The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!?
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Ajouter une intrigue dans votre langueJerry falls in love with a stripper he meets at a carnival. Little does he know that she is the sister of a gypsy fortune teller whose predictions he had scoffed at earlier. The gypsy turns ... Tout lireJerry falls in love with a stripper he meets at a carnival. Little does he know that she is the sister of a gypsy fortune teller whose predictions he had scoffed at earlier. The gypsy turns him into a zombie and he goes on a killing spree.Jerry falls in love with a stripper he meets at a carnival. Little does he know that she is the sister of a gypsy fortune teller whose predictions he had scoffed at earlier. The gypsy turns him into a zombie and he goes on a killing spree.
- Réalisation
- Scénario
- Casting principal
Ray Dennis Steckler
- Jerry
- (as Cash Flagg)
Pat Kirkwood
- Madison
- (as Madison Clarke)
Don Russell
- Ortega
- (as Jack Brady)
William Turner
- Bill Ward
- (as Bill Ward)
Steve Clark
- 2nd Policeman
- (as Steve Clarke)
Carol Kaye
- The Entertainer
- (as Carol Kay)
Avis à la une
Sure, it's a stupid movie, but I found something oddly amusing about it. Some of the surrealistic imagery was actually pretty cool ... I found myself actually _admiring_ the bizarre dream sequence in this silly movie. If, for example, Dali had put that same sequence in a film, it would be declared brilliant. Actually, I found this to be, if nothing else, the most visually appealing movie ever to appear on MST3K. (Of course, this is probably unintentional - Ray Dennis Steckler was no Fellini.) It interested me enough to actually watch it _without_ Mike and the bots, if you could imagine that.
What can I say about the Incredibly Strange Creatures...I love this movie. I caught this movie on MST3K and was intrigued enough to find a copy of the movie to watch it without the call backs.
It's the story of lovable loser Jerry (played by director Ray Dennis Steckler, under the name Cash Flagg) who runs afoul of side show fortune teller Madame Estrella and her hirsute henchman Ortega, murder and mayhem ensue. During the course of this gripping "monster musical", you'll meet Jerry's unintelligible roommate Harold(who may be foreign or something), Jerry's helmet haired girlfriend, Angela, and ungainly dancer Marge (played by Steckler's one-time leading lady Carolyn Brandt, talentless stripper Carmelita, and other sketchy characters. The action is periodically interrupted by bizarre and vaguely unsettling musical numbers that add to this movie's nightmarish and surreal ambiance. If you enjoy Strange Creatures check out some of Steckler's other work, particularly The Thrill Killers and Rat Pfink a Boo Boo.
Favorite line:
Angela's mother: (Concerned over her daughter's relationship with Jerry.)
"He doesn't even come to the door for you." Angela: (In all seriousness) "He wouldn't be Jerry if he did."
It's the story of lovable loser Jerry (played by director Ray Dennis Steckler, under the name Cash Flagg) who runs afoul of side show fortune teller Madame Estrella and her hirsute henchman Ortega, murder and mayhem ensue. During the course of this gripping "monster musical", you'll meet Jerry's unintelligible roommate Harold(who may be foreign or something), Jerry's helmet haired girlfriend, Angela, and ungainly dancer Marge (played by Steckler's one-time leading lady Carolyn Brandt, talentless stripper Carmelita, and other sketchy characters. The action is periodically interrupted by bizarre and vaguely unsettling musical numbers that add to this movie's nightmarish and surreal ambiance. If you enjoy Strange Creatures check out some of Steckler's other work, particularly The Thrill Killers and Rat Pfink a Boo Boo.
Favorite line:
Angela's mother: (Concerned over her daughter's relationship with Jerry.)
"He doesn't even come to the door for you." Angela: (In all seriousness) "He wouldn't be Jerry if he did."
This is a fascinating artifact from another era of pop culture; From the convoluted title (complete with "!!?" at the end) to the open mike "Amateur Night" numbers to the horribly muddled sound recording to the goofy throwaway dialog to the discombobulated ending to the paper-thin plot, this one has to be seen to be believed.
You know the old saw about a movie being 'like a train wreck - you can't look away'?? Well, imagine if a school bus ran into the train wreck and a 727 crashed on top of it and then a herd of lemmings swarmed over the smoking remains on their way to go over a cliff. And then the Jolly Green Giant picked up everything and threw it over the mountain range and into the next state.
