Au-delà du réel

I was among the lucky ones who saw this series when first it aired; was lucky enough to find myself going to bed afterward feeling... uneasy... It was somewhat unnerving at the time to see the familiar test pattern flutter and roll and to hear a voice solemnly intone, "There is nothing wrong with your television set..." That feeling must be akin to the gut-wrenching dread people felt when The Mercury Theater broadcast WAR OF THE WORLDS in 1938. Orson Welles, his distinctive voice calmly modulated, told a tale of terror that panicked the nation. Vic Perrin, who did The Control Voice at the start of each episode, spoke calmly and lucidly as he told us not to adjust our television sets: "There is nothing wrong..." In many respects, he was right: we were now in the hands of perhaps the most talented group of innovators in television history. Had Val Lewton (who pioneered "thinking man's horror" with movies like CAT PEOPLE, I WALKED WITH A ZOMBIE, ISLE OF THE DEAD and -my favorite- THE BODY SNATCHER, during the 1940's) turned his talents to science fiction, he might well have produced something along the lines of THE OUTER LIMITS. I won't bother to list the responsible parties by name here in these comments (that's what the IMDb is for), but for the brilliant creator, Leslie Stevens, writer-producer Joseph Stefano (who had adapted Robert Bloch's novel PSYCHO for mastermind Alfred Hitchcock), cinematographer Conrad Hall, and composer Dominic Frontiere (whose music has haunted more than one sleepless night).

From the opening moments of THE GALAXY BEING, it was clear that this was not going to be just another run-of-the-mill show. It was creepy, but in a dramatic, thoughtful way that most TV never is. (Now, of course, we have THE X FILES- but there was a very, very long time when viewers looking for something of genuine worth on television were left wanting.) The fact that the series was being shot in black and white (which always puts the viewer at one remove), with LOTS of shadows and an overall Gothic sensibility underscored (pun intended) by the theme music, marked this as a series of no small consequence; in fact, I've stated before, in print, that THE OUTER LIMITS is the greatest anthology series ever aired. The first season provided some, er, stellar episodes. Among my personal favorites are: THE GALAXY BEING, THE ARCHITECTS OF FEAR, THE SIXTH FINGER, THE MAN WHO WAS NEVER BORN, CORPUS EARTHLING, NIGHTMARE, THE ZANTI MISFITS, THE MICE, THE INVISIBLES, THE BALLERO SHIELD, THE CHILDREN OF SPIDER COUNTY, THE MUTANT, THE GUESTS, FUN AND GAMES, THE SPECIAL ONE, A FEASIBILTY STUDY, THE CHAMELEON, and THE FORMS OF THINGS UNKNOWN. Not a bad percentage for the first season alone...

The second season provided its share of memorable moments, beginning with Harlan Ellison's adaptation of his short story, SOLDIER. (The audio track from this episode would make a great "audio book;" it's THAT well written.) There was also EXPANDING HUMAN, DEMON WITH A GLASS HAND (an award-winning episode and another potential "audio book," again written by Harlan Ellison), CRY OF SILENCE, I,ROBOT, THE INHERITORS, KEEPER OF THE PURPLE TWILIGHT and THE DUPLICATE MAN. Argue the merits of each and every episode I've listed here, but rest assured of one thing: you won't be BORED.

I was eight when this show first appeared on TV. I can give no greater example of the potential power of television than by saying that when the control voice came on to take over the TV set, I would run out of the room. I couldn't watch a single first run episode of this show. Yet when it was over, I would relentlessly pump my brothers for information on what happened in each episode. And sitting in my room listening to the sounds in the living room and Dominic Frontiere's brilliant and unmatched score would transport me despite myself into realms of imagination and fear that I quite simply had never conceived of before. When I finally was old enough, and brave enough, to watch this show (and yes, I've seen every episode and now have the dozen best episodes on VHS), I discovered that what the camera had captured was, by and large, every bit as wondrous as what I had imagined. This show changed my life. How can any movie or TV show do more than that? Best 10 episodes: "The Architects of Fear", "Nightmare", "Demon with a Glass Hand", "O.B.I.T.", "Corpus Earthling", "The Sixth Finger", "It Crawled Out of the Woodwork", "The Borderland", "The Galaxy Being", and "The Inheritors". And don't miss the great performances by Robert Culp, Robert Duvall, David McCallum, James Shigeta, Jill Haworth, Martin Landau, Jeff Corey, Salome Jens, Martin Sheen, Henry Silva, Ed Asner, Nina Foch, George Macready, Sally Kellerman, Arline Martel, Warren Oates, Michael Ansara, Ivan Dixon, Leonard Nimoy, and Steve Ihnat - among others. The so-called Outer Limits anthology series running now doesn't have a clue of what "The Outer Limits" is all about. I wish the producers would be honest and just not use the title "Outer Limits". Then I could forgive them their mediocrity. And for those who say the original is outdated, I say you're only missing out on what this show really means. And don't be so sure that what we understand about the universe now - IN OUR SOULS - is better than what we understood in 1963. Thank you, Internet Movie Database. I've finally found the forum to get this off my chest.

