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IMDbPro

Persée l'invincible

Titre original : Perseo l'invincibile
  • 1963
  • Tous publics
  • 1h 24min
NOTE IMDb
4,8/10
455
MA NOTE
Persée l'invincible (1963)
AventureFantaisie

Le roi d'Argos et son fils proposent au souverain de Sériphos d'unir leur famille. Andromède, déjà éprise de Persée, repousse ces avances. Ce dernier, héritier légitime d'Argos compte bien m... Tout lireLe roi d'Argos et son fils proposent au souverain de Sériphos d'unir leur famille. Andromède, déjà éprise de Persée, repousse ces avances. Ce dernier, héritier légitime d'Argos compte bien mettre un terme aux ambitions d'Acrisios.Le roi d'Argos et son fils proposent au souverain de Sériphos d'unir leur famille. Andromède, déjà éprise de Persée, repousse ces avances. Ce dernier, héritier légitime d'Argos compte bien mettre un terme aux ambitions d'Acrisios.

  • Réalisation
    • Alberto De Martino
  • Scénario
    • Mario Guerra
    • Luciano Martino
    • José Mallorquí
  • Casting principal
    • Richard Harrison
    • Anna Ranalli
    • Arturo Dominici
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,8/10
    455
    MA NOTE
    • Réalisation
      • Alberto De Martino
    • Scénario
      • Mario Guerra
      • Luciano Martino
      • José Mallorquí
    • Casting principal
      • Richard Harrison
      • Anna Ranalli
      • Arturo Dominici
    • 16avis d'utilisateurs
    • 19avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos10

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    Rôles principaux22

    Modifier
    Richard Harrison
    Richard Harrison
    • Perseo
    Anna Ranalli
    • Andromeda
    Arturo Dominici
    Arturo Dominici
    • Acrisio
    Leo Anchóriz
    Leo Anchóriz
    • Galenore
    Antonio Molino Rojo
    Antonio Molino Rojo
    • Tarpete
    • (as Molino Rojo)
    Roberto Camardiel
    Roberto Camardiel
    • Cefeo
    Ángel Jordán
    • Alceo
    • (as Armand Jordan)
    Fernando Liger
      Bruno Scipioni
      Elisa Cegani
      Elisa Cegani
      • Danae
      Osiride Pevarello
      • Ambush soldier
      Frank Braña
      Frank Braña
      • Prince
      • (non crédité)
      Rafael Cortés
      • Serifo Nobleman
      • (non crédité)
      Miguel de la Riva
      • Prince
      • (non crédité)
      José L. Ferreiro
      • Principe
      • (non crédité)
      Miguel González
        Rufino Inglés
        Rufino Inglés
          Enrique Navarro
          • Stheno
          • (non crédité)
          • Réalisation
            • Alberto De Martino
          • Scénario
            • Mario Guerra
            • Luciano Martino
            • José Mallorquí
          • Toute la distribution et toute l’équipe technique
          • Production, box office et plus encore chez IMDbPro

          Avis des utilisateurs16

          4,8455
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          Avis à la une

          5steve.schonberger

          cheesy but entertaining action

          This movie is not a literary dramatization of classical mythology. Instead it's a melodramatic action movie. The plot takes some long divergences away from the mythological sources, and has a few bits that don't quite make sense, but it does the job of carrying the characters from one action scene to another. The introduction tells us that Perseus is an honorary Son of Hercules, for no apparent reason except maybe to link it with the many Italian Hercules movies.

          The acting is only occasionally good, but it's never terrible either. The costumes are pretty basic, but set the mood well. The sets are mostly simple too, but also get the idea across. There are plenty of extras in scenes that need them. The fights are sometimes well-choreographed and performed, but sometimes look dumb.

          The lighting is almost always bright sunshine; even night scenes look sunlit, just slightly underexposed. The pan-and-scan was sloppy, and sometimes shows obvious losses, like people split vertically while they're talking. The cinematography probably looks better in widescreen versions.

          The worst part was the monsters. The dragon looks decent, if low-budget, but doesn't move well in scenes it shares with actors. It's also a bit on the small side, but it's big enough to threaten a warrior in leather and bronze armor. It looked like a model of some sort, rather than a person in a dragon suit. In contrast to the dragon, Medusa is terrible, even though she's the title character in some of this movie's many titles. She looks like a leafless tree walking around on exposed roots, with a single glowing eye. Myths described her as a woman with snakes for hair, and looks so hideous her gaze turned people to stone.

          The music sometimes took itself too seriously, but it kept the mood going pretty well. During the Medusa scenes, the score turned squeaky, as if the musicians were laughing at what they could see were dumbest scenes in the movie. Often it sounded better-suited to a Western than an ancient myth setting.

          In parts where the movie is good, it's quite entertaining. When it's bad, it's still entertaining in a "so bad it's good" sense. As long as you don't set your expectations too high, you should be satisfactorily entertained.
          6pumaye

          Better than Troy

          Yes, this old italian peplum is probably more fun and better acted than the major blockbuster Troy. At least the story is more plausible, even with a sort of medieval tournament for the hand of the princess and a medieval siege with catapults and boiling oil. Anyway, you have a couple of stop motion creatures (Medusa and a sort of aquatic dragon) made by Carlo Rambaldi, father of Spielberg's E.T., a lot of cinematic battle scenes without computer graphics, love, heroic adventures, swords and sandals. Exactly as Troy, but 40 years before and on a very low budget.
          4Bunuel1976

          THE MEDUSA AGAINST THE SON OF HERCULES (Alberto De Martino, 1963) **

          Passable low-brow mythological hokum: Richard Harrison is Perseus – who, rather than the offspring of Zeus, here is the adopted son of Hercules (and an unwitting deposed monarch to boot!). The film provides two villains in Arturo Dominici, an ambitious man who usurps the throne by killing the current ruler and marrying his wife (the scriptwriters must have read "Hamlet"), and Leo Anchoriz as his equally despicable son – who also acts as a rival to Harrison for the heroine's hand; the latter, then, is the usual lovely sovereign of a rival harassed empire (but who, at least, demonstrates a prowess with bow and arrow).

