NOTE IMDb
7,2/10
5,8 k
MA NOTE
Une vendeuse du grand magasin Macy's se retrouve enceinte après une aventure d'un soir avec un musicien, qui ne se souvient même pas d'elle.Une vendeuse du grand magasin Macy's se retrouve enceinte après une aventure d'un soir avec un musicien, qui ne se souvient même pas d'elle.Une vendeuse du grand magasin Macy's se retrouve enceinte après une aventure d'un soir avec un musicien, qui ne se souvient même pas d'elle.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 5 Oscars
- 1 victoire et 11 nominations au total
E. Nick Alexander
- Guido Rossini
- (as Nick Alexander)
Loraine Abate
- Maria
- (non crédité)
Jean Alexander
- Charlene
- (non crédité)
Avis à la une
Lovely chemistry between superstars Wood and McQueen make this Robert Mulligan a pure charmer. McQueen sheds his tough guy image to play both romance and even a little comedy as well. Oscar nominee Wood matured beautifully into the role of Angie, the girl who finds she's going to have a baby and it's McQueen's! There is a fine performance from Tom Bosley, in his first major role as a clumsy fellow who tries to win Wood's heart. The conclusion to this film is lovely and full of hope for all young lovers out there. A Must see!!!
This has always been one of my absolute favorite movies! Steve McQueen and Natalie Wood were perfectly suited for each other. She played brave Angie Rossini wonderfully - trying so hard to break away from her protective Italian-American family, trying to be strong and capable in the face of such a difficult situation, trying not to show how scared she really is.
But Steve McQueen is the real sweet part of this couple. He is corrupt and funny and unsuspectedly tender and responsible and caring. It should be noted for the fact that it marked his departure from the anti-hero roles that he specialized in (and excelled in). This wasn't an action movie but it was one of Steve's absolute best performances. She was nominated for an Academy Award and deservedly so but he was overlooked and that is criminal!
Can you tell that I love this movie?? Well, I do!
But Steve McQueen is the real sweet part of this couple. He is corrupt and funny and unsuspectedly tender and responsible and caring. It should be noted for the fact that it marked his departure from the anti-hero roles that he specialized in (and excelled in). This wasn't an action movie but it was one of Steve's absolute best performances. She was nominated for an Academy Award and deservedly so but he was overlooked and that is criminal!
Can you tell that I love this movie?? Well, I do!
Natalie Wood and Steve McQueen are at the pinnacle of their acting talent in this b-w gem from the early 1960's. Two very different people - Rocky Papasano and Angie Rossini - re-unite after a one night stand that results in a pregnancy. How they resolve this crisis is the story of this movie. Along the way, there is drama and a lot of fun. Much of the movie was shot on location in New York City's Lower East Side. There is one particularly gripping scene involving a back-alley abortionist that stands out in this film. The two young people come from Italian immigrant families who provide great entertainment as a backdrop to the love story. In the course of the movie, Angie, who was under the thumb of her domineering family, came into her own and took on a new-found confidence. Rocky's support and love helped her bloom into a wonderful and mature young woman. There were two hysterical dinner scenes, breaking the tense atmosphere of this dramatic coming of age film. Tom Bosley, in his pre-TV days, is the man considered by the family as an acceptable husband for Angie. He is very funny as the good-natured clutz trying to woo her. Other than that, the two great stars, who both died too young, have left their fans with a great love story; also directed by Robert Mulligan.
This film has always struck me as Natalie Wood and Steve
McQueen's best work in movies. Both would go on to successes
and failures, but neither would seem as natural and as unaffected
on screen again.
The story of a good working-class Italian girl in New York who gets
pregnant by a man she hardly knows, is very strong stuff for 1963.
So is their decision to have an abortion. Roe vs. Wade was nearly
a decade in the future. Mulligan shows a very gritty, dirty, New York
which has emerged from the 50s as a crumbling relic of a city,
nowhere as clean and shiny as it is today. McQueen is a callow
young musician, not looking to settle down with anyone, let alone a
single pregnant girl, even if he is at fault.