The movie piles one jarring, disorienting choice after another in rapid succession. First 'Jerry' rubs boogers out of his eyes on camera, then 'Harold' is jamming our ears with his Lithuanian/Chicano accent, and then 'Angela' throws off the composition of an entire scene with her Mile High Beehive of Hair, following which a bunch of 'dancers' perform bad choreography with all the precision of a dance recital for kindergarten girls, and then some dick-weed who can't carry a tune in a bucket sings the most insipid love song in the history of music while strumming a guitar that sounds like a ukulele. Then Elizabeth Taylor spins a pinwheel to make Jerry commit badly staged murder to cover up the fact that she threw acid in the face of a lumpy alcoholic, following which Jerry dreams that he got his face painted at a Renaissance festival and leaps about like a Thompson's Gazelle while a montage of women point and laugh at him. Then a mechanical wind-up monkey shrieks that we should "GET YOUR TICKETS HERE!! GET YOUR TICKETS HERE!!!" and a bunch of people who previously got acid thrown in their face and were drawn by the Rat Fink Hod Rod guy and have apparently been living on Angel Dust and Pop Tarts break loose and rampage through an Inuit/Swedish/African dance revue until the police come and shoot everyone, including Jerry who also had acid thrown in his face just before the titular 'zombies' got loose. Oh, and there's no moral, THE END.
I'm making the movie sound more coherent than it really is.
And yet, the whole mess is somehow entertaining and amusing, and I ended up being glad I saw it. If I were to meet Steckler (unlikely), I'd shake his hand and comment on how weird the movie was and ask him "WHAT THE HELL WAS HE THINKING?" when he made it.
MST's riffs on the movie are inspired and their version is worth getting hold of. But the movie stand on its own as a lunatic pinball of weirdness, careening randomly off the walls of our expectations of pop culture.
See it if you have a fondness for silly stuff. Otherwise, stay far, far away.
You know the old saw about a movie being 'like a train wreck - you can't look away'?? Well, imagine if a school bus ran into the train wreck and a 727 crashed on top of it and then a herd of lemmings swarmed over the smoking remains on their way to go over a cliff. And then the Jolly Green Giant picked up everything and threw it over the mountain range and into the next state.
The movie piles one jarring, disorienting choice after another in rapid succession. First 'Jerry' rubs boogers out of his eyes on camera, then 'Harold' is jamming our ears with his Lithuanian/Chicano accent, and then 'Angela' throws off the composition of an entire scene with her Mile High Beehive of Hair, following which a bunch of 'dancers' perform bad choreography with all the precision of a dance recital for kindergarten girls, and then some dick-weed who can't carry a tune in a bucket sings the most insipid love song in the history of music while strumming a guitar that sounds like a ukulele. Then Elizabeth Taylor spins a pinwheel to make Jerry commit badly staged murder to cover up the fact that she threw acid in the face of a lumpy alcoholic, following which Jerry dreams that he got his face painted at a Renaissance festival and leaps about like a Thompson's Gazelle while a montage of women point and laugh at him. Then a mechanical wind-up monkey shrieks that we should "GET YOUR TICKETS HERE!! GET YOUR TICKETS HERE!!!" and a bunch of people who previously got acid thrown in their face and were drawn by the Rat Fink Hod Rod guy and have apparently been living on Angel Dust and Pop Tarts break loose and rampage through an Inuit/Swedish/African dance revue until the police come and shoot everyone, including Jerry who also had acid thrown in his face just before the titular 'zombies' got loose. Oh, and there's no moral, THE END.
I'm making the movie sound more coherent than it really is.
And yet, the whole mess is somehow entertaining and amusing, and I ended up being glad I saw it. If I were to meet Steckler (unlikely), I'd shake his hand and comment on how weird the movie was and ask him "WHAT THE HELL WAS HE THINKING?" when he made it.
MST's riffs on the movie are inspired and their version is worth getting hold of. But the movie stand on its own as a lunatic pinball of weirdness, careening randomly off the walls of our expectations of pop culture.
See it if you have a fondness for silly stuff. Otherwise, stay far, far away.
...Not exactly a masterpiece of film-making though. "The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!?" - Which fan of cult cinema and amusing camp stuff could possibly resist a title like this? No one, of course, especially since Ray Dennis Steckler's 1964 film has the reputation of being one of the most outrageously awful things ever brought to screen. A reputation which is not completely justified, in my opinion, as while "The Incredibly Strange Creatures..." is doubtlessly a 'bad classic', it is in no way as awful as some other contemporary bombs, such as "Eegah" (1962) or the incredibly tedious "Beast of Yucca Flats" (1961), which also appear on the bottom 100 list of the all-time worst on this site. "The Incredibly Strange Creatures..." is stupid, ridiculous and miserably acted beyond belief, no doubt, but, hey - at least it is entertaining (which really cannot be said about "Eegah" or "The Beastof Yucca Flats"). As a matter of fact, this film is incredibly entertaining for its unintentional fun-factor, even though it sometimes gets very tedious in-between. It doesn't compare to the crème de la crème of bad movies, such as Ed Wood's wonderful "Plan 9 From Outer Space", but at least the film manages to be far more entertaining than some other films which share its bad reputation.
