On the Beat

"On the Beat" was among Norman Wisdom's later films and remains one of his best. In this outing, the ever-aspiring Norman Pitkin wants to be a policeman like his late father, but he is rejected for being too short. Undaunted, Norman goes for the police physical exam on a pair of stilts in one of the film's many hilarious skits. Still dreaming of a police career, Norman dons his dad's uniform and plays ball with a group of kids. During the game, he blows the police whistle, and mayhem not seen since the heydays of Mack Sennett and the Keystone Cops erupts throughout the town. The physical nature of Wisdom's comedy and the emphasis on visuals explain his broad appeal among non-English-speaking audiences, much like silent comedy attracted immigrant audiences in the United States.

As a bonus, "On the Beat" offers not one, but two Normans. Besides his on-screen persona, Pitkin, Wisdom also plays Giulio, an Italian gangster who poses as a hairdresser and uses his beauty salon as a front. Although the swishy mustached stereotype is dated and arguably offensive, Norman is too endearing and funny to be guilty of anything but going for a laugh. When Wisdom plays Norman the policeman impersonating Giulio the hairdresser the results are hysterical. Although Norman is nearly impossible to upstage, the pixie-like Esma Cannon as Norman's landlady, Mrs. Timms, manages to steal her scenes with delightful facial expressions and impish delivery. "On the Beat" is on the beat and strikes no false notes, providing a string of comic scenes that pay homage to silent comedy and generate tears of laughter.

Norman Pitkin has dreams of being a police officer like his dear old dad. However he is too short to make the force and instead works as the parking attendant for the fleet. Despite repeating attempts hs can't make the force until it's noticed that he's the spitting image of a suspected criminal, Giulio Napolitani. Pitkin is recruited to infiltrate the gang and take evidence.

I'm a big Wisdom fan – but not the extent that I can't see when he has a weak spell. This film is a rerun of a similar theme a few years before when Pitkin tried to join the army. However this is not as funny as that as it is mostly very basic clowning with only a couple of funny, clever routines. The plot relies on the old-lookalike chestnut but doesn't use it until the last 20 minutes or so. It's still funny but lacks energy and the wit of some of his better routines.

Wisdom is as good as always and does his best whether the material is limited or not. He is impressive as two characters despite the fact that they aren't very funny. The problem is that he doesn't have a good support cast. Sure there's a few faces that you'll recognise from other more famous films but where's the regulars? Jerry Desmonde and Mr Grimsdale are both great actors/characters and they make a Wisdom film better. Here the support cast can't lift the film at all.

Overall it's still enjoyable even if it is very basic clowning that will mainly please kids, but this is not one of Wisdom's best.

Although Norman is often disparaged in the land of his birth there can be no doubt that this is a very funny and original film. If you have not seen this film I would like to advise you that it contains one of the funniest scenes on celluloid: Norman has always been turned down for the Police because of his height; he is much too short. Following an epiphanic moment in the street he goes along to his next medical - in stilts! Gags abound in the doctor's room ending with a quite hilarious punchline from the doctor. These old b&w films can be picked up fairly cheaply on video now. If you see this one get it - that scene alone is worth the money.

Norman Wisdom's trademark comedy skill is showcased well in this 1962 film and reminds us how simple and effective comedy can be.

Although the film is not the strongest that Wisdom produced during his long career there are still lots of moments to enjoy including lots of the physical comedy that Wisdom so enjoyed.

No Mr Grimsdale or Jerry Desmonde cameo on this occasion but still lots of laughs as Pitkin stumbles and bumbles through numerous comedy mishaps.

Wisdom's films are timeless and effortlessly funny so are well worth watching regardless of whether you are a fan or just someone discovering Wisdom's work after his death.

Movie fans who enjoy Jerry Lewis, Red Skelton and Abbott and Costello movies should like Norman Wisdom. This British comedy star of the mid- 20th century had a little bit of those comedians in his style. Yet, he had a character all his own.

"On the Beat" is a later film of his in which Wisdom plays Norman Pitkin, a wannabe Bobby. His father had been a policeman, but Norman can't get on the force because he's not tall enough to qualify. So, he has been working for Scotland Yard washing cars. He daydreams of being a crime- buster. Eventually, the right opportunity comes along and Norman impersonates an Italian underworld figure. He plays both roles and is very funny as Giulio Napolitani.

Pandemonium and hilarity break out from there on. I think this is one of his funniest films. It has one of the longest and funniest chases on foot ever filmed. "On the Beat" is sure to please anyone who enjoys just plain humor and crazy antics.