Coups de feu dans la Sierra

"All I want is to Enter My House Justified"

Sam Peckinpah's second feature film is today standing up as a must see and must own for those interested in the Western genre.

The film sees ageing lawman Steve Judd land a job of escorting a gold shipment safely to a bank in Hornitos. After running into old friend, and fellow aged lawman Gil Westrun, he hires both he and his young sparky sidekick Heck Longtree to hopefully see the job through to a successful conclusion. Yet Gil has other ideas, for where Steve is upstanding and adhering to the values he has lived his life by, Gil sees this as one last chance to actually get a big payday. The journey takes a further twist as the three men meet and then save Elsa Knudsen from a brutal marriage, it's an incident that puts them all on a collision course with the Hammond brothers.

What we have here is Sam Peckinpah's first film dealing with men who have outlived their time. We witness some emotionally poignant stuff as the two main protagonists know that they have aged beyond their world, yet as alike as they are, they have different ideals in how to deal with the advent of time. The masterstroke here is the casting of genre legends Joel McRea & Randolph Scott as Steve & Gil respectively. It's evident from the off that both men are identifying with their characters, with both men hitting top emotional form to fully realise the thematic heart of the story. Mariette Hartley makes her film debut as Elsa, and she fits in nicely with the quality on show behind and in front of the camera. Lucien Ballard's cinematography is gorgeous as the various California locations envelope the protagonists in a sort of elegiac way, and Peckinpah directs with his heart as well as his head.

Bookended by two heart-achingly super sequences, of which the finale has rightly passed into Western genre legend, this really is a strong and beautiful film, one that simultaneously shows a truly great director was at work. For here he was left alone, and the final result is a quality Western beating far more than just a cowboy heart. The supporting cast is strong, notably Edgar Buchanan, L.Q. Jones & John Anderson, while the undervalued George Bassman provides a narratively fitting tonal music score. If there is a criticism? it's that Peckinpah doesn't let the younger characters breath, but given the film's core focus on aged men in an aged passing era, well it's easily forgiven. A precursor to The Wild Bunch for sure, but while the theme is the same for both films, this one impacts in a very different way. Highly recommended, not just for the Oater crowd, but for fans of classic cinema too. 9/10

RIDE THE HIGH COUNTRY proves that the Old West was a dangerous place for anyone willing to transport gold from a mining town to a bank with a couple of double-crossing cronies as companions and a runaway girl to protect.

JOEL McCREA and RANDOLPH SCOTT are the willing participants, a lawman and his corrupt pal, and MARIETTE HARTLEY is the girl who wants to escape the clutches of a cruel father and marry Billy Hammond (JAMES DRURY). She joins Scott and McCrea but doesn't realize what she's in for when she meets up with her ornery fiancé and his psychotic brothers, one of whom is played by WARREN OATES. She also has to contend with the advances of Scott's young pal, RON STARR, who doesn't want to see her get mixed up with Drury and his brothers.

The plot stays focused on these characters, moves slowly and is photographed with finesse by Lucien Ballard who filmed it in CinemaScope and Metrocolor in some gorgeous natural settings. It's a character-driven tale that has a moral compass but never becomes too preachy in the telling.

First-rate performances by McCrea and Scott hold the film together with the others being competent enough to stand inspection. The big mystery to me is: What happened to Ron Starr? He was certainly adequate enough and seemed to grow in the role as the film progressed, looking somewhat like a young Glenn Campbell. His bio at IMDb is very incomplete, so there's no telling what actually happened to him.

Summing up: Sturdy western with downbeat ending is interesting all the way through.

Randolph Scott and Joel McCrea will probably be remembered as the top "B" western stars in movies. But their last film "Ride the High Country" stands as an "A" western and a very good one too.

Perhaps they owe this final chance to director Sam Peckinpah who turns the story into a splendid film in its genre shot in beautiful outdoor sceneries, with very well managed action scenes, a credible script, great settings and a fine musical score too.

