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L'effroyable secret du Dr. Hichcock

Titre original : L'orribile segreto del Dr. Hichcock
  • 1962
  • Not Rated
  • 1h 28min
NOTE IMDb
6,3/10
2,2 k
MA NOTE
L'effroyable secret du Dr. Hichcock (1962)
Horreur

Dans le Londres du XIXe siècle, une femme épouse un médecin aux tendances nécrophiles, dont la première épouse est morte dans des circonstances mystérieuses, et qui pourrait revenir d'outre-... Tout lireDans le Londres du XIXe siècle, une femme épouse un médecin aux tendances nécrophiles, dont la première épouse est morte dans des circonstances mystérieuses, et qui pourrait revenir d'outre-tombe pour tourmenter son successeur.Dans le Londres du XIXe siècle, une femme épouse un médecin aux tendances nécrophiles, dont la première épouse est morte dans des circonstances mystérieuses, et qui pourrait revenir d'outre-tombe pour tourmenter son successeur.

  • Réalisation
    • Riccardo Freda
  • Scénario
    • Ernesto Gastaldi
  • Casting principal
    • Barbara Steele
    • Robert Flemyng
    • Silvano Tranquilli
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    2,2 k
    MA NOTE
    • Réalisation
      • Riccardo Freda
    • Scénario
      • Ernesto Gastaldi
    • Casting principal
      • Barbara Steele
      • Robert Flemyng
      • Silvano Tranquilli
    • 52avis d'utilisateurs
    • 56avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos82

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    Rôles principaux12

    Modifier
    Barbara Steele
    Barbara Steele
    • Cynthia Hichcock
    Robert Flemyng
    Robert Flemyng
    • Dr. Bernard Hichcock
    Silvano Tranquilli
    Silvano Tranquilli
    • Dr. Kurt Russ
    • (as Montgomery Glenn)
    Maria Teresa Vianello
    Maria Teresa Vianello
    • Margaretha Hichcock
    • (as Teresa Fitzgerald)
    Harriet Medin
    Harriet Medin
    • Martha
    • (as Harriet White)
    Lamberto Antinori
      Aldo Cristiani
        Evaristo Signorini
        • Inspector Scott
        • (as Evar Simpsom)
        Giovanni Querrel
          Vera Drudi
          • Old Margaretha Hichcock
          • (non crédité)
          Neil Robinson
          • Dr. Hichcock's Assistant
          • (non crédité)
          Howard Nelson Rubien
          • Lab Technician
          • (non crédité)
          • Réalisation
            • Riccardo Freda
          • Scénario
            • Ernesto Gastaldi
          • Toute la distribution et toute l’équipe technique
          • Production, box office et plus encore chez IMDbPro

          Avis des utilisateurs52

          6,32.2K
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          Avis à la une

          7ma-cortes

          Genuinely eery picture about a sicko and necrophiliac doctor who undergoes terrible experiments with his new wife

          It is set in 19th London , there a surgeon : Robert Fleming undergoes risked operations . He is the prestigious doctor Hitchock , but he bears a dark secret, he really turns out to be a necrophiliac who likes drug his spouse Margarettha : Maria Teresa Vianello for sexual funeral games ; one day things go awry while engaged in sexual antics and his wife dies . Some years later , he remarries to Barbara Steele who suddenly discovers the dark secrets her hubby . The candle of his lust burnt brightest in the shadow of the grave¡ .

          This is an Italian classic terror movie filled with chills , thrills , sinister atmosphere and scary events . A terrifying and mysterious tale of gothic horror and black madness in which a creepy secret was at a coffin named desire . Dealing with a mad doctor who remarries to bring the first wife missus back from the dead . This is one of the best films made by the craftsman Riccardo Freda who realized some good terror films such as Vampiri , this Horrible Dr Hitchcock and sequelled by " The ghost or Lo Spetto" , also starred by Barbara Steele . As Freda was a pioneer from Horror/Fantasy genre originated in Italy , along with Mario Bava who directed "Black Sabbath" and subsequently Dario Argento , all of them created the famous genre : Giallo . The movie is said by those involved to have hurriedly filmed. Nice acting by Robert Fleming as a sinister doctor with necroliphic tendences who accidentally administers an overdoses with fateful consequences , though she might be coming back from the tomb , as he attempts to heal and rejuvenate her by injecting new blood . Robert Fleming attempted to quit when to be aware the film involved necrophilia and he resulted to be a necrophiliac doctor . Barbara Steele is very good as the frightening wife whose husband tries to reborn the old spouse by use her blood , as she suffers torments and is really shatteted for the mysterious circumstances take place at the ghastly as well as horrifying mansion .

