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IMDbPro

Le Goût du saké

Titre original : Sanma no aji
  • 1962
  • Tous publics
  • 1h 53min
NOTE IMDb
8,0/10
12 k
MA NOTE
Le Goût du saké (1962)
Drame

Un veuf vieillissant arrange le mariage de sa fille unique.Un veuf vieillissant arrange le mariage de sa fille unique.Un veuf vieillissant arrange le mariage de sa fille unique.

  • Réalisation
    • Yasujirô Ozu
  • Scénario
    • Kôgo Noda
    • Yasujirô Ozu
  • Casting principal
    • Chishû Ryû
    • Shima Iwashita
    • Keiji Sada
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,0/10
    12 k
    MA NOTE
    • Réalisation
      • Yasujirô Ozu
    • Scénario
      • Kôgo Noda
      • Yasujirô Ozu
    • Casting principal
      • Chishû Ryû
      • Shima Iwashita
      • Keiji Sada
    • 48avis d'utilisateurs
    • 64avis des critiques
    • 91Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 1 nomination au total

    Photos78

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    Rôles principaux26

    Modifier
    Chishû Ryû
    Chishû Ryû
    • Shuhei Hirayama
    Shima Iwashita
    Shima Iwashita
    • Michiko Hirayama
    Keiji Sada
    Keiji Sada
    • Koichi Hirayama
    Mariko Okada
    Mariko Okada
    • Akiko Hirayama
    Teruo Yoshida
    Teruo Yoshida
    • Yutaka Miura
    Noriko Maki
    Noriko Maki
    • Fusako Taguchi
    Shin'ichirô Mikami
    Shin'ichirô Mikami
    • Kazuo Hirayama
    Nobuo Nakamura
    Nobuo Nakamura
    • Shuzo Kawai
    Eijirô Tôno
    Eijirô Tôno
    • Sakuma - The 'Gourd'
    Kuniko Miyake
    Kuniko Miyake
    • Nobuko
    Kyôko Kishida
    Kyôko Kishida
    • 'Kaoru' no Madame
    Michiyo Tamaki
    • Tamako, gosai
    Ryûji Kita
    Ryûji Kita
    • Shin Horie
    Toyo Takahashi
    Toyo Takahashi
    • 'Wakamatsu' no Okami
    Shinobu Asaji
    • Youko Sasaki, hisho
    Masao Oda
    Masao Oda
    • Dousousei Watanabe
    Fujio Suga
    Fujio Suga
    • Suikyaku A
    Zen'ichi Inagawa
      • Réalisation
        • Yasujirô Ozu
      • Scénario
        • Kôgo Noda
        • Yasujirô Ozu
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs48

      8,011.5K
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      Avis à la une

      10TheLittleSongbird

      What a swan song!

      I have seen many visually beautiful and emotionally moving films, but not as many recently. An Autumn Afternoon is one of those primary examples. Meditative in its pacing it is, but it is never dull. How everything is made and written really makes an interesting and very rewarding experience indeed. It is incredibly well made to start off with, the camera is kept at low angles and is still, but for me this allowed me to explore and really admire the scenery and the framing which are very elegantly done. Kojan Siato's score is one of those soothing and unobtrusive scores that helps the audience to connect with An Autumn Afternoon's gentle mood. How An Autum Afternoon is written is also exceptional, as well as the gentle tone, the story has this great warmth, wisdom and humanity. As well as Ozu's meticulous as ever direction what is also great about An Autumn Afternoon is the lead performance, Chishu Ryu's performance is dignified and altogether very touching. In conclusion, not just one of the cinema's greatest swan-song but a masterpiece of a film also. 10/10 Bethany Cox
      10kmsc2c

      A true work of art.

      When I first saw this film it struck me as being a very unusual and odd little movie. The camera work was direct and straightforward, as if the director were composing a still life painting. With the passage of time I remembered this film not as a whole but as a series of vignettes, the sailor marching in the bar, the unrequited lovers waiting for a train on the platform, the father staring into his daughter's empty room. I have recently seen An Autumn Afternoon again, and was not disappointed. Each scene has an almost indescribable longing, an ephemeral quality that speaks to the beauty and sadness of everyday life. I love this film, it is a true work of art.
      10crossbow0106

