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Le fils d'une sorcière, armé d'armes, d'une armure et de six chevaliers invoqués par magie, se lance dans une quête pour sauver une princesse d'un sorcier vengeur.Le fils d'une sorcière, armé d'armes, d'une armure et de six chevaliers invoqués par magie, se lance dans une quête pour sauver une princesse d'un sorcier vengeur.Le fils d'une sorcière, armé d'armes, d'une armure et de six chevaliers invoqués par magie, se lance dans une quête pour sauver une princesse d'un sorcier vengeur.
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THE MAGIC SWORD (1962) is a fantasy film that enthralled me as a child when I sat in a Bronx theater with a packed house of kids on a summer afternoon. We talked about it for days afterwards and acted it out in our street games. As a grown-up, when I returned to it on TV, I may have found some of the effects less than convincing, particularly the dragon, but I still found the film quite engaging and consistently memorable. The images have a bold graphic quality reminiscent of the best comic book art. Each shot cuts right to its essential information and uses whatever low-budget means at the filmmaker's disposal--make-up, costumes, color, lighting, simple optical effects--to make the image stand out. In addition, there are strong performers on hand who have a kind of comic book/fairy tale aspect to them, e.g. Estelle Winwood, as the hero's spell-casting guardian; Basil Rathbone, as the sorcerer villain; and Vampira as a beautiful woman the knights meet on the road, who turns monstrous at a moment's notice.
The film is not afraid of grotesque imagery and doles it out in small, effective portions. As an adult I was struck by the horrific nature of some of the images, e.g. the withered old hag that Vampira turns into; the acid pool that yields up the skeleton of a victim who'd fallen into it just moments earlier; the burned, reddened skins of two of the knights as they're caught in some kind of intense sun ray. But as a child, I wasn't frightened by these images; they helped make the story more believable and more involving. Filmmaker Bert I. Gordon (THE AMAZING COLOSSAL MAN) was not afraid to show us the dark, gruesome side of this mythical tale. He wasn't trying to shield the kids in the audience the way bigger-budgeted Hollywood films of this stripe would have at the time (e.g., Harryhausen films like SEVENTH VOYAGE OF SINBAD and THREE WORLDS OF GULLIVER). There was an honesty to Gordon's approach that I think we, as kids, even without being able to articulate it, appreciated and respected. As an adult, I can't get this film out of my mind, while more recent spectacles like the overstuffed LORD OF THE RINGS are but a dim memory.
The film is not afraid of grotesque imagery and doles it out in small, effective portions. As an adult I was struck by the horrific nature of some of the images, e.g. the withered old hag that Vampira turns into; the acid pool that yields up the skeleton of a victim who'd fallen into it just moments earlier; the burned, reddened skins of two of the knights as they're caught in some kind of intense sun ray. But as a child, I wasn't frightened by these images; they helped make the story more believable and more involving. Filmmaker Bert I. Gordon (THE AMAZING COLOSSAL MAN) was not afraid to show us the dark, gruesome side of this mythical tale. He wasn't trying to shield the kids in the audience the way bigger-budgeted Hollywood films of this stripe would have at the time (e.g., Harryhausen films like SEVENTH VOYAGE OF SINBAD and THREE WORLDS OF GULLIVER). There was an honesty to Gordon's approach that I think we, as kids, even without being able to articulate it, appreciated and respected. As an adult, I can't get this film out of my mind, while more recent spectacles like the overstuffed LORD OF THE RINGS are but a dim memory.
I'm a Basil Rathbone fan, and a friend of mine picked this up for me somewhere--who knows where! The transfer isn't great, but the movie itself is wonderfully campy and has some cool moments if you're willing to stick with it and dig a little under the surface. Besides, I appreciated Mr. R.'s performance, and he managed to have some really good 'bad guy' moments in this (the scene where he had Helene watch her fellow prisoners being eaten by his dragon made an impression on me as being one of the best 'bad guy' moments I've seen, made even better by his distinctive baritone voice).
That said, the villains were better than the 'good' guys! Sir Branton's lines were atrocious, but would have been even mildly redeemable if they'd been delivered in more than an off-hand manner. George and Helene acted like spoiled brats, though they played their parts as the gallant knight (I chuckled when the orphan George introduced himself as 'Sir George' to the king who had never seen him, much less knighted him) and damsel in distress well.
The makeup in this movie was really creepy, and I'm sure the special effects were quite cutting edge for their time. I don't think I'd recommend this for kids younger than ten, as the monsters, the dark tone of the plot, and a 'little-too-sexy-for-the-movies' moment when Helene comes up out of the bath (my copy put a mosaic over a briefly topless Helene).
That said, the villains were better than the 'good' guys! Sir Branton's lines were atrocious, but would have been even mildly redeemable if they'd been delivered in more than an off-hand manner. George and Helene acted like spoiled brats, though they played their parts as the gallant knight (I chuckled when the orphan George introduced himself as 'Sir George' to the king who had never seen him, much less knighted him) and damsel in distress well.
The makeup in this movie was really creepy, and I'm sure the special effects were quite cutting edge for their time. I don't think I'd recommend this for kids younger than ten, as the monsters, the dark tone of the plot, and a 'little-too-sexy-for-the-movies' moment when Helene comes up out of the bath (my copy put a mosaic over a briefly topless Helene).
