NOTE IMDb
8,1/10
22 k
MA NOTE
L'histoire du combat d'Anne Sullivan pour enseigner à Helen Keller, aveugle et muette, à communiquer.L'histoire du combat d'Anne Sullivan pour enseigner à Helen Keller, aveugle et muette, à communiquer.L'histoire du combat d'Anne Sullivan pour enseigner à Helen Keller, aveugle et muette, à communiquer.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 13 victoires et 13 nominations au total
Maribel Ayuso
- Undetermined Role
- (non crédité)
Dale Ellen Bethea
- Martha at Age 10
- (non crédité)
John Bliss
- Admissions Officer
- (non crédité)
Grant Code
- Doctor
- (non crédité)
Michael Darden
- Percy at Age 10
- (non crédité)
Michele Farr
- Annie at Age 10
- (non crédité)
William F. Haddock
- 2nd Crone
- (non crédité)
Alan Howard
- Jimmie at Age 8
- (non crédité)
Judith Lowry
- 1st Crone
- (non crédité)
Helen Ludlam
- 3rd Crone
- (non crédité)
Beah Richards
- Viney - Keller Maid
- (non crédité)
Avis à la une
This movie made a strong impression on me when I saw it on Tv as a lad and I have revisted it a few more times but it had been a decade since i saw it last and my daughter had a done a book report on Helen Keller recently and was very moved by her story and I mentioned the Miracle Worker, so we rented it and viewed it tonight and it still packs a wallop and the performances are first rate. Patty Duke won the best supporting oscar that year and deserved it (even though she beat out Mary Badham who played Scout in To Kill A Mockingbird -- what a year for young actresses!!!)and Anne Bancroft is amazing as the tough, determined Anne Sullivan. A wonderful film.
I haven't seen acting like this in a long time! Patty Duke's portrayal of young Helen Keller shocked me with its intensity, rightness, and sensitivity. Anne Bancroft also played a tough role and did so brilliantly.
The other supporting roles were, of course, a bit stilted in the traditional Southern way, but added to the drama nonetheless. I still gave this movie a "10" despite having issues with the way director Penn handled the flashback scenes...a bit cheesy and not quite in keeping with the underlying plot in all cases. That said, the dinner scene with Patty Duke and Anne Bancroft is 100%+ riveting in a way seldom seen and the movie deserves its accolades just for that scene alone.
The other supporting roles were, of course, a bit stilted in the traditional Southern way, but added to the drama nonetheless. I still gave this movie a "10" despite having issues with the way director Penn handled the flashback scenes...a bit cheesy and not quite in keeping with the underlying plot in all cases. That said, the dinner scene with Patty Duke and Anne Bancroft is 100%+ riveting in a way seldom seen and the movie deserves its accolades just for that scene alone.
I bought this movie after having not seen it for a while, and watching it again was intensely powerful. I had never cried during the "water" scene, but I did this time. The scene in the dining room is magnificently filmed and exhausting to watch...to think Patty Duke and Anne Bancroft performed that scene every night on Broadway! Supposedly they wore multiple layers of padding. I don't know why they didn't create a new category for the Oscars that year, Best Double Performance in Leading Roles. They both richly deserved the Oscars they won, but I really couldn't choose between a leading role and a supporting role in that movie since Duke and Bancroft created such a beautiful and moving partnership. Having read a great deal about Helen Keller, including her own autobiography, I am still always amazed by her story and accomplishments. This movie is a brilliant testament to human strength.
Where do I begin? Shall I speak of Mrs Bancroft's performance,one of the finest you can watch on a screen?Shall I tell about Patty Duke's tour de force?Shall I praise the mind-boggling work of Arthur Penn,directing the long fight around the table?This movie is a miracle in itself.Behind her dark spectacles,the teacher hides buried terrors,that's why she's bound to understand her unusual pupil.She knows that the solution to her problems lies in herself,that the family is a prison .The parents do not see(or do not want to see) that they erect a wall between their daughter and the world outside by poisoning her with protection.That's why Annie seems brutal,hard on Helen.She could not have broken the wall if she had been a "nice" teacher.Among all Penn's great movies ,"miracle worker" is the only one that has an optimistic end.Since,other directors have tackled autism(children of a lesser God,rain man)but no one has surpassed this black and white gem.
An inspiring movie. I watch it now at the age of 48 and I remember why I idolized Anne Bancroft and tried to emulate her acting style when I was a theatre student. I still cry during the final scene at the water pump when she cries out - mother, father - she knows!!!! Thank God that Penn and Gibson made sure that she got this movie part. I still wish she would have gotten the the part of Gittel Mosca for the movie version of their broadway play "Two For The Seesaw" because I will never be able to see her performance. Patty Duke was magnificent. She was very convincing and there is never a moment when you don't think she is deaf, dumb and blind. There is no doubt that this pair deserved the Academy Award for their performances. Helen's story needed to be told and this film was a beautiful and poignant tribute to her life
Le saviez-vous
- AnecdotesMark Twain was the first person to refer to Anne Sullivan as "the miracle worker". Twain was a friend of Helen Keller.
- GaffesAnnie Sullivan has to look up the word discipline in a dictionary later in the film even though she's used it in a letter near the beginning; however, she remarks that she must know how to spell it before teaching it to Helen, and may have simply used her best guess in the letter since nothing was at stake.
- Citations
Annie Sullivan: Pity? For this tyrant? The whole house turns on her whims! Is there anything she wants she doesn't get? I'll tell you what I pity: that the sun won't rise and set for her all her life, and every day you're telling her it will! What good will your pity do when you're under the strawberries, Captain Keller?
- ConnexionsEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
- Bandes originalesHush, Little Baby
(uncredited)
Traditional Southern lullaby
Music adapted by Don Costa
Lyrics by Arthur Siegel
Sung by Anne Bancroft
Also played in the score
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Détails
Box-office
- Budget
- 500 000 $US (estimé)
- Montant brut mondial
- 4 139 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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