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Le fugitif

Titre original : The Fugitive
  • Série télévisée
  • 1963–1967
  • TV-PG
  • 51min
NOTE IMDb
8,1/10
5 k
MA NOTE
POPULARITÉ
3 049
885
David Janssen in Le fugitif (1963)
A doctor, wrongly convicted for a murder he didn't commit, escapes custody and must stay ahead of the police to find the real killer.
Lire trailer1:03
1 Video
99+ photos
AventureCriminalitéDrameThriller

Un médecin, condamné à tort pour un meurtre qu'il n'a pas commis, échappe à la garde à vue et doit rester devant la police pour retrouver le véritable tueur.Un médecin, condamné à tort pour un meurtre qu'il n'a pas commis, échappe à la garde à vue et doit rester devant la police pour retrouver le véritable tueur.Un médecin, condamné à tort pour un meurtre qu'il n'a pas commis, échappe à la garde à vue et doit rester devant la police pour retrouver le véritable tueur.

  • Création
    • Roy Huggins
  • Casting principal
    • David Janssen
    • William Conrad
    • Barry Morse
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,1/10
    5 k
    MA NOTE
    POPULARITÉ
    3 049
    885
    • Création
      • Roy Huggins
    • Casting principal
      • David Janssen
      • William Conrad
      • Barry Morse
    • 71avis d'utilisateurs
    • 26avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Primetime Emmy
      • 5 victoires et 10 nominations au total

    Épisodes120

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    Vidéos1

    ABC Promo Trailer
    Trailer 1:03
    ABC Promo Trailer

    Photos1982

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    Rôles principaux99+

    Modifier
    David Janssen
    David Janssen
    • Dr. Richard Kimble…
    • 1963–1967
    William Conrad
    William Conrad
    • Narrator
    • 1963–1967
    Barry Morse
    Barry Morse
    • Lt. Philip Gerard
    • 1963–1967
    Paul Birch
    Paul Birch
    • Captain Carpenter
    • 1963–1965
    Bill Raisch
    Bill Raisch
    • Fred Johnson…
    • 1963–1967
    Mark Russell
    Mark Russell
    • Bill - Policeman…
    • 1964–1967
    Richard Anderson
    Richard Anderson
    • Leonard Taft…
    • 1964–1967
    Don Ross
    Don Ross
    • Policeman…
    • 1965–1966
    Dabbs Greer
    Dabbs Greer
    • Charlie Fletcher…
    • 1963–1967
    Jason Wingreen
    Jason Wingreen
    • Accountant Nebbs…
    • 1963–1967
    Carol Eve Rossen
    Carol Eve Rossen
    • Anne Leonetti…
    • 1964–1966
    Harry Townes
    Harry Townes
    • Art Mallet…
    • 1963–1966
    Jacqueline Scott
    Jacqueline Scott
    • Donna Kimble Taft
    • 1964–1967
    Bruce Dern
    Bruce Dern
    • Charley…
    • 1963–1966
    Crahan Denton
    Crahan Denton
    • Benson…
    • 1963–1966
    Rodolfo Hoyos Jr.
    Rodolfo Hoyos Jr.
    • Luis Bota…
    • 1964–1967
    Jud Taylor
    Jud Taylor
    • Sergeant Rainey…
    • 1963–1965
    Bing Russell
    Bing Russell
    • First Officer…
    • 1963–1966
    • Création
      • Roy Huggins
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs71

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    Avis à la une

    rcj5365

    The Ultimate Dramatic Classic Series That Sets The Example

    "The Fugitive" was without a doubt the ultimate example of how a dramatic series is suppose to be done and to this day sets the example for other dramatic shows that were to follow. It was simply put one of the greatest television shows of all time,and the greatest drama ever presented in the history of prime time-television. Somehow,this series has a uniqueness about it in its own way,but in the long run was the prototype of many other shows that were to follow it("The Immortal", "The Invaders","Run For Your Life","Run,Joe Run","The Incredible Hulk"). TV Guide once called this series,"the best TV drama of the 1960's". But it became so much more as the series was frankly a combination of drama,and crime events put together along with some breathtaking suspense and cliffhanging excitement as the standard formula for this show,and it did extremely well giving the series several Emmy nominations for its excellent writing and acting for its star of the show:David Janssen. In other words,the best dramatic series of all time. The opening credits give the introduction to the character...........

    Dr. Richard Kimble,an innocent victim of blind justice..... Falsely accused for the murder of his wife when a train wreck frees him on route to the death house....FREED HIM...To hide in lonely desperation and to go from town to town toling at many jobs...... FREED HIM...To search for the one-armed man leave the scene of the crime and to go after him for the murder of his wife.... FREED HIM...To run before the relentless pursuit of the Police Lt. who is obsessed with his capture...

