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Bons Baisers de Russie

Titre original : From Russia with Love
  • 1963
  • Tous publics
  • 1h 55min
NOTE IMDb
7,3/10
153 k
MA NOTE
POPULARITÉ
3 831
228
Bons Baisers de Russie (1963)
James Bond willingly falls into an assassination plot involving a naive Russian beauty in order to retrieve a Soviet encryption device that was stolen by S.P.E.C.T.R.E.
Lire trailer3:36
4 Videos
99+ photos
EspionActionAventureThriller

James Bond tombe allègrement dans une tentative d'assassinat impliquant une beauté russe candide afin de récupérer un dispositif de cryptage soviétique qui a été volé par S.P.E.C.T.R.E.James Bond tombe allègrement dans une tentative d'assassinat impliquant une beauté russe candide afin de récupérer un dispositif de cryptage soviétique qui a été volé par S.P.E.C.T.R.E.James Bond tombe allègrement dans une tentative d'assassinat impliquant une beauté russe candide afin de récupérer un dispositif de cryptage soviétique qui a été volé par S.P.E.C.T.R.E.

  • Réalisation
    • Terence Young
  • Scénario
    • Richard Maibaum
    • Johanna Harwood
    • Ian Fleming
  • Casting principal
    • Sean Connery
    • Robert Shaw
    • Lotte Lenya
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    153 k
    MA NOTE
    POPULARITÉ
    3 831
    228
    • Réalisation
      • Terence Young
    • Scénario
      • Richard Maibaum
      • Johanna Harwood
      • Ian Fleming
    • Casting principal
      • Sean Connery
      • Robert Shaw
      • Lotte Lenya
    • 540avis d'utilisateurs
    • 127avis des critiques
    • 83Métascore
  • Voir les informations de production sur IMDbPro
    • Victoire aux 1 BAFTA Award
      • 3 victoires et 6 nominations au total

    Vidéos4

    Trailer
    Trailer 3:36
    Trailer
    These Bond Women Are Changing the Spy Game
    Clip 6:36
    These Bond Women Are Changing the Spy Game
    These Bond Women Are Changing the Spy Game
    Clip 6:36
    These Bond Women Are Changing the Spy Game
    Bond 25 Returns to 007's Origins
    Clip 3:39
    Bond 25 Returns to 007's Origins
    From Russia With Love: Train Fight
    Clip 1:14
    From Russia With Love: Train Fight

    Photos435

    Voir l'affiche
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    Voir l'affiche
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    + 428
    Voir l'affiche

    Rôles principaux89

    Modifier
    Sean Connery
    Sean Connery
    • James Bond
    Robert Shaw
    Robert Shaw
    • Grant
    Lotte Lenya
    Lotte Lenya
    • Rosa Klebb
    Daniela Bianchi
    Daniela Bianchi
    • Tatiana
    Pedro Armendáriz
    Pedro Armendáriz
    • Kerim Bey
    • (as Pedro Armendariz)
    Bernard Lee
    Bernard Lee
    • 'M'
    Eunice Gayson
    Eunice Gayson
    • Sylvia
    Walter Gotell
    Walter Gotell
    • Morzeny
    Francis De Wolff
    Francis De Wolff
    • Vavra
    • (as Francis de Wolff)
    George Pastell
    George Pastell
    • Train Conductor
    Nadja Regin
    Nadja Regin
    • Kerim's Girl
    Lois Maxwell
    Lois Maxwell
    • Miss Moneypenny
    Aliza Gur
    Aliza Gur
    • Vida
    Martine Beswick
    Martine Beswick
    • Zora
    • (as Martin Beswick)
    Vladek Sheybal
    Vladek Sheybal
    • Kronsteen
    Anthony Dawson
    Anthony Dawson
    • Ernst Blofeld
    • (as ?)
    Lisa Guiraut
    • Gypsy Dancer
    • (as Leila)
    Hasan Ceylan
    Hasan Ceylan
    • Foreign Agent
    • Réalisation
      • Terence Young
    • Scénario
      • Richard Maibaum
      • Johanna Harwood
      • Ian Fleming
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs540

    7,3152.5K
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    9bishop_guido

    Best of the Bonds?

    The first three Bonds (Dr. No, FRWL, Goldfinger) are without question the best in the series, though From Russia with Love may well be the best of the best. It has all things we look for in a great Bond film - exotic locales, sinister villains, beautiful women - but it was made before Goldfinger established the ingenious-yet-demented-supervillain-plus-indestructible-henchman formula as canonical, so its plot line may surprise viewers reared on the later Bond films. For one thing, there's little or nothing in the way of gadgetry (though Q does provide our hero with a pretty nifty briefcase). Beyond a brief encounter with the faceless Number One, there's no arch-villain looming over the action, and the henchmen are at once less invulnerable and more interesting than most of their successors in the series. Particularly memorable, of course, are Lotte Lenya as the hatchet-faced Colonel ("She's had her kicks") Kleb and Robert Shaw as the brutish Donald "Red" Grant. Kleb's edgy menace is neatly offset by her terror at the prospect of failure (an option which Number One refuses to countenance); her subtle come-on to Tatiana Romanova was positively daring by 1963 standards, and she manages to do for footwear what Goldfinger's Odd Job went on to do for head gear. Grant is no superman, but a vicious, small-time thug, recruited by SPECTRE and transformed into a fearsome enforcer; his bitter encounter with Bond on the train speaks volumes about the class tensions that still underlay British society in the post-war era.