The most mixed-up thing about the film are actually not any Zombies (?), but the incredibly confused plot itself. Most of the film is set on a carnival, where a gypsy fortune teller is vengeful for whatever reason. Then there's a young couple who get mixed up by her desire for vengeance. And there's the couple's rock'n'roller friend with greasy hair. And there's an exotic dancer who likes to drink... or something. The plot really doesn't make a lot of sense, and one can be prepared to have forgotten half of it an hour after watching the film, but, as said above, at least it entertains. Overall this is recommendable to fans of bad cinema and cult stuff as well as people who simply like a good laugh. People who only like the "Citizen Kane" type of cinema should avoid this like the plague. There's no doubt that "The Incredibly Strange Creatures..." is incredibly awful, but neither is there a doubt that it's amusing.
The most mixed-up thing about the film are actually not any Zombies (?), but the incredibly confused plot itself. Most of the film is set on a carnival, where a gypsy fortune teller is vengeful for whatever reason. Then there's a young couple who get mixed up by her desire for vengeance. And there's the couple's rock'n'roller friend with greasy hair. And there's an exotic dancer who likes to drink... or something. The plot really doesn't make a lot of sense, and one can be prepared to have forgotten half of it an hour after watching the film, but, as said above, at least it entertains. Overall this is recommendable to fans of bad cinema and cult stuff as well as people who simply like a good laugh. People who only like the "Citizen Kane" type of cinema should avoid this like the plague. There's no doubt that "The Incredibly Strange Creatures..." is incredibly awful, but neither is there a doubt that it's amusing.
One of the most famous BAD movies ever made, mainly because of its legendary title, which is arguably the best thing about it. Look this is an awful movie, everybody knows that, but the question that should be asked is is it worth watching? And the answer is HELL YES.
Ray Dennis Steckler lies somewhere between Ed Wood, Jr and Russ Meyer for me. Wood made laughably bad genre movies that have continued to fascinate because of their campy silliness. His movies are still tons of FUN all these years later. Russ Meyer was certainly not incompetent, but he created bizarre movies populated with strange, sex obsessed characters, who found themselves involved in twisted, often indescribable plots spouting absolutely insane dialogue.
Steckler like both those directors creates his own unique world. He is closer to Wood because of his sheer ineptness I suppose, but unlike Wood's movies his are tough going at times. Truly (unintentionally) hilarious sequences are repeatedly interspersed with some of the dullest and most pointless scenes you'll ever see. That makes his movies totally unlike anyone else's before or since. 'Incredibly Strange Creatures...' is arguably his most consistent effort, and even this one is dragged down by the endless musical numbers. Even so it is a movie that HAS to be watched at least once by any trash fiend or cult movie enthusiast. You really have to see it to believe it!
Ray Dennis Steckler lies somewhere between Ed Wood, Jr and Russ Meyer for me. Wood made laughably bad genre movies that have continued to fascinate because of their campy silliness. His movies are still tons of FUN all these years later. Russ Meyer was certainly not incompetent, but he created bizarre movies populated with strange, sex obsessed characters, who found themselves involved in twisted, often indescribable plots spouting absolutely insane dialogue.
Steckler like both those directors creates his own unique world. He is closer to Wood because of his sheer ineptness I suppose, but unlike Wood's movies his are tough going at times. Truly (unintentionally) hilarious sequences are repeatedly interspersed with some of the dullest and most pointless scenes you'll ever see. That makes his movies totally unlike anyone else's before or since. 'Incredibly Strange Creatures...' is arguably his most consistent effort, and even this one is dragged down by the endless musical numbers. Even so it is a movie that HAS to be watched at least once by any trash fiend or cult movie enthusiast. You really have to see it to believe it!
Le saviez-vous
- AnecdotesThe original title was "The Incredibly Strange Creature: Or Why I Stopped Living and Became a Mixed-up Zombie." Columbia Pictures threatened to sue writer/director/star Ray Dennis Steckler, saying the title was too similar to its upcoming film, Dr. Folamour ou : comment j'ai appris à ne plus m'en faire et à aimer la bombe (1964). Steckler, amazed that Columbia would feel so threatened by a $38,000 film, phoned the studio to straighten things out. He made no progress until he demanded that Stanley Kubrick get on the line. When Kubrick picked up, Steckler suggested the new title, Kubrick accepted, and the matter was dropped.
- GaffesThe climax begins at night, then immediately switches to broad daylight (see trivia).
- Versions alternativesFor the films airing on Mystery Science Theater 3000 in 1997, the more intense shots of the murder scenes were cut from the film.
- Bandes originalesArtist's Life (Künstlerleben, Op. 316)
(uncredited)
Music by Johann Strauss
Heard in the background during footage of the carnival.
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Détails
Box-office
- Budget
- 38 000 $US (estimé)
- Durée1 heure 22 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? (1964) officially released in India in English?
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