          This motion picture is strong on visual style and interesting script by prolific Ernest Gastaldi , being well shot by Riccardo Freda in only 14 days , including nimble direction assistants who filmed close-ups , rapid frames and cutaways to save time .It displays an atmospheric and extremely creepy score by Roman Vlad . Colorful cinematography full of lights and shadows by Raffaele Masciocchi , being photographed in Villa Peruchetti , Lacio , Rome , Italy . Compellingly made by Freda , his movies had popular appeal and were usually commercial hits . He often used psedonyms as Dick Jordan , George Lincoln and here Robert Hampton . Some reviewers have praised him as an exploitation stylist and present-day his movies have somewhat of cult following . He made various horror gothic movies , from there he went to spy , melodrama and even made one Western .Riccardo directed/ wrote all kinds of genres , such as adventures and Peplum : Dartagnan's daughter , Salamander of desert , Mongols , Magnificent adventurer , Black Eagle , Vendetta of Black Eagle , The mysterious Cavalier , Don Cesare Di Bazan , Il cavalier di San Marcos , Il Figlio di D'artagnan , Spartacus , Maciste in Inferno , Maciste in court of Great Khan, The giants of Thessaly ; Drama: Two orphans in Paris , Beatriz Cenzi , Genoneva Di Bravante , Lovers of Verona ; Giallo : Tragic ceremony in Villa Alexander , Murder obsession ; Eurospy : Agent Coplan FX18 ; Monster movie : Caltiki ; and Western : No killing with dollars .
          7ulicknormanowen

          Miss Steele steals the show.

          The plot ,which could be considered a horror "Rebecca" ,complete with the late wife who haunts the maleficent mansion,the unpleasant governess,in Mrs Denvers ' mold .One can also find the movie too slow-moving,but it does not matter.

          The wonderful scenery (this house is a splendor) , the clever lightings , the superb colors make it a winner ;add the presence of Barbara Steele ,par excellence the Goth girl , an Edgar Poe atmosphere ,and a fancy for necrophilia ,and you get a must for horror buffs.
          6The_Void

          Thin plot, but lavish cinematography and Barbara Steele help it

          Many people, like me, will see The Terror of Dr Hitchcock purely for it's cult value. This is the best reason to see the film, as the value outside of it's cult status isn't exactly vast; but the film does offer other reasons that makes viewing worthwhile. First and foremost is the fact that it stars 'The Queen of Horror' Barbara Steele. Steele is an odd beauty, and her looks always ensure that she serves whatever film she's in well. She stars alongside Robert Flemyng, who takes the title role as Dr Hitchcock. Given that the film is supposed to be about him, I was surprised to find that most of the screen time focuses on Barbara Steele's character. This is either the result of Steele's status within the genre, or the fact that Flemyng's character is actually quite boring. This is the film's main problem. The themes on offer are intriguing and often make for great horror movies; but because the central character never really gets a chance to let his motives and desires shine through the performance; it's difficult to really connect with him or the film.

          The story follows the aforementioned doctor. Dr Hitchcock is into necrophilia, and when his game that involves drugging his wife goes wrong and she winds up dead, Hitchcock is unable to let go and keeps her body in the cellar. He remarries and plans to use the blood of his new wife to bring back his old one. Like most Italian horror films from this period; the cinematography is awesome, and this is brought about by lavish sets and excellent use of lighting. A lot of the running time is spent on watching Steele run about the various rooms of the castle, and this would be quite boring if the film wasn't so beautiful to look at. The cinematography isn't enough to save the film, however, as a lot of what goes on does look suspiciously like padding for an otherwise thin plot. The film starts off slowly, and the pacing does pick up towards the end where the film is at it's most interesting. The Terror of Dr Hitchcock isn't a great film, or even a great genre film; but it's an interesting little flick that is best remembered for it's beautiful cinematography and the fact that it stars one of horror cinema's great actresses.
          Michael_Elliott

          Great Atmosphere and Performances

          The Horrible Dr. Hichcock (1962)

          *** (out of 4)

          Dr. Hitchcock (Robert Flemyng) administers a drug to his beautiful wife but he accidentally gives her too much, which causes her to overdose and die. The pain causes him to leave him home but years later he returns with his new wife Cynthia (Barbara Steele). It doesn't take too long for the new wife to start seeing and hearing mysterious things, which could be the dead wife.

