Lolita

I think Stanley Kubrick was the only director who had any ideas of how to tackle a film version of Lolita. I also believe that he was the only director who could have succeeded, and I believe he did succeed. This film was everything I could have expected it to be, and maybe even a little more.

Shelley Winters' performance was wonderful! James Mason delivered a strong effort in a very difficult part to play. Peter Sellers was Peter Sellers, four or five times throughout the movie, but that's Peter Sellers, and that's why I am really starting to admire his work. The real surprise performance in this movie, however, came from Sue Lyon in the title role. Her intensity was incredible. She seemed perfectly natural as a teenage girl enjoying the attention of older men, or just men in general. You could really see the wheels turning in her head as she schemed her way from one situation to the other. Some have criticized that her Lolita was "too old" in comparison to the novel's Lolita. One could make that judgment, however, what twelve year old actress would have been able to provide the emotional depth required for the part? Let's face it, in literary adaptations, some license must be allowed. All in all, I thought it was a very good movie, and I would recommend it to anyone who enjoys the work of Stanley Kubrick and/or Peter Sellers.

This film remains my all-time favorite. It's a delicious, adult meditation on youth, obsession and sex. While not entirely faithful to the novel, it captures the book's spirit and is nonetheless a masterpiece on its own terms. To fully appreciate what Kubrick has done, compare this version to Adrian Lyne's anemic remake.

Kubrick chose his cast wisely for the most part. James Mason conveys both the tormented inner soul and the outwardly polite gentleman with such charm that you simply can't despise him for his treachery. Shelley Winters was never better as the shrill, man-hungry shrew. Sue Lyon is enormously credible in a complex role - physically attractive, childish at times in her behavior, but quietly calculating and manipulative. The weakest link is Peter Sellers, who Kubrick found amusing enough to let him run on too long. Sellers was a brilliant performer, but just not right for this film. As Quilty, he's fine. When masquerading as others, he's mostly intrusive and tends to alter the tone of what's going on.

The need to tread carefully around the censors in 1962 actually works in the film's favor. There's a sophisticated subtlety that counterbalances the lurid subject matter. In fact, I even prefer the edited-for-television version of the scene in which Humbert and Lolita first have sex. Here she merely whispers in his ear before a suggestive fade-out. In the complete version of the film, the scene continues with them discussing a silly game played at summer camp. The less said, the better.

"Lolita" has aged remarkably well. Its topic is relevant today, and the careful craftsmanship that went into this production holds up beautifully. I think it's Kubrick's best film - they tended to get more self-indulgent as time went on. This one's a gem. Not to be overlooked are the aptly provocative title sequence and Nelson Riddle's luscious piano score.

8/10

Kubrik's version of Nabokov's tale of a middle-aged professor's self-destructive obsession with a young schoolgirl. Making a film that dealt with underage sex was considered impossible in 1962 due to the strict censorship regulations. Kubrik manages to get round this by merely alluding to sexual encounters and subtle wordplay and symbolism creeps into several scenes. He also raises the girl's age from 12 in the novel to 14 in the film. Lolita is also rich in Kubrik's trademark dark humour.

The three central characters of the novel are all portrayed more than adequately in the film; James Mason as the smitten professor, Shelley Winters as the suburban widow with pretensions of culture and Sue Lyons as the young nymphet. However, it is Sellars' performance as the creepy eccentric Clare Quilty (a relatively minor character in the book) that steals the show and, ultimately, makes the film. The opening scene (which is the ending of the film) is an outstanding testament to his talent and versatility. The said scene gives the film the same "circular structure" used by David Lean in "Brief Encounter".

My favourite moments include; Quilty's re-introduction to the film at the school's summer ball as the camera pans across the dancefloor and subtly reveals a look of comic ambivalence on his face as he dances with his lover, Humbert awkwardly trying to book the only remaining hotel-room at the police convention and Humbert again trying to teach the cynical Lolita the joys of Edgar Allen Poe's poetry.

I thoroughly recommend this film. My only complaint is the length - the final third seemed to drag a bit.

Not the two words that came to mind when I first read the book. This movie nicely handles the taboo subject matter and is tremendously funny as well. Peter Sellers was warming up for his triumph in Dr. Strangelove, Shelly Winters gave her best performance, and James Mason made us feel his pain. As Lolita, Sue Lyon is convincing although Kubrick makes her character a bit older (probably to satisfy the censors, which still slapped this with an X rating originally, much to my surprise). The movie could play on TV today with no edits. I have not seen the 1997 remake but can only imagine, given its director with a reputation of going over the top, that it's not as classy and tasteful as this one. Since this was made in 1962, the risque elements from the book were left to our imagination. And the movie scores highly because of it. The movie's story is stuck in the '60s (that bubblegum music, which played during Lolita's early scenes, will stick with you), and if you are bored with the story, or cannot believe what you're seeing, you can always get a culture lesson: Hula hoops, malt shops, pseudo intellectuals, faulty cots and gas stations where they still pump your gas.

I'm going to say something that Kubrick fans and are not going to like. I think the 1997 remake of Lolita , directed by Adrian Lyne is a far superior film. Granted , i saw the remake first which may have had some influence but i am adamant it's a better film.

I'm not saying this version is bad , its not. In fact its really good but there are some real problems with it and they are mainly down to one person - Peter Sellers. His character Clare Quilty is so over the top . It's like there is a character from the Goon Show inserted into a serious drama and it feels wrong in every way. Why Kubrick felt this was necessary is beyond me. Frank Langella played Quilty in the remake and got it spot on. No childish voices or Pink Panther esq disguises.

James Mason is superb ( That Voice!) as is Shelley Winters and Sue Lyon who played Lolita. You have to admire Stanley Kubrick for making a film in 1962 with such a controversial subject . It was a brave thing to do. Sue Lyon plays the innocent ( or not so) teen brilliantly and i love the subtle looks she gives Humbert . The question is , is she encouraging him or is he just a sexual predator ?

Despite my thoughts on the remake being a better film , i still think this one of Kubrick's best.