    Connery, for his part, gets to build on the character he first fleshed out in Dr. No. His Bond really emerges here as a complex man, formidable but flawed. He's genteel and sophisticated, but he doesn't always keep his cool; unlike the too-often unflappable Roger Moore, Connery's Bond betrays both anger and fear when the circumstances seem to warrant it. He intervenes chivalrously to stop a fight between two Gypsy women, but he's not above slugging a woman in the service of his mission. I've always enjoyed the humanizing chemistry between Connery and Pedro Armendariz's larger-than-life Kerim ("I've led a fascinating life") Bey, the most charming of Bond sidekicks; their friendship comes across as genuine and multi-dimensional. Today's viewers (especially women) will likely find Daniela Bianchi's Tanya ("I LOVE you, James") Romanova an uncomfortably passive damsel-in-distress, but, hey: she's drop-dead gorgeous and has some nice scenes with Connery. The Turkish and Balkan settings are spectacular and the train sequence at the end is both exciting and suspenseful. Cold War scenario notwithstanding, this one has aged very well. Shake yourself a pitcher of vodka martinis and spend a Friday night watching Dr. No, From Russia with Love and Goldfinger.
    7Gislef

    Better than Fleming's Novel!

    Hard to believe, but the movie is actually an improvement on Fleming's novel. Rather than have the Lektor operation be a simple Russian scheme to discredit Bond as Fleming did, SPECTRE takes a hand here in their first on-screen appearance as an organization. The plot is improved considerably because of this. The movie thrives on its supporting actors and Sheybal. Connery is somewhat outshone by these greater lights, but gives a credible performance. From Russia... is a different pace of movie: no one here is intent on wiping out the world's population, or destroying the gold supply, or stealing submarines. Basically, it's a quiet little plot focusing on an elaborate "sting" operation. Until the end, the pace is kind of slow, and might lose more "modern" audiences, particularly those used to incredible stunt sequences every 20 minutes.
    8pyrocitor

    Bond as a spy, rather than an action hero

    After the success of Dr. No, it was only a matter of time before James Bond returned for his second installment of espionage and adventure. Of course, it wasn't until the phenomenal success of Goldfinger that the Bond series really took off, and established the formula soon to be followed by every subsequent 007 movie and virtually every other action movie. But 'From Russia with Love' proved to be an equally effective, if slightly quieter little film, with more focus on the undercover espionage portion of James Bond's occupation, and less of the glamorous saving the world which would later become daily routine for him.

    In fact, one of the things that makes 'From Russia with Love' interesting is that it is a 007 movie made before the "Bond movie" formula was established, and noticeable differences in the storyline can be seen. 'Russia' is more of a slower film, with fewer action sequences and more focus on Bond actually being a spy rather than an action hero. This leisurely, tension-building storytelling likely would have garnered terrible reaction in the 90s, but 'From Russia with Love' is still a very strong, if less formulaic addition to the Bond series.

    Another noticeable difference is that Bond himself is much less the star of the show than is usually the case. Much more focus is placed on the supporting characters of the story, including minor characters such as chess master Kronsteen (Vladek Sheybal) who likely would simply have been eliminated from the story had 'Russia' followed the standard formula more closely. And for once, Bond isn't completely all knowing, capable of solving any problem independently - he teams up with the wise Kerim Bey (the charming Pedro Armendariz, his last film role) who shows Bond the ropes of Istanbul. But more standard story elements from the Bond formula are still present, such as menacing villains Rosa Klebb (the terrifying Lotte Lenya) and hit-man Red Grant. (an utterly intimidating and menacing Robert Shaw, the film's standout) And of course, there is still a slew of beautiful women for Bond to seduce, especially Russian decoding clerk Tatiana Romanova, played by the immensely gorgeous Daniela Bianchi. Also watch for a tense boat chase near the film's climax, the kind of stunt frequented by future Bond films.

    So 'From Russia with Love' is really a quieter, more suspenseful addition to the Bond series, with more focus on Bond doing some actual spying rather than explosions every five minutes and Bond saving the world from some elaborate scheme. It may drag at times, and may not prove quite as exciting as today's audiences might hope, but Connery is at the top of his game here as 007, and his opposers are genuinely menacing and intimidating. For those wishing the Bond franchise would place more emphasis of the espionage portion of Bond's occupation, 'From Russia with Love' should prove the perfect film for them.

    -8/10
    8bkoganbing

    SPECTRE Sends Their Love To 007

    After the success of Dr. No, the movie going public could not get enough of Sean Connery as James Bond. From Russia With Love was almost demanded to be made and it's proved to be one of the most durable of the Bond series in popularity.