          In this outing, Perseus fights a couple of monsters: a man-eating dragon residing in a lake(!) and the titular paralyzing creature (which, instead of sporting writhing snakes in its hair-do, is a vine-like Cyclops that would better fit the atmosphere of a science-fiction movie, in the vein of the shapeless one-eyed alien seen in IT CAME FROM OUTER SPACE [1953], than a sword-and-sandal flick); nevertheless, the latter confrontation anticipates the Ray Harryhausen opus CLASH OF THE TITANS (1981). With respect to the human end of the scale, the ongoing dispute is resolved over a long-running duel between Harrison and Anchoriz taking place at the heart of a tournament organized by Dominici.

          Director De Martino made a few peplums before going on to other "Euro-Cult" genres (Spaghetti Western, war, horror, giallo, etc). Eugenio Bava – father of cult film-maker Mario – served as technical adviser here, presumably contributing the matte work involved in the creation of the special effects. The film's score is highlighted by a catchy but corny title tune heard over the opening and closing credits.
          Dethcharm

          "The Mighty Sons Of Hercules, Were Men As Men Should Beeee!"...

          Ah yes, Richard Harrison as Perseus (aka: one of the myriad sons of Hercules) must battle all manner of men and monsters in THE MEDUSA AGAINST THE SON OF HERCULES. All while wearing some very stylish power-tunics! Can Perseus defeat the eeevil meanie-pants, king Acrisio (Arturo Dominici) and his jerk-weed son, Galenore (Leo Anchoriz), before they fulfill their plan for old-world domination?

          EXTRA POINTS: For the "tournament of strength" (aka: macho man contest), where the contestants get to use micro-shields that couldn't cover a baby!

          EXTRA EXTRA POINTS: For the lovely Andromeda (Anna Ranalli) with her flaming red hair and fabulous earring choices!

          EXTRA X3 POINTS: For the well-realized title creature, as well as the lake monster! For the time, and obviously modest budget, the animatronics are downright impressive!

          Worth many late-night viewings...
          5BA_Harrison

          Swords and sandals and silly monsters.

          The peaceful people of Serifo are unable to use their trade route due to attacks by the soldiers of Argos, led by the king's wicked son Galenore (Leo Anchóriz), and the existence of both a dragon and the hideous Medusa along the way. Help comes in the form of Perseus, the rightful heir to the throne of Argos, who defeats the dragon and the gorgon, and commands an army to defend Serifo from an attack by the Argos army.

          As much as I admire the work of stop-motion genius Ray Harryhausen, I was never that impressed with his final film, Clash of the Titans, which saw Greek hero Perseus defeat the gorgon Medusa and rescue the beautiful Andromeda from the Kraken. In some ways, this cheapo '60s Italian fantasy peplum adventure, in which Perseus (played by Richard Harrison) also battles Medusa, is marginally more enjoyable than the star-studded Clash.

          While Perseus Against the Monsters' special effects are undeniably far cruder than those in Clash of the Titans, they are arguably more memorable, the dragon an impressive life-size mechanical model that is wheeled out (literally) whenever someone gets too close to the edge of its lake, and Medusa a tree-like cyclops with snake branches who moves along on writhing tentacles. Both are clumsy looking creatures, cobbled together out of odds and ends by effects man Carlo Rambaldi (of E.T. fame), but they're imaginative and surprisingly effective, Medusa in particular managing to be be quite unsettling despite the fact that 'she' looks like she might topple over at any moment.

          Director Alberto De Martino also packs in more action than Clash, with none of that boring nonsense on Mount Olympus that really dragged the Harryhausen film down. There's a fun tournament that involves jousting and a duel on a wooden bridge, plenty of battles with clashing swords and deadly arrows, and a castle siege. There's even a jolly theme song over the opening and closing credits. It all adds up to a passable piece of peplum bolstered by some family friendly fantasy.

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          Histoire

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          Le saviez-vous

          Modifier
          • Anecdotes
            This movie is better known as Medusa Against The Son of Hercules.
          • Gaffes
            Serifos, Andromeda's hometown in the movie, is said to be the capital city of a landlocked state in the vicinity of Argos. Actually, it is a town and an island in the Aegean Sea.
          • Versions alternatives
            In the United States, Embassy Pictures released this as "The Medusa Against the Son of Hercules" as part the "Sons of Hercules" television package. The film was pan-and-scanned and the opening score was replaced with "The Sons of Hercules" theme used at the beginning of all the features in this package. Broadcasters had the choice playing this as a feature or edited into two one-hour "episodes."
          • Connexions
            Featured in Svengoolie: The Medusa Against the Son of Hercules (2017)

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          FAQ14

          • How long is Perseo l'invincibile?Alimenté par Alexa

          Détails

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          • Date de sortie
            • 18 septembre 1963 (France)
          • Pays d’origine
            • Italie
            • Espagne
          • Langue
            • Italien
          • Aussi connu sous le nom de
            • Medusa vs. the Son of Hercules
          • Lieux de tournage
            • Cinecittà Studios, Cinecittà, Rome, Lazio, Italie
          • Sociétés de production
            • Cineproduzione Emo Bistolfi
            • Copercines, Cooperativa Cinematográfica
          • Voir plus de crédits d'entreprise sur IMDbPro

          Spécifications techniques

          Modifier
          • Durée
            • 1h 24min(84 min)
          • Rapport de forme
            • 2.35 : 1

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