      Ozu's Great Swan Song

      This is Ozu's last film, and it is wonderful. At first, I wondered if it could be even good. It has similar themes of other, amazing films like "Late Spring" and "Early Summer", both of which had the truly amazing actress Setsuko Hara, who is not in this film. However, this film is just about as great as them, since it has one of the best acting performances of terrific Ozu regular Chishu Ryu. He plays the father, a widower with three children, two sons and a daughter. It is no surprise to me that the daughter Michiko, played by Shima Iwashita and Akiko the daughter in law, played by Mariko Okada, have had such long, varied careers in cinema. They are great in their roles. There is a certain sass to both of them which really comes across in their characters. They are also both beautiful. The story also has a great sideline, in which Mr. Ryu's old friends help out an teacher, nicknamed "The Gourd". From there, you meet the teacher's daughter Tanako, a familiar face to all Ozu fans. I was deeply affected by Tomako, even though her role is small. I feel her sadness and loneliness. Another great scene is when the father meets up with an old armed services buddy and they go to a local bar and play a war march. They are a bit drunk, and they salute. Playing the barmaid is the great actress Kyoko Kishida, star of the great "Manji" and "Woman In The Dunes". I was deeply interested in the lives of these people, and find the film to be just wonderful, displaying the emotions that a great Ozu film possesses. This film is profoundly moving. I would not start with this film as an introduction to Ozu, only because "Tokyo Story", "Late Spring" and "I Was Born, But" are such masterpieces, but this ranks with them. A deeply profound, excellent epitaph from Yasojiro Ozu, one of the greatest directors ever, from anywhere at any time. See it, you will not be disappointed. Rest in peace, Yasojiro Ozu.
      10solstice5555

      The beauty of things

      I can whole-heartedly relate to previous reviewers' sentiments about this movie. From my own perspective it is also an awesome celebration of beauty. The theme is the same Ozu's favorite—separation of father and his grown-up daughter-- however it is presented in a different, less nerve-wrecking and more humorous way (as compared to Late Spring), but most of all -- within the colorful kaleidoscope of everyday things looking as works of art in themselves. Ozu rejoices in showing the beauty of such mundane objects as mugs, bowls, kimonos, tables, lamp shades, houses, fences, even industrial chimneys and such. Colors and shapes are arranged into perfect compositions and sometimes it seems that still objects actually govern the mood and the flow of people around them. The parallel with Tarkovskij's movies, like Solaris and Stalker, where the harmony of individual objects creates its own layer of movie symbolism, seems natural, only Russian movies were shot more than a decade later. I watched An Autumn Afternoon several times with the same joyful interest and gratitude for the gift of showing us the beauty of everyday life.
      10davidals

      A Great Introduction To Ozu

      This was one of the first Ozu films I saw, and is one of my favorites. Ozu's themes - a family adjusts uneasily to the rapidly shifting traditions of life in middle-class, postwar Japan - are handled with great subtlety, and many dark ironies are to be found beneath the fragile quietude at this film's surface. This isn't just applicable to Japan, and this realization gives this film a sad sting that stuck with me long after the movie was over. Ozu's famous 'look' - no closeups, no crane shots, a still camera fixed at 3 1/2 feet off the floor or ground also gives this film an unforgettable grace and beauty. DVD please???

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Yasujirô Ozu: [static camera] There is not a single camera movement in the entire film, as in many of Ozu's films.
      • Citations

        [English subtitled version]

        Yoshitaro Sakamoto: If Japan had won the war, how would things be?

        Shuhei Hirayama: I wonder.

        Yoshitaro Sakamoto: More whiskey! Bring us the whole bottle. If we'd won, we'd both be in New York now. New York. And not just a pachinko parlor called New York. The real thing!

        Shuhei Hirayama: Think so?

        Yoshitaro Sakamoto: Absolutely. Because we lost, our kids dance around and shake their rumps to American records. But if we had won, the blue-eyed ones would have chignon hairdos and chew gum while plunking tunes on the shamisen.

        Shuhei Hirayama: But I think it's good we lost.

        Yoshitaro Sakamoto: You think? Yeah, maybe you're right. The dumb militarists can't bully us anymore.

      • Crédits fous
        The film title and credits are set against a backdrop of painted fronds.

        Generally Yasujirô Ozu films have the credits placed before a backdrop of plain sackcloth.
      • Connexions
        Featured in Yasujirô Ozu, le cinéaste du bonheur (2023)
      • Bandes originales
        Gunkan kôshinkyoku
        (Warship March)

        Written by Tôkichi Setoguchi

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      FAQ17

      • How long is An Autumn Afternoon?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 6 décembre 1978 (France)
      • Pays d’origine
        • Japon
      • Langue
        • Japonais
      • Aussi connu sous le nom de
        • An Autumn Afternoon
      • Lieux de tournage
        • Tokyo, Japon(setting of the action)
      • Société de production
        • Shochiku
      • Voir plus de crédits d'entreprise sur IMDbPro

      Box-office

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      • Montant brut mondial
        • 27 189 $US
      Voir les infos détaillées du box-office sur IMDbPro

      Spécifications techniques

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      • Durée
        • 1h 53min(113 min)
      • Couleur
        • Color
      • Mixage
        • Mono
      • Rapport de forme
        • 1.37 : 1

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