Le corbeau

When I first saw this movies I was shocked by the humor. I was in the mood for a horror flick, and with actors such as Peter Lorre, Vincent Price, and the incomparable Boris Karlof I was sure that I had hit horror gold. However, after the first minute of the movie I quickly realized that this was not a horror film at all, but a wonderful satire of the horror genre.

What makes this movie work so well is that nobody takes themselves too seriously. In fact, you can tell from the outset that everyone in the cast is in on the joke. I would caution those who are expecting a great performance from Jack Nickleson to be prepared to be disappointed. However, it is plainly evident that he is an excellent actor just waiting to happen.

Is this movie perfect, hardly, but it is definitely worth seeing. If for no other reason than to see the climatic head to head dual of magic between Price and Karlof.

There was period of time in the late 50s to mid 60s where the horror/comedy movie became quite popular. These Karloff/Price/Lorre productions were excellent examples of this tongue-in-cheek genre and The Raven may been the best of them.

As others have noted, the only commonality with Poe's work is that there is a raven in the movie (I guess it could be a crow, who can tell the difference). There are enough shock scenes to keep a 10 year old on the edge of his seat and enough cheesy comic relief to keep him from getting creeped out.

By far the best part of the film comes with the lead actors who manage to blend the sinister with the silly in just the right balance to make the whole thing enjoyable.

Very dated by today's standards, most kids wouldn't be impressed by the scares or the laughs. But for old folks who once spent a lot of Saturday afternoons at the local theater it's a wonderful visit to the past.

Greetings again from the darkness. It's been more than 50 years since this one was released, so it seems a good time to offer up some thoughts and observations. Let's start with the fact that you probably read Edgar Allen Poe's poem "The Raven" in high school. Director Roger Corman and writer Richard Matheson take Poe's work as a starting point in a most unique story of their own.

If you aren't familiar with Roger Corman, he is one of the most prolific and entertaining "B" movie makers of all time. His writer here, Mr. Matheson, is best known for his work on numerous episodes of "The Twilight Zone". Poe - Matheson - Corman would be enough, but we also get Vincent Price, Peter Lorre, Boris Karloff, Hazel Court and Jack Nicholson. Price is always a treat to watch (especially in horror films), Lorre appeared in 3 of the greatest movies of all-time (M, The Maltese Falcon, Casablanca), Karloff is the master of monster, Ms Court was one of the first stars of Hammer Films, and of course, Nicholson (fresh-faced here) went on to become one of the most successful actors in movie history.

Price, Karloff, Lorre and Nicholson offer up four of the most unique voices ever heard in movies, and they each partake in the fun provided by Corman here. Yes, I said fun. This is almost slapstick comedy, and at a minimum, it's a parody of the much darker series of Poe films. If you consider it as an influence of the 1960's "Batman" TV series, you wouldn't be wrong. Even the music (heavy on the tuba) has an air of comedy.

Watching Peter Lorre as a matador is pretty funny, and some of the back-and-forth with he and Nicholson as father and son is clearly ad-libbed, but the classic comedic sequence occurs when Price and Karloff take their wizardry duel to the death and turn it into a special effects highlight reel.

This may be the only time you hear the phrase "precious viper" used to describe a woman, and if that, combined with all of the above reasons, isn't enough to motivate you to seek this one out, then maybe you will never discover why so many adore the films of Roger Corman. Compared with films of today, this style is nevermore.

Any time you get to see a film with Boris Karloff, Peter Lorre, and Vincent Price in it, don't ever pass it up. You may nevermore get a chance to see this.

Suggested by the classic poem by Edgar Allan Poe, The Raven is set in Medieval Times and in the tongue in cheek spirit of the film, that could mean the theme park. Magician Vincent Price lives in his castle with his daughter and memories of his second wife Lenore who departed a few years back.

As the poem says a rapping came at his chamber door and The Raven enters and it talks like Peter Lorre. When Price restores it to human form it is Peter Lorre. Lorre wants Price to go challenge the chief magician of the society who is Boris Karloff. And as an inducement he tells him that the late Lenore is not so late and that she's alive and living in sin with Karloff.

Who could resist that, but also their children seem to be bonding and that would be Lorre's son Jack Nicholson and Karloff's daughter Olive Sturgess. The four of them go calling on Karloff and indeed find Hazel Court as Lenore very much alive. She's a magician groupie and Karloff's got the biggest wand.

This film is positively infectious, three great players indulging in a contest as to see who can chow down fastest on a living room set. That final magic duel lasting fifteen minutes with no dialog between Price and Karloff is alone worth seeing this for. And remember those two have some of the greatest speaking voices ever in film.

Roger Corman produced and directed a real classic here, don't miss this one when it's broadcast.

Clever dialogue, gothic scenery, and three old masters of horror make this film a delight to watch...over and over again. It is not very often one gets a chance to see three horror legends...Boris Karloff, Vincent Price, and Peter Lorre(plus a young Jack Nicholson)...in any movie, especially one with competent and stylized direction by a Roger Corman and a witty script by some guy named Richard Matheson( a legend in the horror and sci-fi genres and the one author that influenced Stephen King more than any other). The talent alone insures success and each of these respective masters delivers in this film. The story has virtually nothing to do with the Poe poem...but who cares with a cast like this. Peter Lorre steals every scene he is in and chews the scenery left and right. Hazel Court has a small role as the beautiful Lenore, and she turns in a good performance as well. But in the end it is the King of Horror and the Crown Prince of Horror...Karloff and Price...that make this movie a magical experience, particularly in their duel of magic at the climax of the film. Get some popcorn, a nice big drink, and turn the lights out and have fun with The Raven.