La parole donnée

In my opinion this is one of the best Brazilian movie ever made and also the best movie about religion and its implications to a society in general.

It is a mix of religion, politic, culture, beliefs, prejudices, intolerance. It starts as a simple and innocence gesture from a poor man to pay homage to a Saint after his donkey gets miraculous healed, but instead it becomes a bizarre show of enormous proportions. The authority of the church, the misleading politicians, the media and the crowd use the cause for their own gain. It's a battle between the bureaucracy of norms and the innocence of simple causes. Amazing performances by the main cast.

This movie was awarded with Palme D'Or and the Oscar candidate for Brazil.

THIS IS A MUST SEE MOVIE, it worth every minute of it.

I love to watch old black and white movies and if you look for the history of foreign films up for an Oskar you find some gems like this movie. Such a real Brazilian movie and especially from Salvador de Bahia, the old capital where the cultural history of Brazil (except for the original people) is present. Colonial white oppression, the corrupt white middle class, the African people with their religious cultures and capoeira, the Catholic Church between them but like always only saving it's own position and then simple campesino who embodies the true values of human kind. In a collusion of them all, feasts, religion and fights occur and turn into a spiritual happening, a cruxifiction in which human dignity prevails. A wonderful movie from times when things seems to be clear.

This great film, received the principal prize in Cannes and it is one of the best Brazilian films of all the times. A simple man, whose donkey was sick, gets its cure and he decides like this to pay a promise Saint Barbra, to who attributed the salvation of the animal.

Main representative of the brazilian "Cinema Novo" , the film is based on an exceptional play, and it is a realistic film, very well interpreted and driven, and it shows one on the most dramatic sides of the Brazilian people: the fidelity in paying a promise, cost what to cost!

One of those overlooked Films in Cinema History, Honest, multi-layered and amazingly contemporary, this is one of those movies that have admirably stood the test of time, add to that Winning the prestigious Palm d'Or at Cannes 1962.

It's really a shame that this masterpiece is constantly overlooked by All-Time Greatest Lists, even though it won the prestigious Palm d'Or at Cannes.

"The Bicycle Thieves" is frequently cited as the greatest entry into Social Cinema, yet unfortunately the public and the critics seem to forget the sheer beauty that "The Payer of Promises" is. While "Bicycle"'s influence is undeniable, "Payer" goes beyond that.

Honest, multi-layered and amazingly contemporary, this is one of those movies that have admirably stood the test of time - specially if one considers the difficulty it is making Films in Brazil.

Featuring incredibly believable and dramatic performances, a rich, vivid setting and neo-realist technique employed in an elegant and sincere manner, this movie should not be missed. I found impressive how well the film flows - nothing is there gratuitously and the pacing is pitch perfect.

The amazing strength, courage and valor of Brazilian Cinema is a force to be reckoned with, as we take a look at the works of Film Makers such as Peixoto, Duarte, Rocha, Candeias, Bressane, Khouri, Salles and most recently, Meirelles. To list a very short list.

In fact, I can say without fear that it is a better Film than The Bicycle Thieves. It is easily one of the Best Brazilian Films in History - if not one of the Best in Film History. Period.