The Judy Garland Show

Unquestionably, Judy Garland was a uniquely talented performer. Much of her great talent as a singer is seen in this series, one that would undoubtedly have lasted longer if not for the fierce competition from NBC's Bonanza (in color) and the negative opinion by CBS head James Aubrey (who would certainly have supported the program if the ratings had been there). As a child, I would leave my parents to Bonanza on the color TV in the living room, while I would go down to our basement and watch Judy Garland on the old black and white, fascinated by her wonderful singing ability. Though many people criticize Judy Garland for her consistent drug and alcohol abuse, it's important to realize that it was a different world. One that largely ignored addictions, mental and emotional failings, in hopes that they would go away. But people didn't want Judy Garland to go away. Her series was like a lingering closeup of a super-talent. Intimate, powerful, fragile, and emotional. She is clearly demonstrative of the delicate nature of actors and singers who are so often misunderstood by producers, and a system that capitalizes on the spectacular energy of a singularly unequaled performer like Judy Garland. This show, in spite of its producers' and CBS executives' usual inability to understand Judy herself, is a remarkable jewel in TV history.

"The Judy Garland Show" has found new life thanks to Pioneer Artists' DVD release of most of the series episodes. After years of clips and compilations, it is a incredible to finally be able to see these shows in their entirety. Garlands's performances are undimmed by the passage of time. And so many wonderful performances by guest stars like Barbra Streisand, Peggy Lee, Mickey Rooney, Lena Horne, Tony Bennett, Vic Damone and Liza Minnelli are preserved here as well. The technical quality of these DVD releases is astounding. Included also are many outtakes, alternate takes, and other fascinating behind-the-scenes shots. I just can't recommend these shows too much

If you want to see an excellent performer at the peak of her career, then these two boxed sets will not disappoint.

Everything is here ... Judy singing solo, duet, and in chorus. Bob Mackie evening gowns and the costumes we know so well....from the clown to the glamorous. It's quite obvious that Judy put her heart and soul into these performances.

You'll have to get past the ridiculous Jerry Van Dyke (even he admitted, years later, that his presence on the show was a big mistake). But I can assure you the good parts far outweigh the bad. Just listen to her renditions of "When The Sun Comes Out" or "Battle Hymn of the Republic" or her duets with Liza or Streisand or Merman or Bobby Darin (to name only a few) ... it's all about the WOW factor.

The producers, the CBS executives, the writers (if you can call them that), had absolutely no idea how to package Judy so they threw in all this junkie filler, which slowed the show down and detracted from Judy's talent ... SINGING. You'll notice (in the last few shows when there was yet another change in producers) that somebody finally GOT IT and just let her sing. Those are the best shows of all. They're simply timeless -- totally relevant to today and not "of the moment" like so many variety shows from the 60's.

These shows are the closest we'll see to Judy performing live ... thank goodness Pioneer put some thought into these sets and packaged them beautifully with the respect due an artist of Judy's stature. It's ALL here....the outtakes, flubs, Judy joking with the audience. A true performer.

There's a reason these shows are being released 40+ years later ... Judy is an incomparable performer capable of wringing every emotion from her listeners. Who cares what problems she had, really? I've been hearing this stuff for years but what does that have to do with an artist's performance? Don't we all have problems????

Talent, skill and training are one thing, Encountering someone with these qualities who is willing to commit everything in a performance is yet another thing. Judy had a TeeVee variety show like dozens of others but she was totally unlike any of them. Only she would be putting her life on the line each time, live.

I recall that rather than fight the drugs, her producers at least initially worked with them under a doctor's supervision. So what we see is a great talent on speed for possibly the 5 thousandth time and coddled so she can just focus on connecting passionately.

The sets are more abstract and the dance more modern than normal for the time (or ever, for that matter).

Ted's Evaluation -- 2 of 3: Has some interesting elements.

This is such a great document of a leading actress and singer, Judy Garland, from the last century. It is also an interesting time capsule with such vocalist types as folkie Judy Henske and George Maharis (the latter more known as an actor). What else can I say? Duets with legends Lena Horne, Ethel Merman, her daughter Liza Minnelli and a young Barbra Streisand not to mention a delightfully cute and moving tribute to children's songs with Louis Jourdan. I never would have thought I'd hear Garland sing "Popeye the Sailor Man" or "Someday My Prince Will Come." I would have given the series a higher mark if the format changes didn't make it so frustrating but the high points DO outshine any flaws. For instance, guest Bobby Darin is simply awesome. I enjoyed the "Tea for Two" segments as they broke up (gave us a rest from) all the singing and dancing. They also spotlighted celebrities who might not sing or seem appropriate to the variety show format: this segment gave such notables a chance to tell a story or shine in some other way: Jayne Meadows and Leo Deroscher (and I personally hate baseball) come to mind. Jerry Van Dyke had a worthless role and I think he did what he could with such a thankless and demeaning part as a sidekick, which Garland didn't need anyway. n I could go on but I think the DVDs speak loudly for themselves: great sound and picture quality. Pioneer did wonders with these shows and their attention and love for the body of work is evident throughout. Some are better than others in picture quality but this is a minor point as so many of the taped shows from the following decade, the 1970s, such as Norman Lear shows, do not look this good and possess a murky picture quality.