Las luchadoras contra el médico asesino

While not a film of any real significance or importance in the overall history of horror film, this is still an enjoyable treat, presenting the cinematic debut of the two lovely amazon wrestling women, Gloria Venus and Golden Rubi, who would then be re-united in the 1964 film, Wrestling Women vs Aztec Mummy.

These two girls are good examples of the kind of girlfriend a guy ought to have - buxom, beautiful, tough yet feminine, and they have jobs too.

The best thing about these Mexican horror films is not that they are frightening, for they aren't, but that they are fast-paced and adventurous fantasy, if silly at times, with good character humor. Always enjoyable and never too gruesome for the kids.

It is seldom that B-movie lovers get a treat like this. K. Gordon Murray, the man who delivers Mexican wrestling flicks for our consumption, brings us "Rock & Roll Wrestling Women vs. The Aztec Ape." I can honestly say that this is truly a guilty pleasure.

This movie involves your typical Mad Scientist (MS), who is working on transplanting brains for reasons not explained. He has already transplanted an ape's brain into a man, giving us a man slowly turning into an ape. The purpose of this is not entirely clear either, but thankfully said MS has a hypnotic trance over him. Heaven knows we can't afford to have half man/half apes walking around willy-nilly.

Anyhow, since the young, less educated women don't seem to be surviving these transplants (gee, I wonder why?), MS decides to abduct and operated on a pretty young lady who is a scientist. Sadly, she dies on the table. Next, MS decides he needs more athletic women -- so he decides to find a wrestler. Unfortunately, the woman he goes after is Venus, the sister of the pretty scientist MS just killed.

This flick is enjoyable in every area except for the soundtrack, which should have been stopped at the border, strip searched, and held on trumped-up charges. The wrestling scenes are well done, and the acting is much above the norm. Plus, I love Venus! She is absolutely fabulous as both an actress & as a wrestler. She puts Peaches Page to shame.

This movie also doesn't take itself too seriously, and tells a good story without cutting corners or relying on an overuse of stock footage. Plus, it doesn't insult my Suspension of Disbelief or cause it to slap me for my poor choice in movies.

Sterno says flick your Bics for "Rock & Roll Wrestling Women".

I recently (and reluctantly) posted a somewhat negative review of the Mexican classic BRAINIAC. Last night I watched DOCTOR OF DOOM and my faith has been restored! This is the kind of goofy fun I expect from old south of the border exploitation films. A mad scientist kidnaps women for brain transplant experiments! His henchman is a hulking guy with a gorilla brain in his skull! The detectives are trapped in one of those rooms with spiked walls that close in on you! Wrestling women who look like Laura Petrie on steroids save the day! Oh man, it doesn't get better than this. I especially liked the detective captain's sidekick, a little guy one of the women refers to as a "five foot lightning bolt." He's actually funny and engaging. At one point he faces nearly certain doom and radios his girl friend for help. If she doesn't hurry, he says, they'll never walk down the aisle together. "Don't talk like that, small hero!" she responds, "I'll be there like white lightning!" I felt like I'd been drinking white lightning while I watched this. Check it out!

A mad doctor is running amok on the backlot of Azteca Studios. He has successfully transplanted the brain of a gorilla into the body a male human, who has developed an un-gorilla-like taste for raw meat and is sporting thick hunks of glued-on fur on his back and arms. Now the Mad Doctor seeks---for reasons naturally unexplained--to transplant a female human brain into the body of another female human. Along the way, the Mad Doc--accompanied by his evil henchmen and the ape-man--botches several transplant attempts, and earns the wrath of babe-a-licious luchadora champeen Gloria Venus (after he offs her chemist sister in a brain-swap-gone-bad) and her police detective boyfriend.

So why's the Doc goin' to all this trouble? Perhaps he wants a companion for Gorilla Boy? Heck, we don't know, but it's the setup for the rest of the picture, which is one of the most humorous and high-spirited of the Mexican Wrestling genre. As with most K. Gordon Murray Mexi-horror fare, the dubbing is always awkward, and often hilarious, though the actors seem to be enjoying themselves (especially Mad Doc, who gets to chew major scenery for the last half hour), and the direction by Rene Cardona the Elder gets progressively tighter as the film progresses--this is one of the few Mexi-Horror flicks that actually gets better the longer you watch it. There are at least two "trick" endings, a wild plot twist in the last 15 minutes (an evil lady wrestler with a gorilla's brain? Nah), and a predictably ludicrous ending. The only caveat to offer is the tampering with the soundtrack, presumably by Johnny Legend. For a couple of fight scenes---maybe 10 minutes in all--the delightfully cheesy original score is dubbed out in favor of some tepid late-'80s Rockabilly Twang music. It's not too distracting, but you have to wonder the anyone even bothered in the first place. But if you're an aficionado of Mexi-Horror or Wrestling Pictures, you will want to check out this film. It was the first of the "Wrestling Women" series, and one of the most successful. Forty years later, it's easy to see why

Mexican horror movie about a mad doctor who's trying to transplant one womens brain into another womens head but with no success. The doctor did succeeded with having a gorilla's brain transplanted into his servants, Gomar, head turning him into a semi-human primate. But somehow when it came to women to women brain transplants in the four times that he tried it all the women died on the operating table.

Coming up with the bright idea that the women that he's using in his experiment's are of low intelligence the doctor has his hoods together with a bullet-proof clad Gomar kidnap laboratory aid Alice, after taking out four Mexican cops. Alice also dies during the doctors transplant operation which convinces the mad doctor that what he needs is a woman of very strong body as well as mind, a woman wrestler. And who better to experiment on then the Woman's Wrestling Champion of Mexico herself, who just happens to be the dead Alice's sister, Gloria Venus.

Lots of action with Gloria and her tag-team partner Golden Rubi taking on the mad doctor and his gang of thugs and having little trouble kicking their a**. In desperation the doctor, who after having his face burned with acid in a fight with the two girls, get the woman wrestler Vendatta and has Gomar's brain transplanted into her head! This hair brained idea on the doctors part gave Vendatta the strength of a bull-gorilla. Now the doctor will use her to get his revenge against both Gloria and Golden Rubi in the ring.

Not at first knowing who she's fighting with Gloria get's the hell beat out of her by the zombie-like Vendatta with the mad doctor disguised as her manager giving her instructions, via his power of mental telepathy, at ringside. Golden Rubi spots one of the mad doctors henchmen in the stands watching the wrestling match and realizes, after almost twisting his arm off, that it's the mad doctor who's behind Vendatta and want's his super-woman to end Gloria's career in the ring.

All hell breaks loose with both Golden Rubi and the ring referee joining in the fight with Vendatta as she and the disguised mad doctor make a run for it only to be trapped on a water tower where he and Vendatta have no where else to go but down and give themselves up to the awaiting police.

The wrestling scenes which make up almost half of the movie "Doctor of Doom" are about the only thing that makes the film watchable. The suspense of who the mad doctor really is is almost non-existent. Since even someone brain dead, like most of those in the movie, could figure that one out almost as soon as they saw the mad doctor, minus his KKK-like hood, make his both grand and uneventful appearance in the movie.