Le fugitif

As I watched this classic series recently, I found myself visiting the Internet Movie Database site frequently. Bruce Dern plays five different roles over the course of the show's four year run. Louise Latham and Diane Baker, two of Dern's co-stars from Hitchcock's film Marnie show up in the series finale. Robert Duvall appears in three episodes playing two unique characters, elevating both otherwise formulaic stories. Dozens of performers return to play new characters throughout the series run (not that unusual for a TV series of this vintage). Watched over the course of four years, viewers might not have noticed the returning actors. Modern binge viewers can check on Internet Movie Database to see how many times Telly Savalas, Shirley Knight, Michael Constantine and Sue Randall will appear (three). Look for Kurt Russell (as Philip Gerard Jr!) early in Season Two, as well as fellow kid stars Bill Mumy and brothers Clint and Ron Howard. A random episode cast: Pat Hingle, Dabney Coleman, Mary Murphy, Tom Skerritt, Dabs Greer, Burt Mustin. In most cases, if they are still alive, they are still working. Each of the four seasons has thirty episodes, with David Janssen on screen as Dr. Richard Kimble (The Fugitive) for most of the hour, often looking appropriately stressed or exhausted, a believable performance perhaps made easier by a frantic work schedule. Barry Morse as Lt. Philip Gerard, Kimble's nemesis, does not appear in every episode. Instead he pops up just enough to keep the main storyline of pursuit going. Series villain Bill Raisch as Fred Johnson (The One-Armed Man) is featured in just ten episodes, and is still (deservedly) ranked as one of TVs all-time greatest villains. Yes, some of the episodes are exceptionally good, others not quite so much, but every episode is watchable, even if you are just admiring the quality of the acting, or simply anxious to get to the end of the series. And the series finale is what sets the entire show apart from so many genre TV shows. The basic premise of the series can be summed up in a few questions. Those questions are answered in the two hour series finale, after a few twists and surprises, with a very satisfying conclusion. What are the cliffhanger resolutions for Flash Forward, Carnivale, Twin Peaks (okay, a great final episode, but it ends with multiple cliffhangers), X-Files, Invasion, Lost In Space, Land of the Giants, Vanished, The Dead Zone, Deception, Kyle XY, Stargate Universe, Alcatraz, Sliders, Las Vegas, The Border, Endgame (and dozens of other past, present and future TV shows)? Fifty years after The Fugitive's first broadcast, the entire series is still worth watching from the intriguing beginning, through an occasionally suspenseful middle, to the rewarding payoff at the end.

I read a Roy Huggins novel called "Too Late For Tears" that was turned into a solid film noir movie. Huggins also is responsible for the western series "Maverick." With "The Fugitive" Huggins combines elements of noir (a man trapped in circumstances beyond his control) and the western (a loner wandering across the American landscape) for one of the best dramas in the history of television. David Janssen is perfectly cast as Doctor Richard Kimble -- fugitive. There's an aura of sadness that seems to cling to Janssen that feels just right for the situations the fugitive is always finding himself in. Despite his predicament Kimble is always putting the needs of others above his own. In the wrong hands such lofty morale aspirations might feel a bit forced, but The Fugitive manages to keep it well grounded.

With each passing decade, we seem to descend further into lower and lower literary standards in prose, film, everything. Jumping back thirty or forty years, we see that even television could be deep at times. This and many other shows of the first twenty years or so of TV actually had believable premises, developed characters and strong supporting roles as foil to the lead (Barry Morse's lawman here). The good news is that cable will continue to unearth gems from the past such as "Fugitive" due to sheer need of programming.

"The Fugitive" was without a doubt the ultimate example of how a dramatic series is suppose to be done and to this day sets the example for other dramatic shows that were to follow. It was simply put one of the greatest television shows of all time,and the greatest drama ever presented in the history of prime time-television. Somehow,this series has a uniqueness about it in its own way,but in the long run was the prototype of many other shows that were to follow it("The Immortal", "The Invaders","Run For Your Life","Run,Joe Run","The Incredible Hulk"). TV Guide once called this series,"the best TV drama of the 1960's". But it became so much more as the series was frankly a combination of drama,and crime events put together along with some breathtaking suspense and cliffhanging excitement as the standard formula for this show,and it did extremely well giving the series several Emmy nominations for its excellent writing and acting for its star of the show:David Janssen. In other words,the best dramatic series of all time. The opening credits give the introduction to the character...........

Dr. Richard Kimble,an innocent victim of blind justice..... Falsely accused for the murder of his wife when a train wreck frees him on route to the death house....FREED HIM...To hide in lonely desperation and to go from town to town toling at many jobs...... FREED HIM...To search for the one-armed man leave the scene of the crime and to go after him for the murder of his wife.... FREED HIM...To run before the relentless pursuit of the Police Lt. who is obsessed with his capture...