    Of course the character of Richard Kimble was loosely inspired by Dr. Sam Sheppard who was convicted and sentenced to 10 years in prison for the 1954 murder of his wife,Marilyn,but was acquitted in a second trial in November of 1966 for a murder he did not commit. The major difference was that Richard Kimble spent four years chasing the real killer who was near the scene of the crime(a one-man armed man)while he was being framed for a murder that he didn't commit,whose wife was brutally murdered in her own home while she was alone,and he was blamed for the crimes....That is basically setting up an innocent man who had nothing to do with the crimes,but also was trying taking his life to hell in a handbasket for something he didn't do! That's wrong! That's blind justice gone astrayed! But the series "The Fugitive" was grand entertainment at its finest hour,and let me explained how......

    I.)The Black and White Episodes:Seasons One Through Three:1963-1966

    From its premiere episode in September of 1963,"The Fugitive",was grand suspenseful and intriguing entertainment at its finest and with the black and white episodes that came out,it works on many levels,and we are introduced to the character of Richard Kimble(David Janssen),and his adventures going from town to town as he stays one step ahead of the Police Lt. in charge of the manhunt for Kimble,Phillip Gerard(Barry Morse),and the search of the one-armed man who killed his wife,Fred Johnson(Bill Raisch). During the first three seasons of the show,it presented a good decent,and well developed main character and from there evokes emotion from the viewer by having something happening to him that he absolutely doesn't deserved,which evoke genuine emotion,plus he was a character whom viewers can empathize with. Whatever pain he was feeling,the audience felt it too. And each week there was always something happening as Kimble stumbles into each town or city for someone's help or help comes to him,and right away the trouble ensues and the suspicious party that recognizes Kimble's wanted poster from the police bulletin,are right there to call the authorities with by the way,Kimble easily escapes them with just a slip from the cops in the local town and from there drifts into a new venture where he must stay one step ahead of Gerard and to one step toward the lookout for the one-armed man. Kimble eluders his pursuers,gets away for another week while we see him walking backwards down the road,thumbling a ride with a sack over his shoulder. A car passes him,he turns around keeps walking while the legendary William Conrad's voice speaks in the background,"Richard Kimble:Fugitive. Still searching for the one-armed man". "The Fugitive" was an incredible exercise in formulatic writing when nowadays is used as a textbook on

    "The Effect Screen writing Of Classic TV Shows",which as of this writing several college campuses and universities are using this format as a part of the TV writing and Journalism courses as a teaching tool for those who are interested in this venture. So college courses show this series as a backdrop on how to write,and produced standard TV shows and it works!(The Black and White episodes of this series) Back to the TV show,"The Fugitive",the show followed the standard Quinn Martin production formula of prologue,multiple,and epilogue--which is basically used in several QM produced shows to follow like,"The FBI","The Invaders","Dan August","Cannon","The Streets Of San Francisco","Barnaby Jones","The Runaways","Harry-O" and so forth.

    Here is the summary formula for almost every show: 1. Prologue 2. Act One 3. Act Two 4. Act Three 5. Act Four 6. Epilogue

    II.)The Color Episodes:Season Four:1966-1967. In the fall of 1966,"The Fugitive" made the transition from shades of gray(black and white)to color,and from there the show suffered in the ratings,but before the producers(Quinn Martin and Roy Huggins)let ABC bring down the axe of this show,they decided by not risking the series to be cancelled without having a finale. However,the format was basically the same with Kimble staying ahead of Gerard,but the last two episodes of the series were simply put the greatest upset in the history of television. The two-part finale of The Fugitive entitled,"The Judgment",aired on August 27,1967 and the last episode of the series on August 28,1967,after an astounding four seasons and 120 episodes. After four grueling years of chasing and being chased,Kimble finally catches up with the one-armed man,who admits to having been Helen's real killer. In the climax,Kimble chases Johnson on top of the building and from there Johnson is shot and killed by Lt. Gerard,who saves Kimble in the process and is acquitted of all charges. It went on to become one of the highest rated TV finales of all time,and still is in the top ten of the best TV finales ever made.
    9stp43

    TV's Most Compelling Drama

    It was called "the most repulsive concept ever for television" when Roy Huggins pitched it to ABC in 1960, until Leonard Goldenson of ABC called it the best idea he'd ever heard.

    Such summarizes the huge effort Roy Huggins invested to get The Fugitive to television. Teaming with producer Quinn Martin, Huggins' concept was made flesh with the casting of David Janssen as Dr. Richard Kimble and British-born Canadian Barry Morse as his nemesis, Lt. Philip Gerard. Huggins and Martin worked to make a compelling weekly drama via superb scripts, top-notch guest casts, and enticing music by Peter Rugolo, and succeeded perhaps more than they ever dared to hope.

