Chat c'est Paris!

It has everything! Action, romance (well, between two cartoon cats!)and adventure, in a family viewable arena! The children will adore this classic, I can practically gaurentee that! And the adults will laugh and cry along with it, cheering on the little Robespierre with his small body and lion's heart. Jon-Tom's tail and whiskers twitching as "The best mouse catcher in all of Paris!" spots a rodent hundreds of feet away (but never actually kills one). The pretty Mewsette who wants more than she can handle and ends up getting into trouble for it. Madame Rubinschottz, the large, pink cat of ill repute with the long eyelashes and big, red lips who sends out the despicable Meowrice, the scoundrel who is to bring a lovely kitty (Mewsette) into her fold. And lest we forget the "Money-Cats" (the scraggly, silly, bumbling black alley cats who shake their cat-behinds on the rooftops to the tune of "The money-cat knows where the money-tree grows"!). This cartoon feature is like those famous potato chips that claim you cant eat just one. Once you see this film, you will *always* want to go back!

In 1890s in the south of France, Mewsette (Judy Garland) lives a simple existence as a farm cat with her boyfriend Jaune Tom (Robert Goulet) who is often prone to mousing with his friend Robespierre (Red Buttons). When Mewsette learns of the glamour of Paris from her owner's sister, she becomes disillusioned with "plebian" existence and angrily rejects a mouse from Juane Tom that leaves him feeling dejected. Angered with Mewsette's outburst, Robespierre tells Mewsette to go to Paris if she's so miserable which she does by stowing away in the baggage of the departing buggy. When Jaune Tom learns that Mewsette has left he sets out for Paris intent on finding her with Robespierre in tow. Meanwhile Mewsette arrives in Paris and meets Meowrice (Paul Frees) who claims he can help turn her into a proper Parisian unaware he has his sights set on an underhanded and lucrative matchmaking deal.

Gay Purr-ee is a 1962 animated musical from UPA and distributed by Warner Bros. Which marked the second and final animated feature project of UPA as well as the first animated feature to be distributed by Warner Bros. UPA originally setup the project at United Artists but took it to Warner Bros. After financing was taking too long to get together. With Judy Garland cast as one of the leads at her suggestion Harold Arlen and E. Y. Harburg who wrote the songs for the Wizard of Oz were brought on at her suggestion. The male lead had initially been positioned for Gene Kelly who dropped out before production began and Elvis Presley had been considered as a possible replacement until Robert Goulet was secured who took a week long hiatus from performing in a Broadway production of Camelot to record the role. While the film received positive reviews at the time and was given an aggressive promotional push by Warner Bros., contemporary sources claim the film's box office was underwhelming and the financial failure of the film was a contributing factor to UPA to abandon animation. There's some good elements on display in Gay Purr-ee, but they come more from the strength of the art direction and voice work rather than the sum of the movie itself.

Artistically speaking while the movie features simpler shapes and more limited animation in comparison to the productions of Walt Disney's productions, the way in which Paris is realized is quite unique and colorful and you can see why the film was critically lauded for its art direction. One particularly standout sequence involves a scene where Meowrice is describing several paintings of Mewsette by notable artistic figures ranging from Vincent Van Gogh to Pablo Picaso where Mewsette is not only rendered in the style of each painter, but we also get some background on the artistic processes involved. With Robert Goulet and Judy Garland in the voice cast, it should surprise no-one that the music and voice acting is really on point with even comedic songs like "Bubbles" (a song about getting drunk on champagne) catchy and pleasing to listen to thanks to Goulet's voice. The actual plot of the movie is where I feel things start to unravel, from a worldbuilding perspective there's really no reason the characters are cats and when you have strange aspects like the fact these cats care about human currency or background gags of cats wearing clothes while the main characters act like real cats, it doesn't really create much of a sense of immersion. Character motivations also aren't especially well conveyed particularly with Mewsette herself and I think having Jaune Tom and Mewsette together at the beginning of the film undercuts the narrative to a degree.

While there's some solid work on display in Gay-Purr-ee especially in regards to its voice cast and art direction, on a story level it feels like it's lacking in polish and refinement. The movie's worth a look for fans of Goulet and Garland as well as animation fans but it's decidedly less than the sum of its parts.