When this came out to the people of that time it served its purpose well and became a good source of entertainment for its time. Children were deeply affected and even adults were able to sit through this making it believe it or not a family movie with fun, popcorn and memories. Scary by its time and standards and not so much today, those that captured this for the first time scored well. Who hasn't dreamed of a magic sword, a fast horse or pet, loyal friends and someone to love? How a bout a bad guy who doesn't like anyone? A silly old grandma who loves and spoils?
I was 7 years old when this movie came out, and although I didn't see it then, I bet I would have loved it. Swashbuckling knights, a quest, plenty of adventure, some pretty evil bad guys, and a few memorable creepy images. Of course, I wound up seeing it at the age of 47, and I have to admit it's for the most part pretty cheesy. Gary Lockwood and Anne Helm are so badly miscast it's hilarious, the attempts at humor are excruciatingly bad, the plot is kind of lumpy (the 7 curses don't seem to have any pattern to them), and so on. But hey -- some films are for kids and not adults, and this is about as good as you're going to get from Bert I. Gordon. Let's give him his due on this one.
A friend of mine lent me their copy of The Magic Sword, a 1962 film directed by Bert I. Gordon. While it's still fresh on my mind, I thought I would crank out a review.
The film is based loosely on the medieval legend of St. George and the Dragon, or so I read on Wikipedia. I don't know much about the legend myself, but I probably would after a bit of searching.
Anyway, the plot of The Magic Sword is your typical "brave knight goes on a quest to save a princess from an evil wizard" deal. The sword in the title has to do with the fact that the main character wields a sword that apparently has some kind of magical powers.
Despite the use of the tired old "save the princess" plot, the film itself is surprisingly good and was a lot of fun to watch. The acting is just a bit on the hammy side, but I think it's one of the things that made watching the film fun. The film moves along nicely from scene to scene and didn't seem to drag anywhere. The special effects, though a bit cheesy compared to what we're used to seeing these days, were still pretty good considering the time the film was done. The dragon effects near the end were really cool.
There might be a scene or three that might be deemed inappropriate for very young children. There's some boobage, though very brief, near the beginning (although the version I saw blotted it out with a mosaic... the bastards). A couple of other scenes were just due to some really disturbing makeup effects. Other than that, the film is pretty family friendly.
Overall I recommend this film. It was fun to watch and there was never a dull moment. But mostly because Basil Rathbone is such a badass as the evil wizard.
The film is based loosely on the medieval legend of St. George and the Dragon, or so I read on Wikipedia. I don't know much about the legend myself, but I probably would after a bit of searching.
Anyway, the plot of The Magic Sword is your typical "brave knight goes on a quest to save a princess from an evil wizard" deal. The sword in the title has to do with the fact that the main character wields a sword that apparently has some kind of magical powers.
Despite the use of the tired old "save the princess" plot, the film itself is surprisingly good and was a lot of fun to watch. The acting is just a bit on the hammy side, but I think it's one of the things that made watching the film fun. The film moves along nicely from scene to scene and didn't seem to drag anywhere. The special effects, though a bit cheesy compared to what we're used to seeing these days, were still pretty good considering the time the film was done. The dragon effects near the end were really cool.
There might be a scene or three that might be deemed inappropriate for very young children. There's some boobage, though very brief, near the beginning (although the version I saw blotted it out with a mosaic... the bastards). A couple of other scenes were just due to some really disturbing makeup effects. Other than that, the film is pretty family friendly.
Overall I recommend this film. It was fun to watch and there was never a dull moment. But mostly because Basil Rathbone is such a badass as the evil wizard.
Le saviez-vous
- AnecdotesThe film was skewered in The Magic Sword (1992). In the "Mystery Science Theater 3000 Amazing Colossal Episode Guide" book, the show's creators admitted that "this is actually a pretty good movie."
- GaffesEven though modern Italian state did not exist until 1861, the region corresponding to it has been referred to as "Italy" since Roman times. And during the setting of this film, they would've spoken a form of Italian. And they would've been referred to as Italian-Speakers or Italians. Also, between 800 A.D. and 1806, there was an entity called the "Kingdom of Italy" which consisted of mostly of Northern and Central Italy except for Venice. It was one of the three constituent kingdoms of the so called Holy Roman Empire along with Germany and Burgundy. They were nominally ruled by the German Holy Roman Emperor, but in reality, central government was usually non-existent so the "Kingdom of Italy" only existed on paper. Still, "Sir Anthony of Italy" would not have been an incorrect title.
- Citations
Sir Branton: Was it magic?
Lodac: No. Not magic.
Sir Branton: Then how did George escape?
Lodac: I think... yes. Something stronger than magic. The power of Patrick's faith.
- Crédits fousRoss Wheat (dragon-puppet operator) as "dragon trainer."
- ConnexionsEdited into L'homme qui sauva le monde - Episode I (1982)
- Bandes originalesFrere Jacques
(Traditional French Song)
Sung by pretty girl to French knight outside mill
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La espada mágica
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 20min(80 min)
- Rapport de forme
- 1.85 : 1
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