The trip to a bad neighborhood to get the abortion is chilling, and
Wood's absolute terror is genuine here. McQueen being
reluctantly honorable is very sexy here. The rest of the film with her
facing down her overly protective Neanderthal brothers and getting
her own apartment, follows the young lovers as they try to do the
right thing. Steve's poster--"Better wed than Dead," is a sweet
coda.
I loved this movie. It struck this teenager at the time, as a very
sophisticated film. Natalie Wood is incandescently beautiful in
black and white and still the loner, McQueen's intensity is a bit
more subtle than usual. Good supporting cast. This was an era
where the final black and white movies were being made--TO KILL
A MOCKING BIRD, BIRD MAN OF ALCATRAZ, THE AMERICANIZATION OF EMILY, PSYCHO were the last gasp of this
medium.
Long overdue for DVD release.
McQueen's best work in movies. Both would go on to successes
and failures, but neither would seem as natural and as unaffected
on screen again.
The story of a good working-class Italian girl in New York who gets
pregnant by a man she hardly knows, is very strong stuff for 1963.
So is their decision to have an abortion. Roe vs. Wade was nearly
a decade in the future. Mulligan shows a very gritty, dirty, New York
which has emerged from the 50s as a crumbling relic of a city,
nowhere as clean and shiny as it is today. McQueen is a callow
young musician, not looking to settle down with anyone, let alone a
single pregnant girl, even if he is at fault.
The trip to a bad neighborhood to get the abortion is chilling, and
Wood's absolute terror is genuine here. McQueen being
reluctantly honorable is very sexy here. The rest of the film with her
facing down her overly protective Neanderthal brothers and getting
her own apartment, follows the young lovers as they try to do the
right thing. Steve's poster--"Better wed than Dead," is a sweet
coda.
I loved this movie. It struck this teenager at the time, as a very
sophisticated film. Natalie Wood is incandescently beautiful in
black and white and still the loner, McQueen's intensity is a bit
more subtle than usual. Good supporting cast. This was an era
where the final black and white movies were being made--TO KILL
A MOCKING BIRD, BIRD MAN OF ALCATRAZ, THE AMERICANIZATION OF EMILY, PSYCHO were the last gasp of this
medium.
Long overdue for DVD release.
This movie is heightened by the fact that Natalie Wood and Steve McQueen are the stars. They have enough acting talent and chemistry together to make it work. The subject matter probably made this controversial in the sixties but the movie doesn't seem old in a stupid way. The supporting cast is good too - Hershel Bernardi, especially, as Natalie's overly-possessive brother.
Le saviez-vous
- AnecdotesNatalie Wood said that working on this film was "the most rewarding experience I had in all films, all the way around."
- GaffesWhen Rocky is lying down on Barbie's bed after she has left to sit at the kitchen table, only the second and third buttons on Rocky's shirt are done up, his shirt not tucked into his pants. In the next shot when he is about to get up, the second, third and fourth buttons on the shirt are done up, the shirt still not tucked into his pants. In the next shot as Rocky is now off the bed, all but the top button on his shirt are done up, the front of his shirt now tucked into his pants.
- Citations
Barbie: You know me in the cold weather - how I love to be in love. We are in love, aren't we? Really in love.
Rocky Papasano: Yeah - you with yourself, and me with myself.
- Crédits fousAs if to recognize the importance of the script, Arnold Schulman's credit appears right after the main title. This was a rarity in an era when screenplay credits traditionally appeared third to last, before the producer and director cards.
- ConnexionsFeatured in Entertainment This Week Salutes Paramount's 75th Anniversary (1987)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Desliz de una noche
- Lieux de tournage
- 131 East 10th Street, Manhattan, Ville de New York, New York, États-Unis(Rocky and Angie run through St. Mark's Church in-the-Bowery trying to escape her brothers)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 500 000 $US (estimé)
- Durée
- 1h 42min(102 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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