Persée l'invincible

This movie is not a literary dramatization of classical mythology. Instead it's a melodramatic action movie. The plot takes some long divergences away from the mythological sources, and has a few bits that don't quite make sense, but it does the job of carrying the characters from one action scene to another. The introduction tells us that Perseus is an honorary Son of Hercules, for no apparent reason except maybe to link it with the many Italian Hercules movies.

The acting is only occasionally good, but it's never terrible either. The costumes are pretty basic, but set the mood well. The sets are mostly simple too, but also get the idea across. There are plenty of extras in scenes that need them. The fights are sometimes well-choreographed and performed, but sometimes look dumb.

The lighting is almost always bright sunshine; even night scenes look sunlit, just slightly underexposed. The pan-and-scan was sloppy, and sometimes shows obvious losses, like people split vertically while they're talking. The cinematography probably looks better in widescreen versions.

The worst part was the monsters. The dragon looks decent, if low-budget, but doesn't move well in scenes it shares with actors. It's also a bit on the small side, but it's big enough to threaten a warrior in leather and bronze armor. It looked like a model of some sort, rather than a person in a dragon suit. In contrast to the dragon, Medusa is terrible, even though she's the title character in some of this movie's many titles. She looks like a leafless tree walking around on exposed roots, with a single glowing eye. Myths described her as a woman with snakes for hair, and looks so hideous her gaze turned people to stone.

The music sometimes took itself too seriously, but it kept the mood going pretty well. During the Medusa scenes, the score turned squeaky, as if the musicians were laughing at what they could see were dumbest scenes in the movie. Often it sounded better-suited to a Western than an ancient myth setting.

In parts where the movie is good, it's quite entertaining. When it's bad, it's still entertaining in a "so bad it's good" sense. As long as you don't set your expectations too high, you should be satisfactorily entertained.

Ah yes, Richard Harrison as Perseus (aka: one of the myriad sons of Hercules) must battle all manner of men and monsters in THE MEDUSA AGAINST THE SON OF HERCULES. All while wearing some very stylish power-tunics! Can Perseus defeat the eeevil meanie-pants, king Acrisio (Arturo Dominici) and his jerk-weed son, Galenore (Leo Anchoriz), before they fulfill their plan for old-world domination?

EXTRA POINTS: For the "tournament of strength" (aka: macho man contest), where the contestants get to use micro-shields that couldn't cover a baby!

EXTRA EXTRA POINTS: For the lovely Andromeda (Anna Ranalli) with her flaming red hair and fabulous earring choices!

EXTRA X3 POINTS: For the well-realized title creature, as well as the lake monster! For the time, and obviously modest budget, the animatronics are downright impressive!

Worth many late-night viewings...

American actor/bodybuilder Richard Harrison stars in this peplum epic about the legend of Perseus who wins princess Andromeda and her kingdom by slaying all kinds of foes, human and monster. Since he's the illegitimate son of Zeus it's only fitting as he has the heroic lineage.

This story was remade much better with a name cast and special effects by master Ray Harryhausen in 1981 as Clash Of The Titans. Perseus is also the son of a queen who married and a real son who grew up to be as nasty a piece of work as his old man. Andromeda is princess in the next kingdom over and her bit of real estate is in the grip of the bad king and his Snidely Whiplash like son. And we always know what Snidely Whiplash villains have uppermost in their minds.

Anyway the bad guys have both the Medusa and a lake dragon, cousin of the Loch Ness monster working for them. I wonder how the dragon knows only to eat the enemies of the bad king?

It's his mission to get the bad monsters and as for Medusa there's a bit of license taken from Greek mythology.

Harrison is a bit of a sculpted Greek God himself. But the acting and the dubbing is real bad in this Italian peplum epic.

I'd see Clash Of The Titans first.

Passable low-brow mythological hokum: Richard Harrison is Perseus – who, rather than the offspring of Zeus, here is the adopted son of Hercules (and an unwitting deposed monarch to boot!). The film provides two villains in Arturo Dominici, an ambitious man who usurps the throne by killing the current ruler and marrying his wife (the scriptwriters must have read "Hamlet"), and Leo Anchoriz as his equally despicable son – who also acts as a rival to Harrison for the heroine's hand; the latter, then, is the usual lovely sovereign of a rival harassed empire (but who, at least, demonstrates a prowess with bow and arrow).

In this outing, Perseus fights a couple of monsters: a man-eating dragon residing in a lake(!) and the titular paralyzing creature (which, instead of sporting writhing snakes in its hair-do, is a vine-like Cyclops that would better fit the atmosphere of a science-fiction movie, in the vein of the shapeless one-eyed alien seen in IT CAME FROM OUTER SPACE [1953], than a sword-and-sandal flick); nevertheless, the latter confrontation anticipates the Ray Harryhausen opus CLASH OF THE TITANS (1981). With respect to the human end of the scale, the ongoing dispute is resolved over a long-running duel between Harrison and Anchoriz taking place at the heart of a tournament organized by Dominici.

Director De Martino made a few peplums before going on to other "Euro-Cult" genres (Spaghetti Western, war, horror, giallo, etc). Eugenio Bava – father of cult film-maker Mario – served as technical adviser here, presumably contributing the matte work involved in the creation of the special effects. The film's score is highlighted by a catchy but corny title tune heard over the opening and closing credits.

Yes, this old italian peplum is probably more fun and better acted than the major blockbuster Troy. At least the story is more plausible, even with a sort of medieval tournament for the hand of the princess and a medieval siege with catapults and boiling oil. Anyway, you have a couple of stop motion creatures (Medusa and a sort of aquatic dragon) made by Carlo Rambaldi, father of Spielberg's E.T., a lot of cinematic battle scenes without computer graphics, love, heroic adventures, swords and sandals. Exactly as Troy, but 40 years before and on a very low budget.