La Taverne de l'Irlandais

Not John Wayne's best movie, but one of my favourites. I love the locations, which I believe was Hawaii. It is just a fun movie to watch. The type of movie you don't have to think to hard about.

This film is not one of Johns best but it ranks pretty high. It's good to see John Wayne in something besides a cowboy movie. It has a great supporting cast. Lee Marvin out does his self in his role as the out cast friend who has the same birthday as John Wayne. Cesar Romero plays his part brilliantly as the French Ambassador. And the kids in this film could not have been cast better. Jacqueline Malouf plays her part as the teen age daughter of Jack Warden so convincingly you forget she was 22 at the time. And Cherylene Lee is the cutest little girl who ever played a part in the movies.

The plot is a little lame and Elizabeth Allen is a little young to be playing John Wayne's love interest. John Wayne appears to look the oldest of the three Americans who stayed on the island to help the inhabitants during WWII. But the movie comes off pretty good if you can over look the age difference. Besides, Wayne and Allen do work well together. I like to watch this movie from time to time. It's a feel good movie were everything comes out good in the end.

This was a beautiful film, not least because of the warm and lively music, and also because of the cool, sensual presence of Elizabeth, who died only recently. The comedy, as written above, could indeed be a little ham-handed, but there's no substitute for the scene when Amelia, riding the back of a jeep, is vaulted off the rear as it hits a bump and lands flat on her a**. John Wayne looks down at her and asks quietly, "Did you hurt your ---- self?" This is a pleasant, human drama, with a strong anti-racist message built around a great cast of characters. A solid, pleasing John Ford / John Wayne partnership, and Elizabeth Allen was a pure pleasure.

Donovan's Reef is fun. It has a decent story, good characters, and stunning scenery. This is why you go to the movies, isn't it? If compared against Ford's acknowledged masterpieces, Dononvan's Reef does not measure up, but measured against other escapist films, it is a great movie. John Wayne's performance is consistently good, and as always, believable. Wayne was so real in his films, that he is never considered to be a good actor, but if you look at his body of work, you have to admit he could do it all. His Guns Donovan character is certainly up to snuff, and he does well with what he has. His interaction with Lee Marvin as Boats Gilhooley is as good as any of his other brawling, head-butting clashes with legends like Ward Bond or Victor McGlaglen. Lee Marvin is very funny and clever in his scenes, and very rarely over the top. He could always deliver on a character that was supposed to be likable, but mentally ill.

Aside from the fun, we have a significant plot element of prejudice considering the behavior of Guns, Boats, and Andre, where they hide the Doctor's half-caste Polynesian children from the All-White Bostonian daughter, Amelia. Paradoxically, we have Chinese stereotypes in the form of goofy looking morons with toothy grins and heavy accents. Still, in the end reason prevails in that the young Leilani shows wisdom beyond her years. When she sings a prayer of thanks to the goddess of the canyon where Guns chops down their Christmas tree, Amelia asks if she believes in gods and goddesses. Leilani replies, "I believe in one God, as we all do, but I respect the customs and beliefs of my people." Amelia subsequently accepts the cultural differences with a gracious bow to Leilani, who is being honored as the last hereditary princess of the island. That is a nicely done scene.

If you focus on what Donovan's Reef isn't, it will be a disappointing film. If you enjoy it for what it is, you will have a great time.

From the very beginning of this movie you know what you have let yourself in for, when Lee Marvin belts the ship's bosun over the ear with a broom. Followed by, "Permission to leave the ship"; then literally jumps ship and swims for the beach. You realize then that you are in for 150 minutes of a Fordian, boisterous knockabout comedy.

This was the last time that Ford and Wayne would team up together. Maybe this production was a farewell rave-up for both of them. With Lee Marvin thrown in to assist in turning it into a roughhouse just for the hell of it. Added to this pugilistic mixture, you have the jumbo-sized heavyweight, Mike Mazurki, serving as a French Colonial Gendarme. As a welcome opposite to the boisterous muscle we have the smooth, suave Cesar Romero, oozing glossy charm and good manners, serving as the colonial governor of this supposed French Polynesian paradise. Add to that, Dorothy Lamour, back in the sarong after a long absence, as a duskey maiden-type decoration. The three children belonging to Doctor Dedham add a nice child-like innocence to this warring male atmosphere. Here the softer side of Big John comes to the surface when he tries to comfort the eldest of the three children who becomes emotional over her half-cast origins. Elizabeth Allen adds a well bred prim and proper touch of class to this nonsensical tropical South Pacific potion.

This movie then, has a friendly-like approach to bar room brawling with smiles thrown in. Harmless and bruising fun all the way. I always imagine that this kind of rough and tumble movie seems to be "cobbled" together...somehow. Then everything seems to fall into place at the end. The end result being order out of chaos.

It's a sad to think that nearly all the lead characters plus John Ford, have all faded out and gone to the big movie studio in the sky. God help anybody else up there with this lot! That's all.