 1950s.

Of undeniable quality for a B flick, it is professionally done, solid Arthur Lavis cinematography, competent editing by Thelma Connell, and good acting by unusual lead Bernard Lee in the even more unlikely role of womanizer, tippler, and money-driven spy; Margaret Tyzack as the upstanding, fully compliant state functionary who gets corrupted by Lee, and falls in the web of espionage crime (needless to say, both Lee and Tyzack end up looking stupid and untrustworthy, soiling their good name forever; William Sylvester does well with his short part as the nefarious Gordon Lonsdale; and Thorley Walters portrays very effectively Commander Winters as the overseer of the sting operation that netted the ring of spies.

In that context, I particularly liked the deployment of police personnel and vehicles following the suspects, the way one accountant-like copper kept taking note of how much Houghton (Lee) spent on drinking alone, and sharp arithmetic calculations uncovering the fact that he and Tyzack simply did not earn enough to maintain such a lavish lifestyle.

Definitely worth watching both as dramatization of a real incident and something to learn from: careful what you wish for, it could change you and your life... and seldom, if ever, for the better. 7/10.

This film has recently been released on DVD under its original title of RING OF SPIES. It is an excellent film, and a fascinating dramatization of the notorious 1950s Gordon Lonsdale spy case, better known as the 'Portland Spy Ring' in Britain. The film is made with a documentary attitude, and a great deal of verisimilitude is added to the film through the use of a wide variety of genuine locations (i.e., Ruislip Station because the Krogers really lived there). Many of the location scenes are genuinely fascinating on their own account. For instance, this film may contain the only surviving extended footage of the roof terrace at Derry and Tom's Department Store in London at that time. No expense was spared to give this film all the location shooting it needed, and the producer Sidney Gilliat was clearly not shouting at the director to get back into the studio and save some money. The director was Robert Tronson, a talented director who has always been under-estimated because most of his work was for television. He directed some of the most popular series on British television, such as THE DARLING BUDS OF MAY (1991-3), BERGERAC (1983-8), and ALL CREATURES GREAT AND SMALL (1978-88). The casting of this film was impeccable. William Sylvester is a smooth and affable charmer as the Russian spy Konon T. Molody, who masqueraded as a Canadian and an American under the pseudonym of Gordon Lonsdale. But Sylvester is a master at dropping that mask of affability as soon as his guests leave, and reverting to a grim and determined expression with ruthless immediacy. The finest performance in the film is by Bernard Lee as the alcoholic Henry Houghton who steals files from the safe at the Portland Naval Establishment so that the Soviets can learn all the British secrets about advanced submarine warfare. Two other reviewers have already provided background on the real spy case, so I shall not repeat it myself. The film wisely suggests that the drunken Houghton would never have been tolerated at Portland if he had not been protected by someone higher, which is doubtless true, considering how riddled with spies for foreign powers the Foreign Office has always been. This film is very well worth watching, both for entertainment and for historical purposes, and the location shots really are worthwhile.