Tambours Africains

Although "Drums of Africa" was bankrolled by a major Hollywood studio (Metro Goldwyn Mayer), it seems that the studio executives decided for this particular production to cut costs where possible. This can be seen with the "outdoor" scenes obviously filmed on indoor stages, outdoor locations that look suspiciously like southern California, but most of all with the use of stock footage - a TON of stock footage. In fact, I suspect that the screenwriter was shown this stock footage before starting on his typewriter and was told, "Write a story that uses all of this stock footage." It would explain why there is barely a plot on display. Most of the movie consists of the characters wandering around the jungle and African plains with little to nothing of consequence happening. In the end, this is far from Frankie's finest hour... that is, if he ever had a fine hour.

This film may have been a first feature shown before a main feature back in 1963. Warner Archive has just released this on DVD. I know the scenes of charging animals were intercut from "King Solomons Mines" (1950), however it is not as bad as one might think. Llyod Bochner does a good job as the engineer bent on getting his railroad built through the African Jungle. Frankie Avalon is there for comic relief and to sing a song. Yes the action is silly, and the dialog is sometimes laughable, but it is still a fun 91 minute time passer. Mariette Hartley is the love interest.

*** not so bad.

David Moore (Lloyd Bochner) is taking his employer's son Brian Ferrers (Frankie Avalon) to go to the railway construction site in Africa. It's Brian's first time outside of Canada. They have booked Jack Cuortemayn and his man-servant Kasongo as their guides but Jack rejects them for the destruction from the railway. Ruth Knight (Mariette Hartley) is a missionary born to the country.

This is the darkest uncivilized Africa adventure. They are dodging slave hunters. The film uses old footage from King Solomon's Mines (1950). It's a lot of wild animals in the recycled footage. This feels old and cheap even considering the 60's and its B-movie aspirations. It does have Avalon and Hartley. I'm more interested in Hartley. Avalon is playing the clueless brat. The animal footage is interesting. At least, it's more interesting than the story.

What an amalgam of scenes from King Solomon's Mine, a North American Forest Fire , and terrible African Plain studio sets. The plot is all over the place, acting is weak, throw in Frankie Avalon who is supposed to be living in the later 1800's yet sings and speaks right out of the 1960's and you must ask yourself why did they make this to begin with. Rather than trying to take Avalon out of the beach movie boredon onto mainstream cinema they turned the man into a forever teen. His small body size and his dialogue scream boy.

With enough location footage shot from King Solomon's Mines to give Drums Of Africa a smidgen of authenticity MGM saved a lot of bucks not sending Frankie Avalon and the rest of the cast to East Africa for some real location shooting. No way was MGM going to spend a lot on what is clearly a B picture film.

Although Frankie Avalon is top billed he's in support of Lloyd Bochner, Mariette Hartley, and Torin Thatcher. Bochner plays an engineer commissioned to find a better route, part of that Cape to Cairo scheme the British had in those days. Avalon is the nephew of the owner and his American speech is explained as Frankie being Canadian. As is missionary Mariette Hartley. Torin Thatcher is the best known white hunter/guide in Africa spelled C-o-u-r-t-m-a-y-n lest we have to pay the estate of H. Rider Haggard.

Thatcher hates the railroad it will spoil his Africa. Hartley likes the idea of having her medical supplies delivered to her door without a big safari to get it and bring it back. She also likes Bochner.

Lloyd Bochner played mostly heels in his career and he's one here. But he's also called on to be a hero and someone like Tyrone Power made that a specialty, but it doesn't wear well on Lloyd Bochner.

Everybody however hates the slave traders and when they capture Hartley and some of her charges we go into action.

All that's left is a Frankie Avalon song, one of his most forgettable. This film is like eating leftovers.