Two moments are particularly outstanding in my opinion: the sort of "Fellinesc" sequence at the wedding with all those bizarre characters and the final showdown where Scott and McCrea face the mean Hammond brothers (John Anderson, James Drury and Warren Oates) in the "old fashioned way".

A well deserved "A" product for both actors -that amused and thrilled us western fans- through their long careers in the genre.

A Bank assigns to veteran with noble purposes named Steve Judd (Joel McCrea) a dangerous mission , guarding a gold shipment . He hires an old friend gunfighter named Gil Westrum (Randolph Scott in his last movie) alongside a young pal (Starr), the trio join forces against risks and enemies . In the journey pick up a beautiful girl named Elsa (Mariette Hartley in his first movie) , daughter of a tyrant (R.G.Armstrong) and puritan old man . Elsa goes to marry to Billy Hammond (James Drury) in a ceremony celebrated by a boozy judge (Edgar Buchanan) . But she flees and is pursued by Billy's brothers (John Anderson,Warren Oates,LQ Jones and James Davies Chandler) . Meanwhile , respectable Joel McCrea justly to make a correct job , is double-crossed by his partners .

The picture is based on an interesting novel titled ¨Guns in the afternoon¨ by W. Stone . It was shot in California where is developed the plot and occurs the Western events although in limited budget . Two old men , tough Scott and upright McCrea , similarly their veteran characters play with great feeling and lyricism . The movie contains flawless performances , adventure , shootouts , villainy , romance and heroism with a terrific climax final including a mortal duel . The picture is a poem about the twilight Western and results to be a prophecy on the Western genre's downfall . This classic story comes to life enriched in color magnificence , splendidly photographed in Widescreen Metrocolor by Lucien Ballard although at the Television set loses its splendor . Besides , an evocative Western musical score by George Bassman . The two protagonists decided to leave the cinema business , but they retired with an excellent film , though Joel McCrea starred some film more for his son Jody McCrea . The motion picture is magnificently directed by Sam Peckimpah , an expert director and writer.

Sam Peckimpah , after beginning his career as a writer , he was soon involved in TV Westerns . Filming popular Western as ¨Rifleman¨ , ¨Westener¨ , and ¨Gunsmoke¨ . Moving into pictures in 1961 giving fine impression with ¨Deadly companions¨ starred by Brian Keith and Mauren O'Hara . After that , he did the prestigious ¨Ride the high county¨ that along with ¨Wild Bunch¨ , at the peak of his popularity , remain Sam's best films . Later on , he made ¨Major Dundee¨ that was heavily re-cutting . He subsequently filmed tougher-than-tough action movies , including gushing blood and guts with particular images in slow-moving , such as : ¨The getaway¨ , ¨the killer elite¨, the most popular ¨Straw dogs¨ , Convoy¨, and ¨The Osterman weekend¨ , until his early death .

Aging ex-lawman Joel McCrea is hired to protect gold shipment and asks old friend Randolph Scott to join him. Scott brings a young sidekick (Ron Starr) with him and has intentions of robbing the gold shipment, with or without McCrea's help. Last hurrah for western stars Randolph Scott and Joel McCrea. Scott's last film completely and McCrea's last worth mentioning. It's funny but I never really think of Joel McCrea as a western star. I know he did a lot of them, particularly in the later half of his career, but I always preferred his comedy and drama roles from earlier on. The westerns he did were not that impressive to me. Scott, on the other hand, was a bona fide western legend on the basis of his Boetticher films alone. Mariette Hartley is good in her film debut. Ron Starr is the film's weak link. It's not surprising he would have a limited acting career. It's been said by many to be Sam Peckinpah's best film. Is it? I'm not quite there but I do believe it's one of his least self-indulgent films. He's not one of my favorite directors but he did do some good work. This is right up there. It's not a perfect film. The first half is kind of pedestrian for a film with such a high reputation. But the second half delivers and you can see why many call this a classic.