Dr. Folamour ou : comment j'ai appris à ne plus m'en faire et à aimer la bombe

The insane acting talent displayed by Peter Sellers isn't the only thing this film did for me. It created a sense of pure panic while simultaneously finding humor in this early piece of brilliance from Kubrick in his long directing career. George C. Scott also turned in a fantastic performance as a typical war hungry 1950's/60's military general. This film will transport you into the middle of a Cold War era. A period where despite the warning label in the beginning explaining its fictional origin, it definitely possessed real possibilities. The whole cast does a absolutely brilliant job and I am a firm believer that this will remain timelessly enjoyable.

I didn't quite understand all of the jokes, but I enjoyed this movie enormously. It is essentially one of the best satirical comedies out there. Peter Sellers was hilarious here in no less than 3 roles. My personal favourite was the president. My favourite line of the film is actually in the title of this review, as Dad and I watched this at midnight and couldn't stop laughing. I loved Sellers also as the man in the wheelchair Strangelove, who tries to impersonate Hitler, I think. There was a brilliant performance from fine actor George C. Scott, who I really admire. I personally think there isn't enough of these two stars on television, I really don't. I noticed a young James Earl Jones too, and the camera-work and direction were both excellent. Got to love the music, I did, a bit ironic, but that was the intention. Great movie! 9/10. Bethany Cox

Spectacular and chilling to watch Dr. Strangelove in May 16, 2017. I'm not going to talk about prophecy not even coincidence. Art has a way to warn, express or simply entertain in a way that its relevance will always be renewed. That opening with George C Scott's secretary, in her underwear, answering the phone for her boss in the most professional tone imaginable, is a masterful way to introduce us to the normal absurdity we're about to embark on. Terry Southern's extraordinary script (sharing credit with Peter George and Stanley Kubrick himself) is a masterpiece of intention and execution. The film doesn't have a moment of emptiness nor a single cheap shot. Everything works with the irrational logic of tradition and set standards. How can something so serious and ultimately terrifying can be so funny. I think that's the definition of film art. I don't want to sound pompous but that's exactly how I feel. I've seen a 1966 movie by Stanley Kubrick in 2017 that's better, more relevant, ingenious and even revolutionary than anything we've seen in a long, long time. Peter Sellers, fantastic three times over (and he was also going to play the Slim Pickens part) George C Scott in one of the greatest comic performances ever put on film and Sterling Hayden in a frighteningly credible show of abuse of power, complete the pleasures of this remarkable film.

I never really bought into the Kubrick hype. I mean: don't get me wrong; I like all of his films very much - but to me, they all feel somewhat over-constructed and lack a natural flow. And then I finally got to see 'Dr.Strangelove'. Wow. What a terrific, pitch black satire. This film is so wild and mean and funny - and Peter Sellers gives THE performance of his career. Unlike in any of Kubrick's later works, there's a sense of playfulness here that gives the whole movie a crazy kind of energy; I'm guessing that Seller's love for improvisation forced Kubrick to ditch his usual perfectionism to a certain degree (and the film is all the better for it). Sharp, outrageously entertaining comedy/satire by one of the most revered directors of the past century. 10 out of 10.

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

What makes this film so powerful is the message that it made at the time of its release. This film came out at a height of paranoia of the nuclear age and the Cold War, right around the time of the Cuban Missile Crisis. This film depicts a horrible, tragic incident in which a breach in the government and a few diplomatic mistakes result in nuclear holocaust. So, why didn't this film inspire panic? Because of the brilliant way in which Kubrick presents it... as a satire. The scariest thing about this film in retrospect is not how it depicts the impending doom of the Cold War, but how it makes you laugh at it. By presenting it with humor, it conveys just how much of a farce the nuclear arms race was in real life. And I don't think that any other film has captured the absurdity of war nearly as well as this one has. And I am not likely to believe that one ever will. In my opinion, Kubrick has never made a better film since. And kudos to George C. Scott for his astounding performance, as well as Peter Sellers for the most versatile acting I've seen from an actor in one film, and to Sterling Hayden, for performing the most serious, yet the most hilarious role in film with perfect accuracy. Beware of fluoridation!