The Quare Fellow

"The quare fellow " is not only a depiction of an Irish prison before death penalty was abolished :it's a initiation of a young warden who does think that he is here to protect the society ; little by little, he discovers the other side of the picture: the doctor has to make sure that the future condemned man is healthy ,that he won't do away with himself before he mounts the scaffold ; the "undertakers" being given two stouts apiece if they finish their dirty work quickly .

It's ,like "yield to the night" ,which concerned a condemned woman (Diana Dors) ,an indictment against death penalty ; when the warden (McGoohan ) meets the sentenced to death man's wife (Syms), he learns it was actually a crime of passion ,not punishable by death ; the main setback of the screenplay is that this man ,who did not want his wife to be considered a w......, is not given a single scene in the screenplay (unless the gallows count).Well acted.

The title 'translates' to "The Condemned Man," by the way. As a kid, I saw this movie soon after its U.S. release; so after almost 40 years, I remember little except that (1)it was visually unlike any movie I'd seen; (2)I enjoyed it very much, especially (3)Patrick MacGoohan's performance. I hope to hunt this one down, see it again, and return here to relate more specifics.

"The Quare Fellow" is a 1962 film starring Patrick McGoohan and Sylvia Syms. Based on the play by Brendan Beehan, it is not faithful to the source. If you know the play, you will probably be disappointed.

McGoohan plays Thomas Crimmon, a new guard at a prison - he's young, devoted to the law, and believes in his work. He soon finds his belief challenged. He meets a woman, Kathleen, (the beautiful Sylvia Syms) with whom he becomes smitten almost immediately. She is trying to get her husband a stay of execution and not having much luck. It turns out that she and Thomas live in the same rooming house, and the two are attracted to one another. She appeals to him to help her get a stay- will he? Thomas goes to a senior guard, Regan (Thomas Macken) to ask for his help and guidance.

This is a hard-hitting film about capital punishment. It shows men digging the grave, the hangman going in to see the prisoner as someone else so he can observe the size of his neck, etc. It's pretty gruesome stuff.

The entire atmosphere is depressing. The performances are wonderful. McGoohan, whom most of us know as an assured, smart man, here is young and naive. He is excellent. Syms is compelling as Kathleen. Thomas Macken as Regan is a real standout as a humanitarian guard who has seen too many hangings.

"The Quare Fellow" - and quare means a man about to be executed - is not a film to watch if you're feeling down. It's a strong indictment against capital punishment and very well done. But watching a movie that takes place in a dank prison, a bar, and cheap lodgings where people talk about death makes for a real downer. Still, it's a good movie.

This is certainly a compelling movie. The acting is fine to very good. Sylvia Syms is especially good. I think she may be a little miscast: Her elegant manner comes through even in a cat fight.

I guess it was an admirable undertaking. And the basic theme is still there: Hanging is a pretty brutal thing for civilized men to do, even in the name of justice.

But the wit of the original play is mostly lost. The story is opened up for the movie. That happened a lot, especially in those times. But in making it more cinematic, its original punch was lost.

A major character is either left out or greatly toned-down. What's left is a 1930s Warner Brother prison movie transposed to the UK. Those movies were almost always at least entertaining and were often powerful. This is entertaining and a little powerful. But I'm not sure it's Brendan Behan.

The Quare Fellow is directed by Arthur Dreifuss who along with Jacqueline Sundstrom co-adapts the screenplay from the Brendan Behan play. It stars Patrick McGoohan, Sylvia Syms, Walter Macken and Dermot Kelly. Music is by Alexander Faris and cinematography by Peter Hennessy.

Thomas Crimmin (McGoohan) begins new employment at a Dublin jail firmly believing in the benefits of the death penalty. Not everyone of his colleagues feels the same, though, and as Crimmin works through his time and gets close to the wife of a condemned man, his beliefs are splintered.

The play by all accounts was awash with humour, something which this filmic version considerably lacks. Dreifuss prefers to make the film bleak, both in surroundings and via the characterisations. The prison is perpetually cold and grey, smiles are hard to find within these walls, cynicism and fatalism drip from the wrought iron doors, and of course moral compasses are all over the place. This doesn't make it a bad film, not a bit of it, it's a tough drama acted superbly, with some brains and brawn injected into the script. Yet it ultimately plays its hand as a straight forward anti-capital punishment peace, missing opportunities to expand upon hinted at themes, particularly where Syms' fraught wife character is concerned. Still, it's a must for McGoohan and Syms fans and for those who like gritty pics set in prisons. 6.5/10