Ajouter une intrigue dans votre langueAn evil spirit leaves the body of his human host, a criminal on death-row, and sneaks into the body of his next human host, a French magistrate.An evil spirit leaves the body of his human host, a criminal on death-row, and sneaks into the body of his next human host, a French magistrate.An evil spirit leaves the body of his human host, a criminal on death-row, and sneaks into the body of his next human host, a French magistrate.
- Réalisation
- Scénario
- Casting principal
- The Horla
- (voix)
Avis à la une
For a while I had seen this movie floating around but since the title reveals zero about what the movie is about - I never bothered with it! Just had my first viewing. Better late than never!
Despite being too studiobound and needing about 20 minutes of dull footage cut out, Diary of a Madman is a knockout movie. And frankly, a very odd one, but odd in a good way.
We are missing the wonderfully campy Price dialogue we got in House of Wax and House on Haunted Hill, but instead we get a deadly serious Price who is very pleasing.
Having no location filming gives it a television movie look but the rich Richard LaSalle score makes the whole thing seem rather grand.
If you think you have heard some of the LaSalle cues before, you have, in TV's Lost In Space (1965) and Land of the Giants (1968).
Despite some mild flaws, an outstanding and wonderfully oddball flick.
It's a seriously good job that this film stars Vincent Price, as with almost anyone else in the lead role it would have been a complete dead loss. Price doesn't excel himself here; but even an average Price performance is great to watch, and the great thespian continually saves the film from tedium. Price is the only real star of the film, and that's not a problem in a way as he has more than enough to carry a film on his own; a film like this could really do with a few more distractions. The locations look nice, however, and the Technicolor cinematography excellently captures them. There's not a great deal of actual horror in the film; sequences that see Vincent Price's mirror reflection disappear, and a few where he has green eyes are about as horrific as it gets. The idea of an evil demon possessing someone isn't exactly original, but the basics of the story get good handling here; so it's a shame that the rest of the film wasn't better. Overall, this has it's moments I suppose; but aside from Price's performance, there isn't much to recommend it for. Interesting fact, though; a quote towards the start of the film was used by Rob Zombie in his song "The Return of the Phantom Stranger"!
Dug this out of my collection and gave it another view. I really like this one and feel it has been underrated by many. The only major problem I have with it is the story would have been better served had the existence of the Horla been left more to question. Still I really enjoyed this, especially Vincent Price in the lead. It's got that old-time 1960s AIP Horror feel to it even though it wasn't made there.
Price is terrific in this movie, going from affable man, to homicidal madman with ease. For its time, it's fairly gory, including a stabbing and -implied- decapitation. Nancy Novack co-stars as the conniving Odette. The voice of the Horla is provided with wicked glee by Joseph Ruskin. This movie belongs on every Vincent Price fan's watchlist...
Le saviez-vous
- AnecdotesFinal theatrical film of Lewis Martin.
- GaffesAt the start of the movie the date in Magistrate Simon Cordier's diary states 1886 as the year. 18-19 minutes into the movie, when he returns the picture of his dead wife and son back to the trunk upstairs, the camera pans to the right after it's open and there is a Teddy Bear. Teddy Bears weren't around until shortly after the November 16, 1902 newspaper cartoon of "Teddy" Roosevelt's based on his bear hunting trip in Mississippi earlier in the month. ("Teddy" refused to kill a baby bear after its mother was killed). Steiff bears started at the Leipzig Toy Fair in March 1903.
- Citations
[first title card]
Title Card: "... the vulture has eaten the pigeon; the wolf has eaten the lamb; the lion has devoured the sharp-tongued buffalo; man has killed the lion with an arrow, with spear, with gun-powder; but the *"Horla"* will make of man what man has made of the horse and of the ox; His chattel, His slave, and His food, but the mere power of His will. Woe to us!"... Guy de Maupassant
- Crédits fousOpening credits are revealed by a knife cutting through red fabric.
- ConnexionsFeatured in Creature Features: Diary of A Madman (1970)
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Détails
Box-office
- Budget
- 350 000 $US (estimé)
- Durée
- 1h 36min(96 min)
- Rapport de forme
- 1.66 : 1