On the Beat

"On the Beat" was among Norman Wisdom's later films and remains one of his best. In this outing, the ever-aspiring Norman Pitkin wants to be a policeman like his late father, but he is rejected for being too short. Undaunted, Norman goes for the police physical exam on a pair of stilts in one of the film's many hilarious skits. Still dreaming of a police career, Norman dons his dad's uniform and plays ball with a group of kids. During the game, he blows the police whistle, and mayhem not seen since the heydays of Mack Sennett and the Keystone Cops erupts throughout the town. The physical nature of Wisdom's comedy and the emphasis on visuals explain his broad appeal among non-English-speaking audiences, much like silent comedy attracted immigrant audiences in the United States.

As a bonus, "On the Beat" offers not one, but two Normans. Besides his on-screen persona, Pitkin, Wisdom also plays Giulio, an Italian gangster who poses as a hairdresser and uses his beauty salon as a front. Although the swishy mustached stereotype is dated and arguably offensive, Norman is too endearing and funny to be guilty of anything but going for a laugh. When Wisdom plays Norman the policeman impersonating Giulio the hairdresser the results are hysterical. Although Norman is nearly impossible to upstage, the pixie-like Esma Cannon as Norman's landlady, Mrs. Timms, manages to steal her scenes with delightful facial expressions and impish delivery. "On the Beat" is on the beat and strikes no false notes, providing a string of comic scenes that pay homage to silent comedy and generate tears of laughter.

On the Beat is a Norman Wisdom comedy film directed by Robert Asher. It's the tenth Wisdom picture where he was the lead actor. Plot sees Wisdom as Norman Pitkin who works at Scotland Yard as a car cleaner but harbours dreams of becoming a policeman like his late father. The problem Norman faces is that he is just too small to meet the height requirement to join the service. However, after managing to get himself fired from the car wash job, Norman is given a way into the force on account of his uncanny resemblance to a suspected Italian crime boss who is masquerading as a hair dresser. Thus Norman is required to go undercover as the crime boss. Can he pull it off?

Norman Wisdom, he's Marmite isn't he? On The Beat, to this reviewer at least, is one of Wisdom's best film's. Some of his main collaborators such as Edward Chapman & Jerry Desmonde may be absent, but On the Beat has a real zest for life, an action comedy where at its core is the emotive based dreams of one man.

On The Beat follows in the great traditions of British comedy film's involving the good old British Bobby. Trace a line from Will Hay's brilliant Ask A Policeman in 1939 to Hot Fuzz (2007) and you will find a number of "themed" movies involving the British copper. With film's such as On The Beat and Carry On Constable from two years previously, we get a glimpse of a time when respect and fear of the law was the order of the day. When the copper was there to aid and make the public feel safe, values that sadly today are ever diminishing. With that, as a Brit myself, it's hard not to get caught up with nostalgia; and maybe even feel those pangs of sadness of a time long past. My rating, in that context should be taken in to consideration.

On The Beat is a very British film, it's also a rank and file Norman Wisdom film. One that's filled with the standard set pieces full of vim, vigour and chaos. With one medical on stilts sequence as mirthful as it is near genius. It's, however, unlikely to win over any sceptical older viewers who didn't get Wisdom back in the day. Nor is it a safe recommendation to those venturing for the first time into the works of Marylebone's famous son. But this does hold appeal for those in need of a light hearted pick me up. A harmless piece that zips along, gets in there, and gets the job done. Something that Wisdom, just like his character Pitkin, was want to do. 7/10

Norman Wisdom surely is one of the best comedians of the 20th century. In this film he plays a double role as a would-be policeman and a gangster-hairdresser. The way he handles the sublimely script is perfect. The music adds much to the fun of watching this wonderful comedy.

Norman Pitkin has dreams of being a police officer like his dear old dad. However he is too short to make the force and instead works as the parking attendant for the fleet. Despite repeating attempts hs can't make the force until it's noticed that he's the spitting image of a suspected criminal, Giulio Napolitani. Pitkin is recruited to infiltrate the gang and take evidence.

I'm a big Wisdom fan – but not the extent that I can't see when he has a weak spell. This film is a rerun of a similar theme a few years before when Pitkin tried to join the army. However this is not as funny as that as it is mostly very basic clowning with only a couple of funny, clever routines. The plot relies on the old-lookalike chestnut but doesn't use it until the last 20 minutes or so. It's still funny but lacks energy and the wit of some of his better routines.

Wisdom is as good as always and does his best whether the material is limited or not. He is impressive as two characters despite the fact that they aren't very funny. The problem is that he doesn't have a good support cast. Sure there's a few faces that you'll recognise from other more famous films but where's the regulars? Jerry Desmonde and Mr Grimsdale are both great actors/characters and they make a Wisdom film better. Here the support cast can't lift the film at all.

Overall it's still enjoyable even if it is very basic clowning that will mainly please kids, but this is not one of Wisdom's best.

Norman Wisdom's trademark comedy skill is showcased well in this 1962 film and reminds us how simple and effective comedy can be.

Although the film is not the strongest that Wisdom produced during his long career there are still lots of moments to enjoy including lots of the physical comedy that Wisdom so enjoyed.

No Mr Grimsdale or Jerry Desmonde cameo on this occasion but still lots of laughs as Pitkin stumbles and bumbles through numerous comedy mishaps.

Wisdom's films are timeless and effortlessly funny so are well worth watching regardless of whether you are a fan or just someone discovering Wisdom's work after his death.