NOTE IMDb
5,5/10
439
MA NOTE
Ajouter une intrigue dans votre langueAn assortment of international criminals plans to steal priceless Egyptian artifacts from a Cairo museum.An assortment of international criminals plans to steal priceless Egyptian artifacts from a Cairo museum.An assortment of international criminals plans to steal priceless Egyptian artifacts from a Cairo museum.
- Réalisation
- Scénario
- Casting principal
Faten Hamama
- Amina
- (as Fetan Hamamah)
Ahmad Mazhar
- Kerim
- (as Ahmed Mazhar)
Kamal El-Shinnawi
- Ghattas
- (as Kamal El Shennawy)
Mona Saxena
- Bamba
- (as Mona)
Youssef Shabaan
- 2nd Officer
- (as Youssef Shaaban)
Mohamed Abdel Rahman
- 4th Officer
- (as Capt. Mohamed Abdel Rahman)
Avis à la une
"Cairo" (1963) is notable for being set in Cairo (duh...), but otherwise it's a routine caper film. It's quite leisurely - the caper doesn't start until halfway through the running time - and when it does get to the caper, it's totally unbelievable (the crooks enter the barely guarded Egyptian museum in a thoroughly noisy and indiscreet way!). On-location shooting and a good cast are the strongest assets; Faten Hamamah, reportedly the most popular Egyptian actress of all time, has a rather thankless role in her only Hollywood film, but still manages to give a charming performance. **1/2 out of 4.
A surprisingly unenthusiastic piece, which should be a thriller but manages to seem only to go through the motions.
There is a certain amount of visual excitement and atmosphere in the bazaars of Cairo and the scenes between Sanders and Eric Pohlmann are interesting, but there is a somewhat detached feel to the theft itself, where it should be suspenseful.
Richard Johnson is an extraordinary choice for the part of Arab Ali Hassan. Even in black and white, his appearance is not that of an Arab and his accent is very English.
While not terrible, this film fails to excite much and is probably best ignored unless you have an academic interest.
There is a certain amount of visual excitement and atmosphere in the bazaars of Cairo and the scenes between Sanders and Eric Pohlmann are interesting, but there is a somewhat detached feel to the theft itself, where it should be suspenseful.
Richard Johnson is an extraordinary choice for the part of Arab Ali Hassan. Even in black and white, his appearance is not that of an Arab and his accent is very English.
While not terrible, this film fails to excite much and is probably best ignored unless you have an academic interest.
10ibbl
I knew that Faten Hamamah, the Egyptian superstar, played a role once in am MGM movie. But it didn't know it was Cairo until I had seen the movie.
Faten Hamamah has been the biggest female superstar in Egyptian cinema since the 50s but unlike Omar Sharif, her ex-husband who became a Hollywood superstar after he got an excellent chance to show his abilities in Lawrence of Arabia and Doctor Zhivago though he was not the best Arab actor at that time; unfortunately this movie did not give her a fare chance to be an international superstar.
Anyhow, still many Arabs, including myself, want to hear and see Faten Hamamah (and some other Egyptian stars at that time) speaks English!
Faten Hamamah has been the biggest female superstar in Egyptian cinema since the 50s but unlike Omar Sharif, her ex-husband who became a Hollywood superstar after he got an excellent chance to show his abilities in Lawrence of Arabia and Doctor Zhivago though he was not the best Arab actor at that time; unfortunately this movie did not give her a fare chance to be an international superstar.
Anyhow, still many Arabs, including myself, want to hear and see Faten Hamamah (and some other Egyptian stars at that time) speaks English!
George Sanders, fresh out of prison, has developed a plan to steal King Tut's jewels, worth a fortune. He enlists an old friend and then gets in contact with a small group of men. Unfortunately for these guys, there are lots of pitfalls along the way because of the human element, mostly that of greed. The guy who is going to finance the operation and the fencing of the artifacts, turns out to want the whole thing. The deed is done but a stray bullet takes out one of the men. There are others who want in and we also have an unstable man who is explosive and dangerous to himself an others. When it's all over, one wonders why he bothered. Even Sanders is sort of blah.
... Asphalt Jungle (1950), the story of a well-planned jewel heist gone horribly wrong. That film was directed by John Huston. This one was directed by Wolf Rilla. Need I say more?
It makes the same mistake that many mediocre 60s movies made - They think they can film at an international location with international stars and substitute that for interesting characters and an intriguing plot. But this is practically a carbon copy of Asphalt Jungle, so wouldn't it have interesting characters and an intriguing plot by definition? Yes, but to succeed in execution you still need inspired acting and directing, and this film has none of that. Everybody involved seems so bored, and that made me bored.
There are a few changes. The focus shifts from perpetually angry street criminal Dix Hanley (Sterling Hayden) to the distinguished ex-con jewel thief mastermind Doc (Sam Jaffee). These were the characters and the actors who played them in the original. But here, the biggest star the production has is George Sanders as the mastermind, so the focus shifts to him. Sanders still has it, but it is hard to effectively frame the film around him since his character was originally a supporting role.
The biggest difference in the original Asphalt Jungle and this film is that the character of the crooked cop is completely missing. That could be because the Egyptians objected to an authority figure being portrayed as anything but perfect, or it could be because, in the original, the bad cop was a means to introducing some production code era moralizing and that would have made no sense in this environment and at this point in time.
I'd only recommend this as an object lesson in how important direction and acting and atmosphere are in the success of a production. And atmosphere does not equal pedestrian shots of an exotic locale.
It makes the same mistake that many mediocre 60s movies made - They think they can film at an international location with international stars and substitute that for interesting characters and an intriguing plot. But this is practically a carbon copy of Asphalt Jungle, so wouldn't it have interesting characters and an intriguing plot by definition? Yes, but to succeed in execution you still need inspired acting and directing, and this film has none of that. Everybody involved seems so bored, and that made me bored.
There are a few changes. The focus shifts from perpetually angry street criminal Dix Hanley (Sterling Hayden) to the distinguished ex-con jewel thief mastermind Doc (Sam Jaffee). These were the characters and the actors who played them in the original. But here, the biggest star the production has is George Sanders as the mastermind, so the focus shifts to him. Sanders still has it, but it is hard to effectively frame the film around him since his character was originally a supporting role.
The biggest difference in the original Asphalt Jungle and this film is that the character of the crooked cop is completely missing. That could be because the Egyptians objected to an authority figure being portrayed as anything but perfect, or it could be because, in the original, the bad cop was a means to introducing some production code era moralizing and that would have made no sense in this environment and at this point in time.
I'd only recommend this as an object lesson in how important direction and acting and atmosphere are in the success of a production. And atmosphere does not equal pedestrian shots of an exotic locale.
Le saviez-vous
- AnecdotesOnly English-language film of Faten Hamamah, who was, at the time, Egypt's most popular female film star. She may have hoped for an international career to rival that of her then husband, Omar Sharif, but none eventuated.
- GaffesAli returns to his flat and Amina is unexpectedly there. He lays down on a bed wearing a coat and tie. In a subsequent shot his coat and tie are gone. Then a shot or two later, he's wearing his coat and tie again, still laying on the bed.
- ConnexionsRemake of Quand la ville dort (1950)
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Détails
- Durée
- 1h 31min(91 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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