    The Fugitive remains compelling television 40 years later. Janssen and Morse imbue tremendous sympathy into their roles and make their characters so compelling that audiences even went too far, assailing Morse by saying, "You dumb cop, don't you realize he's innocent?" It even extended to the one-armed vagrant who was key to the drama, played by stuntman Bill Raisch, who in one incident was even picked up by the real LAPD because they thought he was "wanted for something," before they realized he was just an actor.

    If The Fugitive had a drawback, it was because it worked too well - it is emotionally draining watching the show because the sympathy enticed for the characters is so great that seeing them suffer is painful, such as in the two-part episode "Never Wave Goodbye" - the audience is put through the emotional wringer every bit as much as Kimble, Gerard, and the story's supporting players (in this case played by Susan Oliver, Will Kuliva, Robert Duvall, and Lee Phillips).

    The series was shot in black and white in its first three seasons, but for the fourth season came the replacement of producer Alan Armer with Wilton Schiller and the switch to color. The quality of the series remained high, but it is a measure of the show's quality that early fourth-season episodes are considered disappointing, and yet are still excellent stories with genuine emotional pull. The fourth-season settled down when writer-producer George Eckstein was brought in early on to help out Schiller, and it helped bring about some of the series' best moments, notably in the episode "The Ivy Maze," where for the first time in the series, all three protagonists (Kimble, Gerard, and Fred Johnson, the one-armed man) confront each other.

    The performances and all else within made The Fugitive TV's most compelling drama, then and forever.
    schappe1

    Four Years in the Twilight Zone

    According to both my ears and the book 'TV's Biggest Hits' by Jon Burlingame, much of the music we hear in the episodes of the original version of the TV series 'The Fugitive', first appeared on 'The Twilight Zone'. In fact the musical director of 'The Fugitive', once he heard that the show was coming to an end, went up to the late, great, Jerry Goldsmith, who has composed the original tracts when they were used on 'The Twilight Zone', and said 'What's this I hear: they're going to cancel 'our' show!'.

    Still, it was an appropriate choice as Richard Kimble spent four years in his own, personal 'Twilight Zone'. If you look at most of the classic episodes of the earlier show, they involve a troubled hero finding himself in a world that doesn't seem to make any sense any more. He convinces himself if he can figure it out, or find a way out of it, things will be OK again. But he never seems to make it- just like so many of our dreams. Kimble's world is shattered by an argument with his wife and her subsequent murder. He's on the run in his own country, now suddenly hostile to him. He has to suppress his emotions and hide his identity while he pursues 'the way out': the one-armed man; and avoids pursuit by Lt. Gerard, the symbol of all his fears. Goldsmith's music was very well used.

    I heartily agree with those that rank this as the best TV series ever. Leonard Goldenson was right: it's the best concept for a show ever. Also the best execution. David Janssen's performance is amazing. He's deprived of most of an actor's tools: he keeps his head down and says as little as possible in order to avoid recognition. Yet he conveys this character's feeling perfectly. The tremendous array of guest actors, playing characters in their own little psychological prisons adds great depth to the show. The directing was sharp, well-paced and uncluttered with too many obvious 'techniques'. The writing was consistently good. Pete Rugolo's wonderful main musical theme could be played allegro for excitement or largo for poignancy- and this was the most poignant show ever. It was about psychological alienation. The only other shows I can think of that reached this deep were 'The Twilight Zone' and, occasionally, 'Star Trek'.

    This was one of the few classic TV shows of which a movie version was later made that was any good at all. Roy Huggins, the creator of the show, had some input into the Harrison Ford film. That film, compared to the TV show, is rich in money, production values and excitement. It has flashes of characterization that give the action more meaning than most modern day flicks. However the TV was rich in time, with four years of hour long episodes to tell all its various stories. In the end that made it far more moving. If only the film could have been the ending of the TV show, ('The Judgment' is not really all that good, despite its historical ratings).

    My dream ending for the show is Kimble leaving the courthouse and suddenly finding himself surrounded by the women who fell in love with him in all his travels, and then running down the street to escape from them! Actually, I think it would have been nice if he found Vera Miles and the boy from 'Fear in Desert City' waiting for him. That would have been the most poetic ending of all. I wonder what Goldsmith might have written for that.
    myphx

    The Fugitive

    This is one of the greatest TV series of all time, why is it not available on DVD? and I'm not talking about bootleg VHS copies from Ebay for $300.00.

    An outstanding classic television series that needs to be presented in it's entirety in a DVD set. The movie version was a bunch of bloated, Hollywood tripe all to typical of whats been put out today.

