Ajouter une intrigue dans votre langueAn evil spirit leaves the body of his human host, a criminal on death-row, and sneaks into the body of his next human host, a French magistrate.An evil spirit leaves the body of his human host, a criminal on death-row, and sneaks into the body of his next human host, a French magistrate.An evil spirit leaves the body of his human host, a criminal on death-row, and sneaks into the body of his next human host, a French magistrate.
- Réalisation
- Scénario
- Casting principal
- The Horla
- (voix)
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For a while I had seen this movie floating around but since the title reveals zero about what the movie is about - I never bothered with it! Just had my first viewing. Better late than never!
Despite being too studiobound and needing about 20 minutes of dull footage cut out, Diary of a Madman is a knockout movie. And frankly, a very odd one, but odd in a good way.
We are missing the wonderfully campy Price dialogue we got in House of Wax and House on Haunted Hill, but instead we get a deadly serious Price who is very pleasing.
Having no location filming gives it a television movie look but the rich Richard LaSalle score makes the whole thing seem rather grand.
If you think you have heard some of the LaSalle cues before, you have, in TV's Lost In Space (1965) and Land of the Giants (1968).
Despite some mild flaws, an outstanding and wonderfully oddball flick.
The movie has a well build up and constructed story, that only gets better and better as it heads toward the ending. The movie begins quite typical but soon becomes very intriguing when it becomes obvious that just is not just another average standard '60's horror flick, with Vincent Price in the lead role. The movie shows how the highly respected magistrate/sculptor slowly looses his mind when he is being possessed by a strange mysterious spirit called an Horla. Of course no one believes him at first when he starts to hear and see things. He starts to question his own sanity, until the Horla has him in his almost complete control. Good old Vincent Price however decides to fight back and we already at the start sort of know what has happened, since the movie is told in the past time, when people read his diary in which he described the strange events that had happened.
So you don't really have to expect an horror movie with monster, gore and scare effects. This movie is mostly about its build-up and overall atmosphere. It's a psychological movie, though visually the movie is also a good one.
The movie features quite some early and variating special effects and other cinematic tricks. It's quite clumsy looking all of course but at least you can say that they really tried and put some effort in it to making something new.
Vincent Price of course always had been at his best in roles such as these, so this movie forms no exception to that. He is highly convincing as the respected magistrate but also as the 'madman'. Two of course total opposite elements, which Price perfectly knows to handle, without ever making anything look ridicules or totally unbelievable.
It's a real surprisingly good and quite different '60's horror flick, that deserves to be seen and known better, starring genre-legend Vincent Price!
8/10
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It's a seriously good job that this film stars Vincent Price, as with almost anyone else in the lead role it would have been a complete dead loss. Price doesn't excel himself here; but even an average Price performance is great to watch, and the great thespian continually saves the film from tedium. Price is the only real star of the film, and that's not a problem in a way as he has more than enough to carry a film on his own; a film like this could really do with a few more distractions. The locations look nice, however, and the Technicolor cinematography excellently captures them. There's not a great deal of actual horror in the film; sequences that see Vincent Price's mirror reflection disappear, and a few where he has green eyes are about as horrific as it gets. The idea of an evil demon possessing someone isn't exactly original, but the basics of the story get good handling here; so it's a shame that the rest of the film wasn't better. Overall, this has it's moments I suppose; but aside from Price's performance, there isn't much to recommend it for. Interesting fact, though; a quote towards the start of the film was used by Rob Zombie in his song "The Return of the Phantom Stranger"!
Le saviez-vous
- AnecdotesFinal theatrical film of Lewis Martin.
- GaffesAt the start of the movie the date in Magistrate Simon Cordier's diary states 1886 as the year. 18-19 minutes into the movie, when he returns the picture of his dead wife and son back to the trunk upstairs, the camera pans to the right after it's open and there is a Teddy Bear. Teddy Bears weren't around until shortly after the November 16, 1902 newspaper cartoon of "Teddy" Roosevelt's based on his bear hunting trip in Mississippi earlier in the month. ("Teddy" refused to kill a baby bear after its mother was killed). Steiff bears started at the Leipzig Toy Fair in March 1903.
- Citations
[first title card]
Title Card: "... the vulture has eaten the pigeon; the wolf has eaten the lamb; the lion has devoured the sharp-tongued buffalo; man has killed the lion with an arrow, with spear, with gun-powder; but the *"Horla"* will make of man what man has made of the horse and of the ox; His chattel, His slave, and His food, but the mere power of His will. Woe to us!"... Guy de Maupassant
- Crédits fousOpening credits are revealed by a knife cutting through red fabric.
- ConnexionsFeatured in Creature Features: Diary of A Madman (1970)
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Détails
Box-office
- Budget
- 350 000 $US (estimé)
- Durée1 heure 36 minutes
- Rapport de forme
- 1.66 : 1