La reine d'Égypte, Cléopâtre, connaît triomphes et tragédies alors qu'elle tente de résister aux ambitions impériales de Rome.La reine d'Égypte, Cléopâtre, connaît triomphes et tragédies alors qu'elle tente de résister aux ambitions impériales de Rome.La reine d'Égypte, Cléopâtre, connaît triomphes et tragédies alors qu'elle tente de résister aux ambitions impériales de Rome.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 4 Oscars
- 6 victoires et 13 nominations au total
Grégoire Aslan
- Pothinus
- (as Gregoire Aslan)
Jacqueline Chan
- Lotos
- (as Jacqui Chan)
Avis à la une
I watched this movie over 3 nights on DVD, and was captivated through the whole 4 hours and 10 minutes or so it took.
Elizabeth Taylor did a pretty good job in the title role as perhaps the greatest seductress in history, and Richard Burton was superb as Antony, but for my money Rex Harrison (Julius Caeser) and Roddy McDowall (Octavian) stole the show.
For me the highlight of the film was the historical backdrop - Egypt vanished as a nation and Rome reached the peak of its power and started the descent into decadence - all in one movie, and as you watch this epic you gain some insight into the psychology and power politics that made the 4 major historical figures of the time. If Antony had been a little smarter, Cleopatra might have done it after all!
8/10
Elizabeth Taylor did a pretty good job in the title role as perhaps the greatest seductress in history, and Richard Burton was superb as Antony, but for my money Rex Harrison (Julius Caeser) and Roddy McDowall (Octavian) stole the show.
For me the highlight of the film was the historical backdrop - Egypt vanished as a nation and Rome reached the peak of its power and started the descent into decadence - all in one movie, and as you watch this epic you gain some insight into the psychology and power politics that made the 4 major historical figures of the time. If Antony had been a little smarter, Cleopatra might have done it after all!
8/10
As luck would have it Julius Caesar pays a visit, helps remove your irksome brother from his remit, opening the chance to reign, then goes off on a campaign, you have a husband and an ally who has grit. A trip to Rome lets you display all of your treasures, it's fair to say you give a lot of people pleasure, not long after during Ides, there's a changing of the tides, as you find yourself with time, spent at your leisure. To fill the void that's left, enter Mark Antony, who is able to provide some hospitality, although paymasters get annoyed, you find that you're both unemployed, as you then become a couple of, fatalities.
Not as good as I'd hoped for the investment.
.
Not as good as I'd hoped for the investment.
.
It is extremely difficult to evaluate this film. On the one hand, the presentation is first class: the sets, props, costumes, location photography, and music are all of the caliber befitting the grandiose ambition of the production. I personally found the acting by the truly all-star cast to be uniformly excellent throughout with McDowall's Octavian and Harrison's Caesar deserving special mention. Taylor deserved the million dollars she got for the title role and Burton's occasional scenery chewing didn't detract significantly from his interpretation of Mark Antony. But the question remains over what might have been. I believe any true film buff would want to pass final judgment on this production only after having viewed the 6 hour plus version in order to determine whether the extensive cuts (even in the new 2 DVD four hour version) were justified. I should add that the third disc of extras contributes greatly to the appreciation (especially where the director controversy and Burton-Taylor relationship is concerned) of what was attempted.
I'm pleased to read all the positive reviews of this film, which I first saw when it was released and have seen perhaps five times since. In 1963 the movie was almost universally condemned by critics, and I was just about the only person who admitted that I loved it. Part of that, though, had to do with the Taylor/Burton affair and the scandal it created. Liz Taylor in 1963 was not only considered the most beautiful woman in America, she was also thought of as a serial home-breaker and a real threat to the morals of the American Republic.
Why? I don't agree with many positive comments about the acting. Taylor and Burton were not too bad, but they didn't handle the pompous dialogue as well as Rex Harrison, Hume Cromyn, Martin Landau and especially Roddy McDowell, who was perfection itself and, I believe, accurately portrayed as the very young, ambitious and unscrupulous, but brilliantly intelligent Octavian (later the emperor Augustus).
Sure, some of the dialogue stinks, and the movie seems too long (perhaps because so much of it was cut to fit into fours hours). Nevertheless, for sheer magnificence and recreation of a most critical time in the history of two vanished high civilizations it has never been, and probably never will be, surpassed.
Why? I don't agree with many positive comments about the acting. Taylor and Burton were not too bad, but they didn't handle the pompous dialogue as well as Rex Harrison, Hume Cromyn, Martin Landau and especially Roddy McDowell, who was perfection itself and, I believe, accurately portrayed as the very young, ambitious and unscrupulous, but brilliantly intelligent Octavian (later the emperor Augustus).
Sure, some of the dialogue stinks, and the movie seems too long (perhaps because so much of it was cut to fit into fours hours). Nevertheless, for sheer magnificence and recreation of a most critical time in the history of two vanished high civilizations it has never been, and probably never will be, surpassed.
Once again I have watched the complete Cleopatra (or at least the complete Cleopatra available). In addition, because I watched the DVD version of the movie, I also was able to view the outstanding documentary "Cleopatra: The Film that Changed Hollywood". And, once again, I am all but overwhelmed by the movie. Elizabeth Taylor may very well be one of the most under-rated actresses of the last fifty years; her public private life has always overshadowed her acting ability. But it is not her notoriety that puts her in the same league with other two time Oscar winners like Jane Fonda, Sally Field, Tom Hanks, etc. In Cleopatra, as in George Stevens' Giant, she runs the gamut from adolescent to matriarch, from calculating queen to devastated lover, and rings every bell in between. But her performance alone does not make the movie. Not only is she supported by Burton, in one of his best screen performances, and Rex Harrison, in one of his best, Taylor's old friend Roddy McDowall gives the performace of his lifetime (how sad that a clerical error cost him his Oscar); we see a young Martin Landau, a young Carroll O'Connor, a young Jean Marsh, give performances worthy of anything they've ever put on screen since. The documentary points out that the original Mankiewicz cut of the film was 6 1/2 hours long and that Fox is currently trying to reassemble the film as originally cut. If they ever succeed in doing so, I would stand in line to see it in theatres and buy it on DVD the first chance I got. As a history freak, it more than satisfies; as a fan of brilliant acting, it wows! Everyone should see it at least once!
Le saviez-vous
- AnecdotesWriter and director Joseph L. Mankiewicz was fired during post-production, due to the quarrels with the then-newly reinstalled Fox President Darryl F. Zanuck over the nature of editing the movie's length. Since he wrote the script as he was shooting, Twentieth Century Fox soon realized that only Mankiewicz knew how the story fit together. He was then brought back to complete the project.
- GaffesWhen Caesar is saying goodbye to Cleopatra in Alexandria before sailing back to Rome, one of his aides hurries him by warning, "Caesar, I'm afraid the tides will soon be against you." In fact, the Mediterranean Sea has no tides, or, more precisely, its tides are so minimal that they don't affect navigation. No ship sailing from a Mediterranean port would have to worry about catching a tide.
- Versions alternativesPremiered at a length of 243 minutes. A week after the premiere, the film was reduced to 222 minutes, and edited further to 194 minutes for general release. The 194-minute version was the default broadcast television version for years; home video and cable television releases are of the full-length cut.
- ConnexionsEdited into Marilyn: Something's Got to Give (1990)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Cleopatra
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 44 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 57 777 778 $US
- Montant brut mondial
- 57 779 280 $US
- Durée5 heures 20 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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