Jules de Londres

This is one of my favourite films - although I agree Peter Sellers does not steal the show (for once), its the whole cast and their interaction which makes this film so special.

Lionel Jeffries gives a brilliant performance as an inept policeman and Bernard Cribbins role as 'Pearly Gates' gang-lord rival is superb. The plot is well covered on this site, but I would like to add that the robbery on the security van was filmed in Mill Rd, Uxbridge (by the canal bridge - the shop&pub are still there) and I think the airfield was Denham (again nr. Uxbridge).

A brilliant film - They just don't make 'em like that anymore!

On a similar thread I would recommend Norman Wisdom in 'On the Beat'- one of his best performances in my opinion, and Sellers again in 'Two-way stretch' if you're looking for a good laugh.

Amusing comedy has a peculiar trio of Aussie swindlers being chased by Scotland Yard , and they are also thieves because having been posing as policemen and confiscating pillage from apprehended robbers . The Australian bunch being informed by Valerie (Nanette Newman) , Pearly's fiancée (Peter Sellers) , the leader of a group of inept crooks . Then , the criminal band organize a convention among the main robbers (Peter Sellers , Bernard Cribbins) and scheme a twisted plan . After that , there happens a meeting between robbing chiefs and cops (Lionel Jeffries , John Le Musurier) which takes place at a merry-go-round . Later on , they set up a trap to track them down.

Agreeable spoof comedy in ¨Ealing¨ style , it packs some very funny and wacky moments . This is a classic British comedy of the 60s in the wake of ¨Lavender hill mob¨ that is clearly its inspiration . Enjoyable script divides his satirical jibes between the underworld crooks and police . It contains sympathetic performances from Peter Sellers , Bernard Cribbins and special mention for Lionel Jeffries as an unfortunate cop . Secondary intervention by Dennis Price as an educated crook and cameo role by Michael Caine at the Police Station. Furthermore , Graham Stark as a likable thief , formerly becoming himself into usual ¨Pink Panther¨ series . Atmospheric score by Richard Rodney Bennett with jazzy sound on the main titles . Appropriate cinematography in black and white by Ernest Steward. The picture was well and originally directed by Cliff Owen . He is a habitual director for television and an expert on comedy as he proved in ¨ No sex please : we're British¨, ¨The bawdy adventures of Tom Jones¨ , ¨A man could get killed¨ and several others. The flick will appeal to Peter Sellers fans and Brit comedy enthusiasts . Rating : Good and better than average English comedy . This is one of the few enduringly funny films in British cinema of the Sixties . Essential and indispensable seeing .

London's crooks are finding that no matter what job they pull, the London Constabulary are waiting to feel their collars. All of which comes as a great surprise to the police as they know nothing about it. It appears that a new firm of antipodean crooks are on the manor, who are not only stealing from London's finest thieves, they are also impersonating police officers in the process. There's only one thing for it, the constabulary and the villains must unite to restore the standard police/criminal workings in London!

The British Crime Crooks Caper, when it comes to film, is a long and distinguished list, comprising of brilliant stuff like Ask A Policeman 1938, much loved stuff like The Italian Job 1969 and enjoyable fare like Too Many Crooks 1959. The Wrong Arm Of The Law 1963 falls into the latter category, hugely enjoyable with sharp scripting and performances to match. Boosted by the considerable writing talents of Ray Galton & Alan Simpson, the picture manages to steer well clear of being overtly twee, something that Crooks In Cloisters was guilty of the following year.

The humour on show here by and large comes courtesy of the unlikely alliance between London's good and bad elements, a code and adherence to rival ethics brings about some delightful mirth. Both parties are fierce rivals but there is still unwritten rules that both sides must follow, and thankfully the astute pen scribbling from Galton & Simpson creates some smashing set pieces and quite ridiculous {in a good way} scenarios. All of which would have gone to waste if the cast did not fulfil the scripts potential, but when you got Peter Sellers, Bernard Cribbins and a quite fabulous Lionel Jeffries fronting your movie, you are definitely in good hands. The Wrong Arm Of The Law is highly recommended to anyone who loves an old fashioned British comedy. 7.5/10

. .....and clever! A band of crooks are dressing up as police and stealing the booty from other crooks who are on the job. The criminal underground are outraged and of course the real police are none too happy that there are crooks out there impersonating them. So together they plot to capture these uncouth brigands. Practically every scene is hilarious, and there's lots of fun movie references (such as an instructional movie viewing session for the criminals that includes such caper classics as RIFIFI and THE LEAGUE OF GENTLEMEN).

It would be difficult to pick one Peter Sellers film as my favourite but this one would most likely get my first vote!

Peter Sellers is, unusually, the quiet at the center of the storm that makes up the plot of this wonderfully funny film. He plays Pearly Gates, a criminal (and women's wear salesman), who learns that an Australian gang is dressing up as policemen, intercepting Pearly's mob in mid-theft and making off with the goods. He joins forces not only with the leader of a rival gang, who are also suffering from the Australian competition, but also with the police, who don't want their reputation besmirched.

Sellers is very good, but top acting honors go to Lionel Jefferies as the hopelessly idiotic policeman trying to prove himself by catching the criminals. Jefferies and Bernard Cribbins, as Nervous (the rival gang's leader), give expertly larger-than-life performances while getting their biggest laughs with throwaway lines and subtle bits of business (like Nervous finishing up his negotiations with Pearly by pulling out some family snaps). Cliff Owen's direction is very sharp and very fast, and allows a cast of experienced character actors to do their best work. Dennis Price displays flawless timing and delivery in a small, unbilled cameo. This film might just be a hidden classic.