L'homme qui aimait la guerre

I haven't read the John Hersey novel others praise. (I've always liked Hersey's reporting and writing - just missed this one). So I can judge only the movie.

Steve McQueen gives a truly wonderful performance as the sort of guy you want to punch - arrogant, self-absorbed, cruel, conceited. (Of course in life, we read the same of him!). Robert Wagner also gives a wonderful performance - how not to appear a loser when the cruel arrogant one always wins. Shirley Anne Field is absolutely lovely in a very upper class/dreamgirl sort of way.

The movie is quite romantic - you really believe in Wagner-Field as a couple. There is warmth and lust and trust and realism between the two. The movie gives the flavor of love in wartime almost as well as Yanks.

I quite liked the movie- but it seems too short - let us have more of these characters' interactions. They ARE interesting characters at an interesting and dangerous time. I suppose if they'd have taken more from Hersey's novel, it would have felt a more substantial meal.

Once they arm his B-17 "The Body" with bombs they become Buzz Rickson's (Steve McQueen) and he will allow no abuse to come to them until he reaches target even if it involves disobeying orders. Rickson is a war lover, emotionally dead on the ground, unless competing for his co-pilot's (Robert Wagner) girlfriend, but it is in the air over enemy targets is where he finds his real ecstasy. Arrogant, fearless, cynical, courageous, his crew knows he's short a full deck but it is the fearlessness that they bank on to get them back home.

As in any film it appears (12 OClock High, Catch 22) the B-17 is the star, making its way through the flak in imposing formation, the crew in the chaotic interior trying to jell as they fight off German Messerschmitts. Using actual footage War Lover in the air is an intense watch especially with Rickson at the controls. On the ground things tend to get dull with Wagner and a dull Sally Ann Field playing out a mawkish romance to perhaps distract from the well cast McQueen's psycho hero. But it is McQueen's Rickson and his battered B-17 that give The War Lover the thrust that it has.

"The War Lover" isn't the greatest movie ever made, but it has some very good elements. The scenes of airmen inside B-17 bombers are excellent, with very good views of flight uniforms, equipment, flying instruments and the cramped conditions. The fearful aspects of aerial combat are also shown quite effectively. Some of the sound effects are muffled, but the general experience of flying on bombing missions over enemy territory is well portrayed.

Steve McQueen gives an excellent performance. While his character "Buzz" Rickson is often arrogant and amoral, McQueen is mesmerizing. He also nicely shows how Rickson has moments of compassion towards others. Its good to see a character like Rickson depicted in a way that's not completely black-and-white. Robert Wagner does a very good job as McQueen's co-pilot, a man with more decency and quiet character than Rickson, but who is also flawed like all of us. Unfortunately, while Shirley Anne Field is beautiful and shows some charm, she does a poor job of acting.

"The War Lover" is especially good at showing the toll of war, and how men of various characters and backgrounds are thrown together in the military. And it is very frank about the sexual promiscuity that is often a part of war. While the movie effectively shows these things, it does so in ways that are not as explicit as many movies of today might do.

The editing of "The War Lover" is quite poor at times, with a choppy quality, and minor characters sometimes pop up here and there in a confusing way. Overall, though, the film is very worthwhile for viewers who are interested in character studies and war movies.

Unlike a number of those who have reviewed this film, I have never read John Hersey's novel. (Indeed, I only knew Hersey as the author of "Hiroshima" and did not realise that he was also a novelist). I caught it by chance because it was on television when I took a day off work last week, and decided to watch because it was a Steve McQueen film I had not seen before or even heard of. (McQueen is one of my favourite actors).