          THE HORRIBLE DR. HITCHCOCK is a pretty good horror film from director Riccardo Freda who skips out on blood or graphic violence and instead delivers atmosphere and some great performances. The film became a pretty big hit when it was originally released and it continued to gain new fans as it showed up on American television. There are two different versions out there with the original Italian version running twelve-minutes longer than the American cut but it's the American version that is currently available on Blu-ray and is what I watched.

          For the most part this is a pretty good film that works perfectly in that "old dark house" way where we're given an innocent woman put into a dangerous situation and we're not quite sure what's going on. Is she losing her mind? Is her new husband playing sinister tricks? Has the dead wife returned? These are the questions that are asked throughout the picture and Freda keeps the film moving at a nice pace. There's no question that it's a well-made film that contains some beautiful cinematography as well as a nice music score. Freda builds up a very good and rich atmosphere that carries the picture to the end.

          Another major plus is the fact that the performances were so good. Flemyng is very good in the role of the husband because he plays it so perfectly down the middle that you can never tell what he's up to. Then you've got Steele who once again delivers a great performance as the wife who finds herself seeing ghosts and other strange objects. THE HORRIBLE DR. HITCHCOCK isn't a flawless movie but it's certainly an entertaining one.
          7AlsExGal

          Good Italian Gothic with an odd twist.

          London, 1885. Respected Dr. Hichcock (Robert Flemyng) has had a rough day at work. He goes home to his wife Margarets' (Teresa Fitzgerald) piano recital. She plays badly enough for friends to whisper comments. After she's through playing, she pleads a headache and the attendees quickly leave. The doctor then mixes up a medicine to knock out the Mrs., so he can have sex with her as though she was dead. A few days later, the doctor puts too much barbiturate into his formula and kills his wife for real. After her funeral, he leaves London for twelve years.

          Fast forward to 1897. The doctor has married Cynthia (Barbara Steele), who was a mental patient of his and has no idea of his past. They return to London and Hichcock's old house. Strange events start to happen.

          The film looks expensive and fussily Victorian. Director Riccardo Freda has all of the music a note or so off key, to suggest things aren't right in the characters minds and that things aren't as placid as they may seem. The film utilizes most of the old cliches successfully; a dark and stormy night, a window banging, a piano playing by itself, etc. The film owes a lot to Alfred Hitchcock, and steals some ideas from his films. There's even a direct copy of one of his most famous shots, the glass of milk from "Suspicion" (1941).

          Steele was a underrated actress, and is at her best here. Flemyng is good as a man struggling not to become totally crazy.

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          Histoire

          Modifier

          Le saviez-vous

          Modifier
          • Anecdotes
            Barbara Steele took 10 days off filming Federico Fellini's 8½ (1963) to film this.
          • Gaffes
            The first time Hichcock sees his wife's ghost he runs out into a heavy rain; when he returns his clothes and hair are dry.
          • Citations

            Il dottor Bernard Hichcock: Here you are, my dear. Drink this--it will make you sleep.

          • Crédits fous
            Midway through the opening credits a woman screams.
          • Connexions
            Featured in Il Ritorno di Caltiki (2007)

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          FAQ15

          • How long is The Horrible Dr. Hichcock?Alimenté par Alexa

          Détails

          Modifier
          • Date de sortie
            • 6 mars 1963 (France)
          • Pays d’origine
            • Italie
          • Langue
            • Italien
          • Aussi connu sous le nom de
            • The Horrible Dr. Hichcock
          • Lieux de tournage
            • Villa Perucchetti, 21 Via Pietro Paolo Rubens, Rome, Lazio, Italie(location-filming)
          • Société de production
            • Panda Film
          • Voir plus de crédits d'entreprise sur IMDbPro

          Spécifications techniques

          Modifier
          • Durée
            • 1h 28min(88 min)
          • Couleur
            • Color
          • Mixage
            • Mono
          • Rapport de forme
            • 1.85 : 1

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