    That infamous third echelon SPECTRE is after a new Russian decoding machine that the West would certainly like to lay its mitts on as well. But SPECTRE has something additional in mind. Knowing that MI5 will send its best in 007 after the decoder, they have it in mind to kill James Bond. And the alluring bait will be Daniela Bianchi, their agent.

    Of course as always no woman can resist the sex appeal of James Bond as packaged by Sean Connery. Personally I've always liked Roger Moore best in the part, I like Sean Connery as well, but more for his non-Bond roles. That I'm sure will be appreciated by Sean Connery should he ever get to read this review.

    The cinematography in a story that takes place in Istanbul and along the Mediterranean Sea is gorgeous. Connery gets a really outstanding cast in support including Pedro Armendariz for whom this was a final performance as Bond ally Ali Kerim Bey.

    Robert Shaw has a part of few words as the paid assassin SPECTRE has trained for the purpose of killing James Bond. Shaw is terrifying in his role and the fact he did it without much use of a voice that was one of the best in the English language, testifies to his ability as an actor. His confrontation with Connery on the Orient Express is one of the great fight scenes ever done on film.

    However I have a warm spot in my heart for Lotte Lenya as Rosa Klebb, the Russian defector now working for SPECTRE, the woman with those killer orthopedic shoes. Kenneth Cole never designed better.

    From Russia With Love has everything you want in a James Bond film, action, sex, and exotic locations. And Sean Connery, who could complain.
    8dvc5159

    The best of the James Bond series, probably the best of the spy genre as well.

    Connery came, he acted, and he conquered as James Bond in this second installment of the James Bond film franchise. With some of the most realistic fight scenes for a '60s movie and terrific story by Fleming, this film has a recipe for a masterpiece.

    As mentioned in my review of "Dr. No", his charm and intellectual wit is still there, and then in some scenes in a whole lot more better than before. How he tries to commence his mission, you just couldn't fall asleep. A-grade acting by Connery here.

    Then-newcomer Daniela Branchi is good as Bond Girl Tatiana, who is the wrong girl at the right time. Desmond Llewelyn, in his debut as gadget man Q, shows us an impressive array of gadgets that Bond would later find quite useful. But it is Robert Shaw, who almost steals the show as the murderous, merciless, assassin Grant, who will stop at nothing to prevent Bond and Tatiana from commencing their mission.

    Crew also return here. Producers Brocolli and Saltzman and director Young have returned, with double the budget and double the thrills in return. Also, the musical score by John Barry is memorable, it really sets the tone for a realistic spy adventure.

    The story is not meant to be an action picture. It is more like the adventures of a spy, with the dangers of being a spy. In short, it is a complex spy thriller, made to suit the target audience which are spy fans and intelligent viewers. I do not understand how anyone could call such a film "boring." This truly is a pinnacle of the James Bond series, one which will remain for years to come.

    9.34/10

    Delton

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sir Sean Connery called this movie his personal favorite of his Bond movies.
    • Gaffes
      Bond does not turn the bathtub tap off after he meets Tatiana in his hotel bed.
    • Citations

      James Bond: Red wine with fish. Well, that should have told me something.

      Donald "Red" Grant: You may know the right wines, but you're the one on your knees. How does it feel old man?

    • Crédits fous
      Ernst Blofeld's actor is credited as "?".
    • Versions alternatives
      In the French theatrical version the end title song "From Russia With Love" by Matt Monro was sung in French by Swedish singer/actor Bob Askolf under the title "Bons baisers de Russie".
    • Connexions
      Edited into Docteur Who: The Dæmons: Episode Three (1971)
    • Bandes originales
      From Russia with Love
      Music by John Barry

      Lyrics by Lionel Bart

      Performed by Matt Monro

    Meilleurs choix

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    FAQ36

    • How long is From Russia with Love?Alimenté par Alexa
    • Why did Bond tell Tania they were going to rob the consulate on the 14th when he really intended to do it on the 13th?
    • Wasn't that Werner Klemperer (Col. Klink, from Hogan's Hero's) who met the Russian woman as she got off the helicopter? He's uncredited.
    • What happened to the Lektor at the end of the film?

    Détails

    Modifier
    • Date de sortie
      • 13 mars 1964 (France)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
      • Turquie
      • Italie
    • Site officiel
      • Official site
    • Langues
      • Anglais
      • Russe
      • Turc
      • Français
      • Roms
      • Italien
    • Aussi connu sous le nom de
      • El regreso del agente 007
    • Lieux de tournage
      • Yerebatan Saray Sarniçi, Sultanahmet Square, Sultanahmet, Istanbul, Turquie(Basilica Cistern - James Bond and Kerim Bey escape with the Lektor decoding machine)
    • Société de production
      • Eon Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 24 796 765 $US
    • Montant brut mondial
      • 24 811 445 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 55min(115 min)
    • Couleur
      • Color

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