This movie is marvelous. The story is "girl-rejects-boy; girl-gets-into-trouble; boy-rescues-girl; all-live-happily-after." Very romantically satisfying. Paul Frees' voice is perfect for Meowrice, as is Robert Goulet's for Jeune-Tom. Judy Garland's voice is in fine fettle as Mewsette. The impressionist drawing and background style is unique. I've never seen another like it.

This is one of those movies parents can allow their children to enjoy without fear of their being exposed to too much sex and violence. On the other hand, adults can enjoy it, also, on a different level.

We still watch it regularly 3 or 4 times a year.

seriously, I thought "Gay Pur-ree" is up there on par with Disney's greatest productions, even surpassing some of them. Sure it's no blockbuster, nor is it planned to be one. But it does manage a certain kind of epic magic, more akin to the impressionist style it emulates than to the "MTV video feel" behind most of today's standard animation works.

Gay Pur-ree (which aired in my country as "La Fair Mewsette", to my mind a MUCH better title) is a throwback to an age of innocence (corny as this may sound) in more than one sense; in those days, a simple, humane story was all the charm a story needed (my, that DID sound corny indeed). The movie had that special feel, in spades. And to me (a very impressionable 8-year old at the time), it was a true saga. I was taken to another world, cried for the characters, memorized their names and the song. And I dreamed of it for a month after watching it. I felt the magic. I felt as they said you should feel after watching an animated movie.

*sigh*

Maybe not a must see, but certainly a must remember. Watch it, and cherish the memory.

Animation historians may have heard of the studio called United Productions of America. They were best known for creating animated shorts such as the Oscar-winning Gerald McBoing-Boing, the suspenseful short adaptation of Edgar Allen Poe's The Tell-Tale Heart narrated by James Mason, and the Mr. Magoo television series. They've made two animated features during their run. The first was the 1959 loose adaptation of 1001 Arabian Nights released under Columbia. The second one became the 1962 film Gay Purr-ee, released under Warner Brothers and directed by Abe Levitow, who has worked on many a Looney Tunes short with his partner Chuck Jones prior to this.

Set in France in the 1890s, also known as the Gay '90s as the title implies, the film is about Mewsette (Judy Garland in her only voice role), a country feline living on a farm with the mouser Jaune-Tom (Robert Goulet in his film debut) and his partner, a small blue kitten named Robespierre (Red Buttons). However, tired of her farm life, she hears about the beauty of living in the city of Paris, and decides to run away and catch the train. She is introduced by a black-and-white schemer named Meowrice (I swear, I'm not making that name up), not knowing that he has some rather slimy plans for her. Jaune-Tom learns of Mewsette's departure from Robespierre and they head for Paris to try and find her.

Even though the film is animated, it is, at heart, a musical, on par with many other musical films released before this, including the ones that also star Judy Garland. In fact, all of the songs written for the picture were done by Harold Arlen and E. Y. Harburg, the same duo who wrote the songs for the beloved 1939 MGM classic The Wizard of Oz. Even after 23 years, their songwriting still held water, with songs like the uplifting "Roses Red, Violets Blue", and the slower ballads like "Take My Hand Paris", "Little Drops of Rain", and my favorite one of them all, "Paris is a Lonely Town", to name a few.

For the animation, if you're familiar with the shorts made by UPA, the animation is limited, but visually appealing and influential in terms of design and style, with French expressionism being a large inspiration of how the final film is supposed to look. For an animated film made in the '60s, this is probably the most colorful and very much alive. This is further utilized in a later scene where the film's artists make parody portraits based on the works of Vincent Van Gogh, Georges Seurat, Claude Monet, and, yes, even Pablo Picasso. After watching the scene, you'll know why UPA was known for their unique style that other studios weren't doing in their heyday.

The sad thing about this film is that it is not as well recognized as a lot of other animated classics. Even the 1970 animated Disney film "The Aristocats", which also took place in France and focuses on...well...cats, became more popular. The only people that would remember this film is if they were film and animation historians or if you saw it via Cartoon Network's Cartoon Theatre back in the '90s. Thankfully, however, the film is being re-discovered, with airings on Turner Classic Movies and releases on DVD via the Warner Archive Collection. For me, this is an underrated piece of animated cinema that should've gotten more recognition over the years. If you enjoy classic animation, definitely pick this one up.