L'attaque de San Cristobal

"Pirates of Blood River" starts out quite promising and exhilarating, to say the least… On a strictly Protestant island community, a young man and an adulterous woman are caught in the act by the woman's husband and the isle's ruler (who's also the young man's father). The petrified girl flees and jumps into a river where she instantly gets devoured by thousands of piranhas, while the man – Jonathan Standing – is exiled to a neighboring prison island for hard labor. He quickly escapes from there but then literally bumps into the eye-patched captain La Roche (Hammer deity Christopher Lee) and his motley pirate crew. They force Standing to lead them to his native island, as La Roche is obsessed with stealing the huge golden treasure that is allegedly hidden somewhere there. As many of my fellow reviewers already righteously pointed out, the most remarkable thing about these "pirates" of Blood River is that they don't have a ship! Sure there are some vague stock footage images of random ships in the distance and a couple of scenes with constructed cabin sets near the beginning of the film, but apart from that everything takes place on land! I can't really fathom why, as the film got produced in the early sixties and thus after a period when Hammer Studios booked some tremendous successes already with grisly horror movies like "Curse of Frankenstein", "Horrors of Dracula" and "The Mummy". In other words, I reckon that Hammer should have had some budget to spend on building a ship, but clearly they didn't think it was absolutely necessary. Don't allow for this to spoil the fun, though, as there are definitely several memorable sequences to enjoy. Any film that features bloodthirsty piranhas receives an additional point in my personal book, and there are more cool scenes, for example the sword duel between two blindfolded pirates (one of them being the almighty Oliver Reed in one of his early Hammer roles) and nasty traps hidden all over the island. There's also a fun scene in which the pirates march through soiled water. Fun to watch, at least, because reportedly many of the actors – including Reed and Lee – suffered from unpleasant little injuries after filming this. "Pirates of Blood River" is by no means a mandatory Hammer must-see, but I warmly recommend it to fans of entertaining low-budget action flicks, pirate lovers and admirers of Christopher Lee.

Fleeing religious persecution, a group of Huguenots settle on the Isle of Devon and establish a village where they can live and worship in peace. Unfortunately, many years later the leadership of the village is taken over by greedy and self-serving men who begin to enforce a type of religious tyranny on the residents. In one particular case a man by the name of "Jonathon Standing" (Kewin Matthews) has fallen in love with a woman named "Maggie Mason" (Marie Devereux) who is the wife of one of the leaders. Although neither have actually committed adultery when they are found in each other's embrace the decision is made to punish both all the same. In fear Maggie tries to escape by swimming to the other side of a river but is attacked and killed by piranhas. Meanwhile Jonathon is caught and then tried for adultery with Maggie's husband as one of the jurors. Although he protests his innocence, he is sentenced to 15 years of hard labor in a penal colony. A couple of months later, he attempts to escape but is captured by a band of pirates and taken to their leader, "Captain LaRoche" (Christopher Lee) who decides to march to the village and loot it. Now, rather than detail any more of the film and risk spoiling it for those who haven't seen it, I will just say that this turned out to be a decent pirate movie despite the fact that almost all of the scenes happened on dry land. I especially liked the performance of Christopher Lee who I thought played the part quite superbly. In any case, I recommend this movie to all of those who think they might enjoy a film of this type and rate it as slightly above average.

Having already made two Robin Hood movies, Hammer then tried their hand at a couple of pirate movies shot in the woodland surrounding Bray Studios in Buckinghamshire (co.scripted by John Hunter, son of T. Hayes Hunter, director of the pre-Hammer horror 'The Ghoul' in 1933). Their provenance as Hammer productions was underscored by suitably bloodthirsty titles ('The Pirates of Blood River', 'The Devil-Ship Pirates') and by their usual plush production values achieved within their modest means (the budget didn't actually run to a ship, for example). This, the first, certainly lives up to its title since several people get devoured by piranhas trying to cross the title river, while a couple of others get impaled on spikes by a booby trap.

My favourite scene in a Hammer film is Rupert Davies in 'Dracula Has Risen from the Grave' expressing relief that his prospective son-in-law isn't a Methodist; and then going ballistic when he instead reveals that he's an atheist. Religious zealots also receive short shrift in this movie in the form of Andrew Keir, who shows 'mercy' to his own son by sentencing him for adultery to transportation rather than death, declares "God has answered our prayers" when he (wrongly) thinks he's fought the pirates off, and would then sooner sacrifice the entire village than reveal the location of his hidden stash of treasure (which I figured out before anyone else in the film did).

Pirate captain Christopher Lee - "As strong as a lion, as cunning as a mongoose, and as vicious as a snake" - sporting a stylish eye-patch, presides over a mean-looking bunch of cutthroats (one of whom - wearing one enormous earring - is black). But Marla Landi as the female lead is absent for most of the first half, and although two of the pirates fight a duel over her only really comes into her own when she changes into leather britches and a blouse for the film's final quarter. Even then, alas, she's present largely as a spectator during the finale.

You won't find here any 18th-century ships in full sail photographed against a Caribbean seascape of azure blue skies. Instead, all of the action takes place on a mundane-looking island which offers little in the way of beaches or coves. (The geography of this made-in-England movie is disturbingly vague.) The result is somewhat drab and claustrophobic and makes one wish for the colorful sweep of "Anne of the Indies" or "The Crimson Pirate."

Partially making up for this weakness is an interesting cast which includes not only bound-for-better-things Christopher Lee and Oliver Reed but also a curiously-cast Glenn Corbett. Dennis Waterman pops up as a boy who's sent on horseback to warn of the pirates' attack.

Kerwin Matthews qualifies as an adequate hero. However, while the movie's poster shows him bound bare-chested to a ship's wheel, such a scene never appears in the print under discussion.

THE PIRATES OF BLOOD RIVER, a 1962 swashbuckler from Hammer Studios, is one of their lesser outings. You can put this down to Jimmy Sangster's lacklustre story and the lack of a decent budget, which substitutes British locations for the tropics and doesn't even include a pirate ship (apart from in an opening stock shot).

Of course, those of us who enjoy B-movie fare will no doubt enjoy the spectacle of some nondescript British woodland standing in for a more exotic locale - adding a single fern leaf into the shot and a couple of pot plants isn't doing much to fool the viewer! At least it helps take the viewer's mind off the plot, which after a decent first half hour soon descends into repetitive inanity.

Kerwin Matthews (THE 7TH VOYAGE OF SINBAD) stars as the youthful, romantic hero figure who's sent to a penal colony after falling foul of his puritan elders. He escapes just in time to help his villagers defend themselves from the clutches of a group of dastardly pirates looking for treasure.

One of the problems with the production is the lack of a sense of menace. The pirates just don't seem to be particularly villainous and the script resorts to them fighting between themselves to supply the action. It doesn't help any when all the best actors play the pirates either: Christopher Lee, Michael Ripper, Peter Arne and Oliver Reed are all having a ball, supplying endless energy, while the villagers (including Dennis Waterman as a kid and an extra-dour Andrew Keir) are a bore.

Still, it's as colourful as ever for a Hammer romp, and I'm predisposed towards this genre so that it held my attention from beginning to end. But with a little more imagination, it could have been a whole lot better and more like the above-average DEVIL-SHIP PIRATES that Hammer made a couple of years later.