Le manoir aux fantômes

Owing little to either James Whale's 1932 chiller, or to J.B. Priestly's original source novel, "Benighted", THE OLD DARK HOUSE is a small, off-beat and pleasantly daffy scare-comedy, a change-of-pace for director William Castle. Filmed and set in England, Tom Poston stars as a hapless American who, on a visit to a curious roommate's even curiouser family home, is caught up in a murderous merry-go-round of mayhem, nursery rhymes, love and (very possibly) the end of the world (including an Ark!). British stalwarts Robert Morley, Joyce Grenfell, Mervyn Johns, and Peter Bull have a charming good time playing the various members of the Femm family, along with Janette Scott and an unforgettably slinky Fenella Fielding as romantic interests. None of the usual Castle gimmicks for this release--just a bit of eccentricity and a pleasant, creepy, multi-murder mystery, with a puzzle to solve, a couple of surprises, and some good solid chuckles.

A note to fans of Charles Addams--the film's poster and its main titles contain some choice Addams artwork.

An additional note: the film was shot in color, but released in a very faintly tinted black-and-white version. The color version of the film was only seen on subsequent television release.

This movie really does deserve a DVD release, not only for its place in the William Castle canon, but for the performances and the fun.

In this second screen version of J.B. Priestleys' book, Tom Poston plays Tom Penderel, an American living in London who makes his living as a car salesman. He shares a flat with Caspar Femm (Peter Bull), who uses the place in the daytime while Tom sleeps there at night. One day Caspar implores Tom to come visit him at the Femm estate, which is up for grabs. Tom is then forced to deal with the wacky Femm family for one every eventful evening.

One would have expected a collaboration between gimmick master William Castle and Britains' legendary Hammer Studios to be more fun. It's more of a comedy than a horror film, and only a fitfully amusing one. There are some funny gags, but it just falls flat a lot of the time. It basically serves to make fun of the entire "old dark house" genre, complete with the expected tropes (like a dark, stormy night). It's decent light entertainment, but is eminently forgettable. It looks great, which is what the viewer expects from Hammer films (a lot of the crew are the usual Hammer suspects). But it doesn't have the level of atmosphere that's really required for most stories of this type.

The likable Poston leads a sterling British cast that helps to keep this version of "The Old Dark House" watchable for 87 minutes. Robert Morley is gun nut Roderick Femm, Janette Scott the striking blonde Cecily, Joyce Grenfell the doddering matriarch Agatha, Mervyn Johns the upbeat Potiphar, Fenella Fielding the slinky Morgana, and Danny Green the hulking, silent Morgan. (If Popeye had been turned into a live action feature in the 60s, Green might have made for a good Bluto.)

This kills time without too much pain, but it's far from grade A Castle *or* Hammer.

Title illustrations by Charles Addams.

Six out of 10.

Well, I'm a big fan of William Castle and of Hammer Horror, so I figured that this meeting between the two would be damn good. William Castle's The Old Dark House is not a remake of the classic James Whale film, and this is actually unfortunate because if it was, it no doubt would have been a better film. Instead, what we have is a plot involving an American car dealer who goes to an old house after receiving an invitation from a friend of his, who he shares a house with. While there, he is introduced to a host of strange characters, as well as a plot involving a huge inheritance. The film is obviously intended to be a comedy, but it would seem that Castle should have stuck to horror as little in this film is actually funny, and I was really bored before the ending - not something I expect from William Castle! Considering the film focuses on an 'old dark house', there's very little in the way of atmosphere and I'm guessing that Castle wanted this film to appeal to a younger audience, and for that reason - there's not much here for the older movie fan. The plot rambles on until the conclusion and by then I didn't really care what happened. Overall, this is a sub standard William Castle film if ever I saw one. Straight-Jacket, Homicidal, Mr Sardonicus, The Tingler, House on Haunted Hill and 13 Ghosts come highly recommended - this one doesn't!

Hadn't expected the rigmarole I'd have to go through to snag this film on video, several years ago. I'd seen this two or three times as a child and reveled in the dark comedy of it. The plot is silly, but it's not nearly as important as the production itself.

The charming performances by the many delightful character actors are the highlights of "The Old Dark House" -- Robert Morely, Joyce Grenfell, Peter Bull. Who would ever think that Tom Poston would appear as the romantic (?!) hero of a movie, but there he is. And Oo, that Fenella Fielding! What a dish!

This film isn't for everyone, but I'll never forget it, and neither will you!

One would expect a collaboration between the American director William Castle and the British production studios Hammer to result in a terrific must-see film, considering they were both horror genre giants in their respective continents during the early sixties. Castle became world famous and appreciated thanks to his morbidly themed but nevertheless light-headed Gothic horror spectacles ("House on Haunted Hill", "Mr. Sardonicus", "13 Ghosts"…), and on the other side of the Atlantic Ocean, Hammer studios boomed with the gruesome re-imaging of the legendary Universal classics from the thirties ("Dracula", "The Mummy", "Frankenstein"…). Knowing this, "The Old Dark House" seems to be the ideal marriage, since it's more or less a remake of the underrated 1932 Universal masterpiece and a great opportunity for a director like Castle to showcase his creativity. Strangely enough, however, the film is somewhat of a disappointment and it's only rescued from inglorious mediocrity thanks to a handful of nice gags and an entertaining final act; including a surprising plot-twist and an exciting race against the clock – literally! The rest of the film clumsily bounces back and forth between talkative mystery and immature comedy. Please don't get me wrong, "The Old Dark House" is never boring and I still prefer it over most of the soulless horror junk being released nowadays, but I simply expected a little bit more… American car salesman Tom Penderel drives out to the god-forsaken British countryside in order to deliver a car at the request of his odd pal Caspar Femm. The two share an apartment, but they never see each other since Caspar always mysteriously vanishes before midnight. When he arrives at the sinister Femm country estate, he learns that all the eccentric family members are obliged to stay at the house and gather at midnight, or otherwise they lose the rights to their part of the inheritance of their notorious ancestor (a pirate). Synchronous with Tom's arrival, the family members are being killed off one by one. Tom should leave while, but he fell for the charming cousin Cecily and the remaining Femms suspect him to be the killer. "The Old Dark House" begins delightfully, with animated opening credits by none other than Charles Addams – the creator of the immortal blackly comical series "The Addams Family – and brings forward several great Gothic aspects, like a moody old castle and never-ending thunderstorms. Some of the supportive characters are also uniquely bizarre, like the crazy uncle who's building an arc or the grandmother that doesn't stop knitting, but overall the film isn't absurd or spooky enough. The actual "horror" footage in the film is limited, a few inventive death scenes and a laughably inept moment with a stuffed hyena.