This was a serious and thoughtful series much like "The Twilight Zone"(which aired at the same time) but one which isn't as well remembered or aired, which is a shame, but modern audiences may consider this show talky and slow, as it certainly is different than such anthology series today, which are all about shock value and quick editing.

This series wanted to make its audience think about the potential folly of human nature('The Architects Of Fear') or possible first contact with aliens gone awry('The Mice') and so on. Some episodes were whimsical ('Behold, Eck!) but would still create much imaginative speculative fiction about a two dimensional creature. Of course, you would still have episodes about a sand shark on mars('The Invisible Enemy') to provide the kids with typical monster thrills.

Interesting series that is on DVD, with a memorable disembodied voice introducing the premise and pretending to take control away from the viewer for an hour, which may be the only way you can see it, since unlike "The Twilight Zone", this doesn't get any marathons!

This science fiction anthology series that lasted for 2 seasons and 49 episodes, great acting, superb set design, and wonderful stories made this in some ways better than even "the Twilight Zone". I know that statement could very well be considered close to heresy to some, and don't get me wrong I do love Twilight Zone and hold it among my favorite shows, I merely find the endlessly thought-provoking and wonderous episodes of Outer Limits to edge out the great, but reallying on last-minute twists episodes of Twilight Zone. Followed in the mid '90's by a revival show on Showtime that while good in it's own right, just couldn't hope to hold a candle to the original series.

My Grade: A+

From reading the comments many people love this series,and I am another "Outer Limits " fan.The 60's show is far superior to its 90's namesake and the cliched special effects driven SF programs being made today."The Outer Limits" had none of the technological wizardry available to t.v.now, nor even the recources Irwin Allen's productions at Twentieth Century Fox and"Star Trek" at Desilu/Paramount could draw upon in the 1960's.The series was made by Leslie Steven's "Daystar" productions(a small independent),in black and white and on very tight budgets using the Hollywood soundstages of KTTV(and later Paramount Sunset), with some external scenes shot at the MGM backlot at Culver city.The special effects and makeup vary in quality ,some are very good indeed bearing in mind the limitations in budget (examples-the "Sixth finger", "Nightmare","The chameleon", "A feasability study","The galaxy being" "The Bellero shield" and "The keeper of the purple twilight"--what a title!). The show comes from a period when an unusual amount of high quality writing was evident on American t.v.drama (despite what the F.CC. were saying about t.v. being a "vast wasteland").In my view the first season produced by Joseph Stefano is generally superior to the second when Ben Brady of "Perry Mason" took over.Stefano, who had in 1960 scripted "Psycho" for Hitchcock, wrote quite a number of episodes and extensively re-wrote many of the scripts provided by others during the first season. Not just the writing, but the cinematography (often by Conrad Hall),direction and music gives the show a brooding, moody "otherworldly" quality.Gerd Oswald, a minor film director, was used extensively on the show and his episodes are often the most striking. Even the best series will have it's quota of poorer episodes.In my opinion, among "The Outer Limits" worst are "The Probe"(the final episode,with a notably pathetic monster), "The duplicate man"(an interesting idea poorly executed,with another rotten monster), "Behold Eck", "Cold hands, warm heart", "Tourist attraction","The mutant" and "Specimen unknown"(fiendish extra terrestrial plants which sure aint Triffids!--oddly the highest rated episode of the series).Among my favorite shows are "The sixth finger", "A feasability study" ,"Nightmare", "The chameleon"( with Robert Duvall), "Fun and games"(with a great performance by Nick Adams),and "The Inheritors"( a two parter with Duvall again, and featuring a terrific speech at the end, beautifully delivered by Steve Ihnat). A special mention for four outstanding episodes.In "Obit","The Outer Limits" , back in 1963,was warning about that unpleasant instinct in people which leads them to want to spy into the personal lives of others,and which t.v. has sunk to pandering to today with the likes of "Big brother" and "Survivor"."The forms of things unknown",is a stunning piece, an object lesson in what can be achieved by talented people with a limited budget.The car recklessly driven down the road, Andre's poisoning in the lake, and Tone's weird clock machine are all images that you don't easily forget."The man who was never born", a sci -fi variant on "Beauty and the beast", is full of poetic writing and dreamlike scenes.Martin Landau is superb as the soulful mutant from the future, and the poignant final shot where the camera pulls back from a bereft Shirley Knight who is left in a tiny box of light with the dark all around, is the kind of ingenious moment which starkly sets "The Outer Limits" apart from most t.v. productions."The Guests" is a show I often return to.Within the framework of a Sci-Fi horror tale, we find an elegy on the passage of time, love and loss, beautifully filmed with an outstanding musical score. The performances, from Gloria Grahame( cast in type), Luana Anders( cast rather against type),Geoffrey Horne(among others), the direction by Paul Stanley and script by Donald S. Sanford reward re-viewing with further insights and appreciations.A landmark series.