    Painstaking effort has been made to present DVD material of such crap as Full House, Saved by the Bell, etc, etc. I'll bet we'll see Love Boat come out next. Why no Fugitive?

    This is absolutely unacceptable.
    8alan_paul

    Fifty Years Later, Still Compelling, Entertaining, With a Satisfying Conclusion

    As I watched this classic series recently, I found myself visiting the Internet Movie Database site frequently. Bruce Dern plays five different roles over the course of the show's four year run. Louise Latham and Diane Baker, two of Dern's co-stars from Hitchcock's film Marnie show up in the series finale. Robert Duvall appears in three episodes playing two unique characters, elevating both otherwise formulaic stories. Dozens of performers return to play new characters throughout the series run (not that unusual for a TV series of this vintage). Watched over the course of four years, viewers might not have noticed the returning actors. Modern binge viewers can check on Internet Movie Database to see how many times Telly Savalas, Shirley Knight, Michael Constantine and Sue Randall will appear (three). Look for Kurt Russell (as Philip Gerard Jr!) early in Season Two, as well as fellow kid stars Bill Mumy and brothers Clint and Ron Howard. A random episode cast: Pat Hingle, Dabney Coleman, Mary Murphy, Tom Skerritt, Dabs Greer, Burt Mustin. In most cases, if they are still alive, they are still working. Each of the four seasons has thirty episodes, with David Janssen on screen as Dr. Richard Kimble (The Fugitive) for most of the hour, often looking appropriately stressed or exhausted, a believable performance perhaps made easier by a frantic work schedule. Barry Morse as Lt. Philip Gerard, Kimble's nemesis, does not appear in every episode. Instead he pops up just enough to keep the main storyline of pursuit going. Series villain Bill Raisch as Fred Johnson (The One-Armed Man) is featured in just ten episodes, and is still (deservedly) ranked as one of TVs all-time greatest villains. Yes, some of the episodes are exceptionally good, others not quite so much, but every episode is watchable, even if you are just admiring the quality of the acting, or simply anxious to get to the end of the series. And the series finale is what sets the entire show apart from so many genre TV shows. The basic premise of the series can be summed up in a few questions. Those questions are answered in the two hour series finale, after a few twists and surprises, with a very satisfying conclusion. What are the cliffhanger resolutions for Flash Forward, Carnivale, Twin Peaks (okay, a great final episode, but it ends with multiple cliffhangers), X-Files, Invasion, Lost In Space, Land of the Giants, Vanished, The Dead Zone, Deception, Kyle XY, Stargate Universe, Alcatraz, Sliders, Las Vegas, The Border, Endgame (and dozens of other past, present and future TV shows)? Fifty years after The Fugitive's first broadcast, the entire series is still worth watching from the intriguing beginning, through an occasionally suspenseful middle, to the rewarding payoff at the end.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was the first series to feature a "final episode" in which all the plot lines were resolved, and all questions answered. The Fugitive finale ranked for decades as the highest-rated TV episode of all time.
    • Gaffes
      Helen Kimble is shown in various flashbacks throughout the series as being beaten to death by Fred Johnson using the base of a lamp. Police would have found Johnson's fingerprints on it, and not Kimble's. But following this basic forensics procedure would have made this a single-episode series instead of four years.
    • Citations

      Narrator: The Fugitive, a QM Production, starring David Janssen as Dr. Richard Kimble, an innocent victim of blind justice, falsely convicted for the murder of his wife, reprieved by fate when a train wreck freed him en route to the death house; freed him to hide in lonely desperation, to change his identity, to toil at many jobs; freed him to search for a one-armed man he saw leave the scene of the crime; freed him to run before the relentless pursuit of the police lieutenant obsessed with his capture.

    • Versions alternatives
      The final episode of the series aired on a different date in Canada (September 5 as opposed to Aug. 29 in the US). For Canadian prints of the final episode, the ending narration was changed to mention September 5. Some VHS releases of "The Judgement" released in the US retain the Canadian narration.
    • Connexions
      Featured in TV Guide: The First 25 Years (1979)
    • Bandes originales
      The Fugitive
      (uncredited)

      Composed by Pete Rugolo

      [series theme tune]

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    FAQ

    • How many seasons does The Fugitive have?Alimenté par Alexa
    • What is the basis for the show?
    • Is the one armed man actually guilty?
    • What do we know about Kimble and his family?

    Détails

    Modifier
    • Date de sortie
      • 1 octobre 1967 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • CBS Justice (United Kingdom)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Fugitive
    • Lieux de tournage
      • Tucson, Arizona, États-Unis(pilot Episode)
    • Sociétés de production
      • Quinn Martin Productions (QM)
      • United Artists Television
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      51 minutes
    • Couleur
      • Black and White
      • Color

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