The use of black-and-white film in the cinema survived for rather longer in Britain than it did in America, largely because colour television did not arrive in Britain until the end of the sixties, several years after it came to America. I have heard it suggested that "The War Lover" was made in black-and-white to allow the filmmakers to insert actual newsreel footage rather than recreating aerial dogfights as was done in a number of later films. The use of monochrome, however, is also a clue to the filmmakers' intentions. Even in Britain it would have been unusual for an action-adventure film to be made in black-and-white in the early sixties, and "The War Lover", although it is set against the background of the World War Two Allied bombing campaign against Germany, is not really an action picture along the lines of, say, "The Guns of Navarone" or "Where Eagles Dare". The aerial combat scenes, even if they are genuine, are less thrilling than those in later films such as "The Battle of Britain" or "Memphis Belle", or even an earlier one such as "The Dambusters". "The War Lover" is really a character study, a human drama of the sort for which the British cinema was still routinely using black-and-white at this period.

Although the film was made in Britain by a British director, it is about the US Army Air Force rather than the RAF and the two leading roles are played by American actors. McQueen plays bomber pilot Captain Buzz Rickson, the "War Lover" of the title. Rickson is a brilliant pilot but is regarded with suspicion by his superiors because of his arrogant, insubordinate attitude. On one raid against the German submarine base at Kiel he blatantly disregards orders to abandon the mission because of bad weather, leads the aircraft under his command through a gap in the clouds, and succeeds in hitting the target. The men under his command, especially his co-pilot Lieutenant Ed Bolland, have mixed feelings about him.

Bolland, played by Robert Wagner, is the other main character in the drama. Unlike Rickson, he is the conformist, by-the-book, type of officer. He has an idealistic belief in the rightness of the Allied cause, which means that he hates war but loves what he is fighting for. He suspects, however, that Rickson is indifferent to the cause he is fighting for but comes dangerously close to loving war for its own sake. Nevertheless, he chooses to carry on flying with Rickson, whose flying skills he admires, even giving up the chance of promotion when he is offered command of his own plane. (To complicate matters still further, both men are in love with the same girl, Daphne). The difference between the two men's characters is best summed up by the exchange between them when Rickson accuses Bolland of being afraid to die. Bolland admits that he is, but counters that Rickson is afraid to live.

What gives this film its force is not so much the changing fortunes of war but rather the changing dynamics of the triangular relationship between Rickson, Bolland and Daphne. Daphne is played by the lovely Shirley Anne Field, who was one of the rising stars of the British cinema in the late fifties and early sixties but seemed to fade away later. Perhaps this was because the British cinema itself seemed to be fading away in the seventies, and because she never really adapted to Hollywood. Incidentally, her cut-glass accent, which one reviewer took exception to, would have been historically correct for an upper-class young woman in the forties. (I was also interested to see a young Michael Crawford as an American flyer). McQueen is particularly good as Rickson, one of his few unsympathetic roles but also one of his best. (In later films McQueen generally managed to keep the audience's sympathy, even when his character was on the wrong side of the law, as in "The Thomas Crown Affair"). McQueen receives good support from Wagner and Field, and while "The War Lover" may not be a particularly gripping war adventure (except perhaps for its tragic climax), it is certainly gripping when seen as a human drama. 7/10

Although this is one of my McQueen favorites, the movie itself is flawed.

The film does not stand on its own merit. Rather it assumes the viewer has read the original novel, by John Hersey, upon which it was based. Since many of the important aspects of the book are assumed, the film contains gaps and jerks in its sequencing and total focus.

However, if you like period pieces, the uniforms and flight gear are terrific. And except for one really bad special effects sequence (anyone who saw this movie knows I'm talking about the burning parachute which looks like what it is- a burning handkerchief) the aerial sequences, both war footage and interior close up action shots, are detailed and believable.

McQueen clearly captures the character of Buzz Rickson ( Buzz Marrow in the book), an A#1, narcissistic SOB. A great line is: "I risk the crew's life every time I take them off the ground, don't I...sir?" The pause between "don't I" and "sir" tells the whole story. This guy deftly walks the line between being totally professional and totally insubordinate.

All in all, a great flick.