Carry on Cabby

This is a really heart warming flick with a cracking story. Sure, the gags are there, but they are not the forefront of the film.

James and Jacques have rarely been in finer form, and manage to construct some very poignant scenes. Amanda Barrie is absolutely drop dead gorgeous.

Perhaps most overlooked, this film has one of the loveliest scores of all the Carry Ons, and makes use of some lovely arrangements.

Definitely a must see if you like the genre.

I write this exactly 60 years on from this film being made. The version of the UK it portrays is long gone, manners and behaviours have changed significantly and the monocultural nature is now morphing into something altogether new. In that respect the film is a nice view of a slightly idealised version of what life was like for ordinary people back then. As such one can enjoy it and, be amused, as it's as much historical relic as old fashioned comedy. The characters are the usual mix of caricatures, stereotypes and archetypes, each instantly recognisable, places are middle England and there is very subtle social commentary on the ex forces types being down at heel and needing a leg up.

The world of equality and sixties swinging was fast heading over the hill. This and many other films of the era marked the beginning of the end of the post war society and the emergence of the modern era that fought its way out of the shadows during the 70s.

I really liked this Carry On entry. This is considered as Hattie Jaques's personal favourite of the Carry Ons and it isn't hard to see why. She seems to be having a ball as the neglected wife of cab driver Charlie Hawkins, who is played to perfection by the one and only Sidney James. Carry On Cabby has a very irreverent screenplay, that will leave you in tears of laughter, but what made this particular Carry On stand out for me was that the plot was one of the strongest plot lines in Carry On history. As for the other performances, Jim Dale is hilarious in a small role, and Kenneth Connor is his usual charming self. Charles Hawtrey is solid in his role too. The photography was skillfully done, and the music score was great. My only complaints are its length and its rather slow beginning, other than that, pretty darn good if you ask me. 8/10 Bethany Cox

This is an old fashioned "battle of the sexes" comedy where an unappreciated wife ( Hattie Jacques ) sets up a glamorous female-only taxi outfit in competition with the existing old-fashioned male-only taxi firm run by her workaholic husband ( Sidney James ). Of course the glamorous cabs win all the custom until the male cab business is on the rocks...

By no means the best of the series but still far far funnier than "Carry On Columbus" or "Carry On Behind" etc.

Made in the days when Cortenas were considered exotic; this is an unusual 'Carry On' in that the humour is gentler (Sid James - fresh from a TV series called 'Taxi' - isn't yet the coarse lecher he later became) and the woman more nuanced, possibly because it started life as a non-'Carry On'.

Written under the title 'Call Me a Cab' by Morecombe & Wise's old writers Sid Green & Dick Hills, this was one of the last 'Carry On's in black & white, the last to feature Cyril Chamberlain, Esma Cannon, and the lovely Liz Fraser (unless you count the unspeakable 'Carry On Behind', which I don't), the first to feature Jim Dale and Amanda Barrie and be scored by Eric Rogers. And one of the VERY few without Kenneth Williams.