Of course the character of Richard Kimble was loosely inspired by Dr. Sam Sheppard who was convicted and sentenced to 10 years in prison for the 1954 murder of his wife,Marilyn,but was acquitted in a second trial in November of 1966 for a murder he did not commit. The major difference was that Richard Kimble spent four years chasing the real killer who was near the scene of the crime(a one-man armed man)while he was being framed for a murder that he didn't commit,whose wife was brutally murdered in her own home while she was alone,and he was blamed for the crimes....That is basically setting up an innocent man who had nothing to do with the crimes,but also was trying taking his life to hell in a handbasket for something he didn't do! That's wrong! That's blind justice gone astrayed! But the series "The Fugitive" was grand entertainment at its finest hour,and let me explained how......

I.)The Black and White Episodes:Seasons One Through Three:1963-1966

From its premiere episode in September of 1963,"The Fugitive",was grand suspenseful and intriguing entertainment at its finest and with the black and white episodes that came out,it works on many levels,and we are introduced to the character of Richard Kimble(David Janssen),and his adventures going from town to town as he stays one step ahead of the Police Lt. in charge of the manhunt for Kimble,Phillip Gerard(Barry Morse),and the search of the one-armed man who killed his wife,Fred Johnson(Bill Raisch). During the first three seasons of the show,it presented a good decent,and well developed main character and from there evokes emotion from the viewer by having something happening to him that he absolutely doesn't deserved,which evoke genuine emotion,plus he was a character whom viewers can empathize with. Whatever pain he was feeling,the audience felt it too. And each week there was always something happening as Kimble stumbles into each town or city for someone's help or help comes to him,and right away the trouble ensues and the suspicious party that recognizes Kimble's wanted poster from the police bulletin,are right there to call the authorities with by the way,Kimble easily escapes them with just a slip from the cops in the local town and from there drifts into a new venture where he must stay one step ahead of Gerard and to one step toward the lookout for the one-armed man. Kimble eluders his pursuers,gets away for another week while we see him walking backwards down the road,thumbling a ride with a sack over his shoulder. A car passes him,he turns around keeps walking while the legendary William Conrad's voice speaks in the background,"Richard Kimble:Fugitive. Still searching for the one-armed man". "The Fugitive" was an incredible exercise in formulatic writing when nowadays is used as a textbook on

"The Effect Screen writing Of Classic TV Shows",which as of this writing several college campuses and universities are using this format as a part of the TV writing and Journalism courses as a teaching tool for those who are interested in this venture. So college courses show this series as a backdrop on how to write,and produced standard TV shows and it works!(The Black and White episodes of this series) Back to the TV show,"The Fugitive",the show followed the standard Quinn Martin production formula of prologue,multiple,and epilogue--which is basically used in several QM produced shows to follow like,"The FBI","The Invaders","Dan August","Cannon","The Streets Of San Francisco","Barnaby Jones","The Runaways","Harry-O" and so forth.

Here is the summary formula for almost every show: 1. Prologue 2. Act One 3. Act Two 4. Act Three 5. Act Four 6. Epilogue

II.)The Color Episodes:Season Four:1966-1967. In the fall of 1966,"The Fugitive" made the transition from shades of gray(black and white)to color,and from there the show suffered in the ratings,but before the producers(Quinn Martin and Roy Huggins)let ABC bring down the axe of this show,they decided by not risking the series to be cancelled without having a finale. However,the format was basically the same with Kimble staying ahead of Gerard,but the last two episodes of the series were simply put the greatest upset in the history of television. The two-part finale of The Fugitive entitled,"The Judgment",aired on August 27,1967 and the last episode of the series on August 28,1967,after an astounding four seasons and 120 episodes. After four grueling years of chasing and being chased,Kimble finally catches up with the one-armed man,who admits to having been Helen's real killer. In the climax,Kimble chases Johnson on top of the building and from there Johnson is shot and killed by Lt. Gerard,who saves Kimble in the process and is acquitted of all charges. It went on to become one of the highest rated TV finales of all time,and still is in the top ten of the best TV finales ever made.

I was not alive yet when the show was in its original run. When I became a teenager, I happened to be flipping through the channels one late night and I stumbled across a rerun of "The Fugitive". I was hooked immediately.

I idea behind watching any TV program or movie is to provoke raw emotion from the viewer. Whenever I watch "The Fugitive", my heart actually beats faster. I always felt nervous, merry due to Kimble triumphing, scared, etc. No other program I have ever watched has given me such great feelings.

The show had an excellent premise (we all know it). The character development is the best of the best. Kimble, we saw his weaknesses, did not deserve the injustice that was brought to him. His strengths always kept him one step ahead of Gerard. Gerard, he was the epitome of a man possessed. Great characters and a great story.

Granted, the show has some continuity problems. But those things were overshadowed by an excellent product.

Most other drama on TV today is sappy and weak compared to this.

"The Fugitive" is what a real dram is supposed to be!!