Le corsaire de la reine

I downloaded this movie to watch for free, mainly because of the main actor Rod Taylor. Beside the actor Terence Hill I really did not know of any of the other actors. If you are expecting a "Troy" like movie with 1,000's of CGI warships and 10's of 1,000's of soldiers/sailor you will be disappointed. This is made in the early 1960's! They did rather well with the actors they had, some real ships that they could use & decent use of model ships in the final battle.

Rod Taylor was clearly selected for the lead part because he was well known to most movie goers at this time. I have a number of his movies in my collection and he does not disappoint in any of them. This movie covered lightly the history of Sir Francis Drake. Played by Mr. Taylor. The supporting actors/actresses are mainly European and likely not as well known, but they provide a good enjoyable supporting cast. I really liked the role of Keith Michell, whom I did not know of as an actor. His role as 2nd in command to Drake had humor and action that was enjoyable. As a younger officer under Drake he found himself in a somewhat embarrassing position on one of their cruises. He also has a number of other scenes of action that are enjoyable.

I suggest you sit back and enjoy a movie made almost 60 years ago and that it is better than much of what is produced today.

They appear to have shot two movies: One about Rod Taylor dashingly taking on Spaniards in the New World. The swordplay is passable, I suppose. But there's something about the way people perform their ''stunts'' or move about that is so laughably inept you wander whether a 94-year-old Douglas Fairbanks or recently deceased Errol Flynn couldn't have been remummified to do some scenes. Drake's sidekick has less athletic agility than Zero Mostel. And then there is the other movie they glued on to the adventure. One about palace intrigue and a love interest left behind. Who cares. And who cares. The producers, to their credit, spent enough money that we get scenes of real men on real ships on real water, on what I assume is the European coastline somewhere. So it has a visual appeal. On paper it probably seemed to Rod Taylor like it would be a fun way to spend the summer of '62. If they'd only concentrated on his adventures and hired a better choreographer, they might have had something here.

Geez, I read the review by emuir-1 and almost passed on this movie.

That would have been a bad mistake.

All the points made, that illustrated flaws in the movie, were based on ignorance.

First, there is a word 'demure' that apparently isn't in that reviewer's vocabulary along with a historical understanding of its meaning.

Ladies of that time period did not look directly at a gentleman's face for very long.

Politically correct? Nope. Reality? Yes.

And the joke about bad breath shows extreme ignorance. The tooth brush had yet to be invented. Shakespeare wrote of the 'sweet breath of youth' which refers to the fact that people who didn't have ANY oral hygiene regime had rotting teeth and EVERY adult had a mouth that smelled like a sewer. So she wouldn't have been faking - not wanting to be so close as to breathe in his breath. Lastly, I saw NO scenes where she is playing to the camera instead of acting her part – she just doesn't stare lovingly into his eyes while looking him square in the face.

While this might not go down in history as the best movie ever made I found all of the criticisms to be unjustified.

Just as THE VIRGIN QUEEN (1955) dealt with Queen Elizabeth I's 'relationship' with Sir Walter Raleigh, this one involves her similar association with another well-known historical figure i.e. Sir Francis Drake. Unlike that film, however, which was done in lavish Hollywood terms, the title under review was a low-grade European venture, freely mixing the expected court intrigue and sea-faring stretches with elements of the swashbuckler genre, irrelevant romantic interludes and even instances of broad comedy (the discovery of potatoes, for instance, is attributed to a squaw's infatuation with Drake's right-hand man!). The brew proves uninspiring (despite interesting credentials, the best of which emerges to be Franco Mannino's rousing score) but undeniably entertaining in an unassuming way. Casting, too, is slightly above-average for this type of outing – with Rod Taylor (who had had an uncredited bit in the afore-mentioned THE VIRGIN QUEEN) a reasonably effective Drake, Keith Michell as his virile sidekick, Irene Worth as Elizabeth, Arturo (BLACK Sunday [1960]) Dominici as a Spanish ambassador, and there's even Terence Hill (still billed under his real name of Mario Girotti) as a conspirator and Michell's rival for the hands of one of the Queen's ladies-in-waiting.

Yikes, this is pretty poor.... I saw "The Birds" recently and thought that I would look into some other Rod Taylor films. This is a hoot - he plays the dashing Sir Francis Drake with Keith Michell and Irene Worth co-hamming it up magnificently in this Italian-made Elizabethan romp. Edy Vessel as the love interest for Michell is gloriously fake and the score repeats the same themes in an almost comical manner as the plucky privateers battle the Spaniards to pinch as much gold as they can whilst trying to thwart the plot to put Mary, Queen of Scots on the throne of England. You really ought to see this just to watch the bendy swords as it swashes and buckles along - there's even a song!